The Good Soldier by Ford Madox Ford (top 10 ebook reader TXT) 📕
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At the height of belle époque Europe, an American couple—the narrator John Dowell and his wife Florence–and a British couple–Leonora and the titular “good soldier” Edward Ashburnham—meet and become firm friends. Travelling and socialising together, it’s a full nine years before the cracks start to show, but when they do the whole edifice starts tumbling to reveal the secrecy and lies concealed within.
The Good Soldier is a classic example of the unreliable narrator genre. With a charitable view, everything John Dowell retells is plausible, but it doesn’t take much critical thinking to reframe the story’s events as something entirely more sinister.
The novel is now frequently ranked by critics as one of the great pieces of twentieth-century literature. Ford Madox Ford, already published many times over by this novel’s release, and along with collaborations with both Joseph Conrad and Ernest Hemingway, went on to create and edit the influential literature journals The English Review and The Transatlantic Review.
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- Author: Ford Madox Ford
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She used to exclaim: “Well, if you knew it, why haven’t you told it all already to Captain Ashburnham? I’m sure he finds it interesting!” And Leonora would look reflectively at her husband and say: “I have an idea that it might injure his hand—the hand, you know, used in connection with horses’ mouths. …” And poor Ashburnham would blush and mutter and would say: “That’s all right. Don’t you bother about me.”
I fancy his wife’s irony did quite alarm poor Teddy; because one evening he asked me seriously in the smoking-room if I thought that having too much in one’s head would really interfere with one’s quickness in polo. It struck him, he said, that brainy Johnnies generally were rather muffs when they got on to four legs. I reassured him as best I could. I told him that he wasn’t likely to take in enough to upset his balance. At that time the Captain was quite evidently enjoying being educated by Florence. She used to do it about three or four times a week under the approving eyes of Leonora and myself. It wasn’t, you understand, systematic. It came in bursts. It was Florence clearing up one of the dark places of the earth, leaving the world a little lighter than she had found it. She would tell him the story of Hamlet; explain the form of a symphony, humming the first and second subjects to him, and so on; she would explain to him the difference between Arminians and Erastians; or she would give him a short lecture on the early history of the United States. And it was done in a way well calculated to arrest a young attention. Did you ever read Mrs. Markham? Well, it was like that. …
But our excursion to M⸺ was a much larger, a much more full dress affair. You see, in the archives of the Schloss in that city there was a document which Florence thought would finally give her the chance to educate the whole lot of us together. It really worried poor Florence that she couldn’t, in matters of culture, ever get the better of Leonora. I don’t know what Leonora knew or what she didn’t know, but certainly she was always there whenever Florence brought out any information. And she gave, somehow, the impression of really knowing what poor Florence gave the impression of having only picked up. I can’t exactly define it. It was almost something physical. Have you ever seen a retriever dashing in play after a greyhound? You see the two running over a green field, almost side by side, and suddenly the retriever makes a friendly snap at the other. And the greyhound simply isn’t there. You haven’t observed it quicken its speed or strain a limb; but there it is, just two yards in front of the retriever’s outstretched muzzle. So it was with Florence and Leonora in matters of culture.
But on this occasion I knew that something was up. I found Florence some days before, reading books like Ranke’s History of the Popes, Symonds’ Renaissance, Motley’s Rise of the Dutch Republic and Luther’s Table Talk.
I must say that, until the astonishment came, I got nothing but pleasure out of the little expedition. I like catching the two-forty; I like the slow, smooth roll of the great big trains—and they are the best trains in the world! I like being drawn through the green country and looking at it through the clear glass of the great windows. Though, of course, the country isn’t really green. The sun shines, the earth is blood red and purple and red and green and red. And the oxen in the ploughlands are bright varnished brown and black and blackish purple; and the peasants are dressed in the black and white of magpies; and there are great flocks of magpies too. Or the peasants’ dresses in another field where there are little mounds of hay that will be grey-green on the sunny side and purple in the shadows—the peasants’ dresses are vermilion with emerald green ribbons and purple skirts and white shirts and black velvet stomachers. Still, the impression is that you are drawn through brilliant green meadows that run away on each side to the dark purple fir-woods; the basalt pinnacles; the immense forests. And there is meadowsweet at the edge of the streams, and cattle. Why, I remember on that afternoon I saw
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