Sartor Resartus by Thomas Carlyle (the reading list book .TXT) 📕
Description
Sartor Resartus was a strange and new book when it was first published in 1833, and in many ways it remains a strange and new book today. The bulk of the novel takes the form of the a commentary on the life and works of the fictional Diogenes Teufelsdröckh, a sort of renaissance-man German philosopher who develops a “Philosophy of Clothes.” The commentary is composed by a fictional English commentator, known only as the “Editor”; the Editor claims to have translated many of Teufelsdröckh’s ideas and quotes from German. As the commentary progresses, the Editor receives a bag of paper scraps on which are written various autobiographical fragments from Teufelsdröckh’s life. The Editor’s attempts to organize and interpret these scraps forms the second part of the novel.
The work is multi-faceted: sometimes a parody, sometimes a comedy, sometimes a satire, and sometimes seriously philosophical. Some critics consider it an early existentialist text. At the very least its unique structure and use of meta-narrative is hugely influential to modern literature; Borges was said to have memorized entire pages, and modern texts like Nabokov’s Pale Fire borrow liberally from the concept of a meta-narrative organized on scraps of paper.
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- Author: Thomas Carlyle
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Or again, has it often been the lot of our readers to read such stuff as we shall now quote?
“I consider those printed Paper Aprons, worn by the Parisian Cooks, as a new vent, though a slight one, for Typography; therefore as an encouragement to modern Literature, and deserving of approval: nor is it without satisfaction that I hear of a celebrated London Firm having in view to introduce the same fashion, with important extensions, in England.”—We who are on the spot hear of no such thing; and indeed have reason to be thankful that hitherto there are other vents for our Literature, exuberant as it is.—Teufelsdröckh continues: “If such supply of printed Paper should rise so far as to choke-up the highways and public thoroughfares, new means must of necessity be had recourse to. In a world existing by Industry, we grudge to employ fire as a destroying element, and not as a creating one. However, Heaven is omnipotent, and will find us an outlet. In the mean while, is it not beautiful to see five-million quintals of Rags picked annually from the Laystall; and annually, after being macerated, hot-pressed, printed-on, and sold—returned thither; filling so many hungry mouths by the way? Thus is the Laystall, especially with its Rags or Clothes-rubbish, the grand Electric Battery, and Fountain-of-motion, from which and to which the Social Activities (like vitreous and resinous Electricities) circulate, in larger or smaller circles, through the mighty, billowy, storm-tost Chaos of Life, which they keep alive!”—Such passages fill us, who love the man, and partly esteem him, with a very mixed feeling.
Farther down we meet with this: “The Journalists are now the true Kings and Clergy: henceforth Historians, unless they are fools, must write not of Bourbon Dynasties, and Tudors and Hapsburgs; but of Stamped Broadsheet Dynasties, and quite new successive Names, according as this or the other Able Editor, or Combination of Able Editors, gains the world’s ear. Of the British Newspaper Press, perhaps the most important of all, and wonderful enough in its secret constitution and procedure, a valuable descriptive History already exists, in that language, under the title of Satan’s Invisible World Displayed; which, however, by search in all the Weissnichtwo Libraries, I have not yet succeeded in procuring (vermöchte nicht aufzutreiben).”
Thus does the good Homer not only nod, but snore. Thus does Teufelsdröckh, wandering in regions where he had little business, confound the old authentic Presbyterian Witchfinder with a new, spurious, imaginary Historian of the Brittische Journalistik; and so stumble on perhaps the most egregious blunder in Modern Literature!
VII Miscellaneous-HistoricalHappier is our Professor, and more purely scientific and historic, when he reaches the Middle Ages in Europe, and down to the end of the Seventeenth Century; the true era of extravagance in Costume. It is here that the Antiquary and Student of Modes comes upon his richest harvest. Fantastic garbs, beggaring all fancy of a Teniers or a Callot, succeed each other, like monster devouring monster in a Dream. The whole too in brief authentic strokes, and touched not seldom with that breath of genius which makes even old raiment live. Indeed, so learned, precise, graphical, and everyway interesting have we found these Chapters, that it may be thrown-out as a pertinent question for parties concerned, Whether or not a good English Translation thereof might henceforth be profitably incorporated with Mr. Merrick’s valuable Work On Ancient Armour? Take, by way of example, the following sketch; as authority for which Paulinus’s Zeitkürzende Lust (ii. 678) is, with seeming confidence, referred to:
“Did we behold the German fashionable dress of the Fifteenth Century, we might smile; as perhaps those bygone Germans, were they to rise again, and see our haberdashery, would cross themselves, and invoke the Virgin. But happily no bygone German, or man, rises again; thus the Present is not needlessly trammelled with the Past; and only grows out of it, like a Tree, whose roots are not intertangled with its branches, but lie peaceably underground. Nay it is very mournful, yet not useless, to see and know, how the Greatest and Dearest, in a short while, would find his place quite filled-up here, and no room for him; the very Napoleon, the very Byron, in some seven years, has become obsolete, and were now a foreigner to his Europe. Thus is the Law of Progress secured; and in Clothes, as in all other external things whatsoever, no fashion will continue.
“Of the military classes in those old times, whose buff-belts, complicated chains and gorgets, huge churn-boots, and other riding and fighting gear have been bepainted in modern Romance, till the whole has acquired somewhat of a signpost character—I shall here say nothing: the civil and pacific classes, less touched upon, are wonderful enough for us.
“Rich men, I find, have Teusinke” (a perhaps untranslateable article); “also a silver girdle, whereat hang little bells; so that when a man walks, it is with continual jingling. Some few, of musical turn, have a whole chime of bells (Glockenspiel) fastened there; which, especially in sudden whirls, and the other accidents of walking, has a grateful effect. Observe too how fond they are of peaks, and Gothic-arch intersections. The male world wears peaked caps, an ell long, which hang bobbing over the side (schief): their shoes are peaked in front, also to the length of an ell, and laced on the side with tags; even the wooden shoes have
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