The Beautiful and Damned by F. Scott Fitzgerald (best time to read books txt) 📕
Description
Anthony Patch, the grandson of a wealthy businessman, spends his youth in idle relaxation expecting to inherit his grandfather’s fortune. But when he meets Gloria, a vibrant young flapper, the two feel an irresistible attraction and quickly get married despite their clashing personalities.
The two embark on a lifestyle of Jazz Age living: hard partying, profligate spending, and generally living the high life. But Anthony’s prohibitionist grandfather soon finds out and disowns Anthony, sending their lifestyle crashing down from its former heights to intolerable indignity.
Like Fitzgerald’s previous novel, This Side of Paradise, and his next novel, The Great Gatsby, The Beautiful and Damned documents the life of the idle rich in America’s Jazz Age. Both Anthony and Gloria’s characters explore the problem of what one is left to do when one has no other purpose in life. Because Anthony’s expecting a large inheritance, his ambition is muzzled and he feels no need to embark on a career or participate in the betterment of society. Gloria’s main purpose in life was to find a husband; once she’s done that, what’s left except spending money and partying?
The relationship between Anthony and Gloria is the explosive propellant that drives the plot. The two are clearly a poor match for each other. While Anthony is an aimless aesthete who expects to inherit wealth and power, Gloria is a self-absorbed socialite mostly banking on her undisputed beauty. Their mutual selfishness leads to constant conflict, and eventually, to mutual dislike. But despite that, the two remain together, locked in to their self-absorption, lack of ambition, and obsession with the past, as Anthony descends into alcoholism and Gloria into desperate middle age.
Anthony and Gloria are fairly transparent fictionalizations of Fitzgerald himself and his wife Zelda. Their relationship was famously tumultuous, and parallels Anthony and Gloria’s highs and lows. Fitzgerald himself was born to upper-middle-class wealth and led a aimless youth before turning to the army and to writing; in his later years, he considered himself nothing more than a middling success and turned to writing for Hollywood before totally embracing the alcoholism he had courted since his college days, and that would finally kill him. Zelda, for her part, was a socialite and the canonical “flapper.” Beautiful and bubbly, she enabled the legendarily hard-partying lifestyle that fueled their bitter fights. Her mercurial disposition later led her to being committed to an asylum for schizophrenia. Even the cover illustration of the book’s first edition features a couple meant to resemble Fitzgerald and Zelda.
Today, The Beautiful and Damned is not just a glittering record of Jazz Age excess, it’s a nuanced character study of how expectation can ruin ambition, and how relationships aren’t always easy to endure—or to dissolve.
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- Author: F. Scott Fitzgerald
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“I’ll kill him,” cried Anthony, pitching and straining from side to side. “Let me kill—”
“Throw him out!” ordered Bloeckman excitedly, just as a small man with a pockmarked face pushed his way hurriedly through the spectators.
“Any trouble, Mr. Black?”
“This bum tried to blackmail me!” said Bloeckman, and then, his voice rising to a faintly shrill note of pride: “He got what was coming to him!”
The little man turned to a waiter.
“Call a policeman!” he commanded.
“Oh, no,” said Bloeckman quickly. “I can’t be bothered. Just throw him out in the street. … Ugh! What an outrage!” He turned and with conscious dignity walked toward the washroom just as six brawny hands seized upon Anthony and dragged him toward the door. The “bum” was propelled violently to the sidewalk, where he landed on his hands and knees with a grotesque slapping sound and rolled over slowly onto his side.
The shock stunned him. He lay there for a moment in acute distributed pain. Then his discomfort became centralized in his stomach, and he regained consciousness to discover that a large foot was prodding him.
“You’ve got to move on, y’ bum! Move on!”
It was the bulky doorman speaking. A town car had stopped at the curb and its occupants had disembarked—that is, two of the women were standing on the dashboard, waiting in offended delicacy until this obscene obstacle should be removed from their path.
“Move on! Or else I’ll throw y’on!”
“Here—I’ll get him.”
This was a new voice; Anthony imagined that it was somehow more tolerant, better disposed than the first. Again arms were about him, half lifting, half dragging him into a welcome shadow four doors up the street and propping him against the stone front of a millinery shop.
“Much obliged,” muttered Anthony feebly. Someone pushed his soft hat down upon his head and he winced.
“Just sit still, buddy, and you’ll feel better. Those guys sure give you a bump.”
“I’m going back and kill that dirty—” He tried to get to his feet but collapsed backward against the wall.
“You can’t do nothin’ now,” came the voice. “Get ’em some other time. I’m tellin’ you straight, ain’t I? I’m helpin’ you.”
Anthony nodded.
“An’ you better go home. You dropped a tooth tonight, buddy. You know that?”
Anthony explored his mouth with his tongue, verifying the statement. Then with an effort he raised his hand and located the gap.
“I’m agoin’ to get you home, friend. Whereabouts do you live—”
“Oh, by God! By God!” interrupted Anthony, clenching his fists passionately. “I’ll show the dirty bunch. You help me show ’em and I’ll fix it with you. My grandfather’s Adam Patch, of Tarrytown—”
“Who?”
“Adam Patch, by God!”
“You wanna go all the way to Tarrytown?”
“No.”
“Well, you tell me where to go, friend, and I’ll get a cab.”
Anthony made out that his Samaritan was a short, broad-shouldered individual, somewhat the worse for wear.
“Where d’you live, hey?”
Sodden and shaken as he was, Anthony felt that his address would be poor collateral for his wild boast about his grandfather.
“Get me a cab,” he commanded, feeling in his pockets.
A taxi drove up. Again Anthony essayed to rise, but his ankle swung loose, as though it were in two sections. The Samaritan must needs help him in—and climb in after him.
“See here, fella,” said he, “you’re soused and you’re bunged up, and you won’t be able to get in your house ’less somebody carries you in, so I’m going with you, and I know you’ll make it all right with me. Where d’you live?”
With some reluctance Anthony gave his address. Then, as the cab moved off, he leaned his head against the man’s shoulder and went into a shadowy, painful torpor. When he awoke, the man had lifted him from the cab in front of the apartment on Claremont Avenue and was trying to set him on his feet.
“Can y’ walk?”
“Yes—sort of. You better not come in with me.” Again he felt helplessly in his pockets. “Say,” he continued, apologetically, swaying dangerously on his feet, “I’m afraid I haven’t got a cent.”
“Huh?”
“I’m cleaned out.”
“Sa‑a‑ay! Didn’t I hear you promise you’d fix it with me? Who’s goin’ to pay the taxi bill?” He turned to the driver for confirmation. “Didn’t you hear him say he’d fix it? All that about his grandfather?”
“Matter of fact,” muttered Anthony imprudently, “it was you did all the talking; however, if you come round, tomorrow—”
At this point the taxi-driver leaned from his cab and said ferociously:
“Ah, poke him one, the dirty cheap skate. If he wasn’t a bum they wouldn’ta throwed him out.”
In answer to this suggestion the fist of the Samaritan shot out like a battering-ram and sent Anthony crashing down against the stone steps of the apartment-house, where he lay without movement, while the tall buildings rocked to and fro above him. …
After a long while he awoke and was conscious that it had grown much colder. He tried to move himself but his muscles refused to function. He was curiously anxious to know the time, but he reached for his watch, only to find the pocket empty. Involuntarily his lips formed an immemorial phrase:
“What a night!”
Strangely enough, he was almost sober. Without moving his head he looked
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