Short Fiction by Fritz Leiber (top romance novels .TXT) 📕

Finally Kitty-Come-Here, inspired by the sight of a greenly glittering rack of it at the supermarket, purchased a half gallon of bottled water from a famous spring. She wondered why she hadn’t thought of this step earlier⁠—it certainly ought to take care of her haunting convictions about the unpalatableness of chlorine or fluorides. (She herself could distinctly taste the fluorides in the tap water, though she never mentioned this to Old Horsemeat.)

One other development during the Great Spilled Water Mystery was that Gummitch gradually emerged from depression and became quite gay. He took to dancing cat schottisches and gigues impromptu in the living room of an evening and so forgot his dignity as to battle joyously with the vacuum-cleaner dragon when Old Horsemeat used one of the smaller attachments to curry him; the young cat clutched the hairy round brush to his stomach and madly clawed it as it whuffled menacingly. Even the afternoon he came home with a shoulder gashed by the Mad Eunuch he seemed strangely lighthearted and debonair.

The Mystery was abruptly solved one sunny Sunday afternoon. Going into the bathroom in her stocking feet, Kitty-Come-Here saw Gummitch apparently trying to drown himself in the toilet. His hindquarters were on the seat but the rest of his body went down into the bowl. Coming closer, she saw that his forelegs were braced against the opposite side of the bowl, just above the water surface, while his head thrust down sharply between his shoulders. She could distinctly hear rhythmic lapping.

To tell the truth, Kitty-Come-Here was rather shocked. She had certain rather fixed ideas about the delicacy of cats. It speaks well for her progressive grounding that she did not shout at Gummitch but softly summoned her husband.

By the time Old Horsemeat arrived the young cat had refreshed himself and was coming out of his “well” with a sudden backward undulation. He passed them in the doorway with a single mew and upward look and then made off for the kitchen.

The blue and white room was bright with sunlight. Outside the sky was blue and the leaves were rustling in a stiff breeze. Gummitch looked back once, as if to make sure his human congeners had followed, mewed again, and then advanced briskly toward his little bowl with the air of one who proposes to reveal all mysteries at once.

Kitty-Come-Here had almost outdone herself. She had for the first time poured him the bottled water, and she had floated a few rose petals on the surface.

Gummitch regarded them carefully, sniffed at them, and then proceeded to fish them out one by one and shake them off his paw. Old Horsemeat repressed the urge to say, “I told you so.”

When the water surface was completely free and winking in the sunlight, Gummitch curved one paw under the side of the bowl and jerked.

Half the water spilled out, gathered itself, and then began to flow across the floor in little rushes, a silver ribbon sparkling with sunlight that divided and subdivided and reunited as it followed the slope. Gummitch crouched to one side, watching it intensely, following its progress inch by inch and foot by foot, almost pouncing on the little temporary pools that formed, but not quite touching them. Twice he mewed faintly in excitement.

“He’s playing with it,” Old Horsemeat said incredulously.

“No,” Kitty-Come-Here countered wide-eyed, “he’s creating something. Silver mice. Water-snakes. Twinkling vines.”

“Good Lord, you’re right,” Old Horsemeat agreed. “It’s a new art form. Would you call it water painting? Or water sculpture? Somehow I think that’s best. As if a sculptor made mobiles out of molten tin.”

“It’s gone so quickly, though,” Kitty-Come-Here objected, a little sadly. “Art ought to last. Look, it’s almost all flowed over to the wall now.”

“Some of the best art forms are completely fugitive,” Old Horsemeat argued. “What about improvisation in music and dancing? What about jam sessions and shadow figures on the wall? Gummitch can always do it again⁠—in fact, he must have been doing it again and again this last month. It’s never exactly the same, like waves or fires. But it’s beautiful.”

“I suppose so,” Kitty-Come-Here said. Then coming to herself, she continued, “But I don’t think it can be healthy for him to go on drinking water out of the toilet. Really.”

Old Horsemeat shrugged. He had an insight about the artistic temperament and the need to dig for inspiration into the smelly fundamentals of life, but it was difficult to express delicately.

Kitty-Come-Here sighed, as if bidding farewell to all her efforts with rose petals and crystalline bottled purity and vanilla extract and the soda water which had amazed Gummitch by faintly spitting and purring at him.

“Oh, well,” she said, “I can scrub it out more often, I suppose.”

Meanwhile, Gummitch had gone back to his bowl and, using both paws, overset it completely. Now, nose a-twitch, he once more pursued the silver streams alive with suns, refreshing his spirit with the sight of them. He was fretted by no problems about what he was doing. He had solved them all with one of his characteristically sharp distinctions: there was the sacred water, the sparklingly clear water to create with, and there was the water with character, the water to drink.

There are all sorts of screwy theories (the Professor said) of what makes the wheels of the world go round. There’s a boy in Chicago who thinks we’re all of us just the thoughts of a green cat; when the green cat dies we’ll all puff to nothing like smoke. There’s a man in the west who thinks all women are witches and run the world by conjure magic. There’s a man in the east who believes all rich people belong to a secret society that’s a lot tighter and tougher than the Mafia and that has a monopoly of power-secrets and pleasure-secrets other people don’t dream exist.

Me, I think the wheels of the world just go. I decided that forty years ago and I’ve never since