Sartor Resartus by Thomas Carlyle (the reading list book .TXT) 📕
Description
Sartor Resartus was a strange and new book when it was first published in 1833, and in many ways it remains a strange and new book today. The bulk of the novel takes the form of the a commentary on the life and works of the fictional Diogenes Teufelsdröckh, a sort of renaissance-man German philosopher who develops a “Philosophy of Clothes.” The commentary is composed by a fictional English commentator, known only as the “Editor”; the Editor claims to have translated many of Teufelsdröckh’s ideas and quotes from German. As the commentary progresses, the Editor receives a bag of paper scraps on which are written various autobiographical fragments from Teufelsdröckh’s life. The Editor’s attempts to organize and interpret these scraps forms the second part of the novel.
The work is multi-faceted: sometimes a parody, sometimes a comedy, sometimes a satire, and sometimes seriously philosophical. Some critics consider it an early existentialist text. At the very least its unique structure and use of meta-narrative is hugely influential to modern literature; Borges was said to have memorized entire pages, and modern texts like Nabokov’s Pale Fire borrow liberally from the concept of a meta-narrative organized on scraps of paper.
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- Author: Thomas Carlyle
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“Rich maidens, again, flit abroad in gowns scalloped out behind and before, so that back and breast are almost bare. Wives of quality, on the other hand, have train-gowns four or five ells in length; which trains there are boys to carry. Brave Cleopatras, sailing in their silk-cloth Galley, with a Cupid for steersman! Consider their welts, a handbreadth thick, which waver round them by way of hem; the long flood of silver buttons, or rather silver shells, from throat to shoe, wherewith these same welt-gowns are buttoned. The maidens have bound silver snoods about their hair, with gold spangles, and pendent flames (Flammen), that is, sparkling hair-drops: but of their mother’s headgear who shall speak? Neither in love of grace is comfort forgotten. In winter weather you behold the whole fair creation (that can afford it) in long mantles, with skirts wide below, and, for hem, not one but two sufficient hand-broad welts; all ending atop in a thick well-starched Ruff, some twenty inches broad: these are their Ruff-mantles (Kragenmäntel).
“As yet among the womankind hoop-petticoats are not; but the men have doublets of fustian, under which lie multiple ruffs of cloth, pasted together with batter (mit Teig zusammengekleistert), which create protuberance enough. Thus do the two sexes vie with each other in the art of Decoration; and as usual the stronger carries it.”
Our Professor, whether he hath humour himself or not, manifests a certain feeling of the Ludicrous, a sly observance of it, which, could emotion of any kind be confidently predicated of so still a man, we might call a real love. None of those bell-girdles, bushel-breeches, cornuted shoes, or other the like phenomena, of which the History of Dress offers so many, escape him: more especially the mischances, or striking adventures, incident to the wearers of such, are noticed with due fidelity. Sir Walter Raleigh’s fine mantle, which he spread in the mud under Queen Elizabeth’s feet, appears to provoke little enthusiasm in him; he merely asks, Whether at that period the Maiden Queen “was red-painted on the nose, and white-painted on the cheeks, as her tire-women, when from spleen and wrinkles she would no longer look in any glass, were wont to serve her?” We can answer that Sir Walter knew well what he was doing, and had the Maiden Queen been stuffed parchment dyed in verdigris, would have done the same.
Thus too, treating of those enormous habiliments, that were not only slashed and galooned, but artificially swollen-out on the broader parts of the body, by introduction of Bran—our Professor fails not to comment on that luckless Courtier, who having seated himself on a chair with some projecting nail on it, and therefrom rising, to pay his devoir on the entrance of Majesty, instantaneously emitted several pecks of dry wheat-dust: and stood there diminished to a spindle, his galoons and slashes dangling sorrowful and flabby round him. Whereupon the Professor publishes this reflection:
“By what strange chances do we live in History? Erostratus by a torch; Milo by a bullock; Henry Darnley, an unfledged booby and bustard, by his limbs; most Kings and Queens by being born under such and such a bed-tester; Boileau Despréaux (according to Helvetius) by the peck of a turkey; and this ill-starred individual by a rent in his breeches—for no Memoirist of Kaiser Otto’s Court omits him. Vain was the prayer of Themistocles for a talent of Forgetting: my Friends, yield cheerfully to Destiny, and read since it is written.”—Has Teufelsdröckh to be put in mind that, nearly related to the impossible talent of Forgetting, stands that talent of Silence, which even travelling Englishmen manifest?
“The simplest costume,” observes our Professor, “which I anywhere find alluded to in History, is that used as regimental, by Bolivar’s Cavalry, in the late Columbian wars. A square Blanket, twelve feet in diagonal, is provided (some were wont to cut off the corners, and make it circular): in the centre a slit is effected eighteen inches long; through this the mother-naked Trooper introduces his head and neck: and so rides shielded from all weather, and in battle from many strokes (for he rolls it about his left arm); and not only dressed, but harnessed and draperied.”
With which picture of a State of Nature, affecting by its singularity, and Old-Roman contempt of the superfluous, we shall quit this part of our subject.
VIII The World Out of ClothesIf in the Descriptive-Historical portion of this Volume, Teufelsdröckh, discussing merely the Werden (Origin and successive Improvement) of Clothes, has astonished many a reader, much more will he in the Speculative-Philosophical portion, which treats of their Wirken, or Influences. It is here that the present Editor first feels the pressure of his task; for here properly the higher and new Philosophy of Clothes commences: an untried, almost inconceivable region, or chaos; in venturing upon which, how difficult, yet how unspeakably important is it to know what course, of survey and conquest, is the true one; where the footing is firm substance and will bear us, where it is hollow, or mere cloud, and may engulf us! Teufelsdröckh undertakes no less than to expound the moral, political, even religious Influences of Clothes; he undertakes to make manifest, in its thousandfold bearings, this grand Proposition, that Man’s earthly interests “are all hooked and buttoned together, and held up, by Clothes.” He says in so many words, “Society is founded upon Cloth”; and again, “Society sails through the Infinitude on Cloth, as on a Faust’s Mantle, or rather like the Sheet of clean and unclean beasts in the Apostle’s Dream; and without such Sheet or Mantle, would sink to endless depths, or mount to inane limboes, and in either case be no
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