Cane by Jean Toomer (100 best novels of all time .TXT) ๐
Description
Published in 1923, Jean Toomerโs Cane was widely heralded as one of the first masterpieces of the Harlem Renaissance, and its author as โa bright morning starโ of the movement. Toomer himself, however, was reluctant to embrace an explicitly racialized identity, preferring to define himself as simply an American writer.
Inspired in part by Sherwood Andersonโs short story cycle Winesburg, Ohio, Toomer conceived Cane as a mosaic of intricately connected vignettes, poems, stories, songs, and even play-like dialogues. Drawing on both modernist poetry and African-American spirituals, Toomer imbues each form with a lyrical and often experimental sensibility.
The work is structured in three distinct but unnamed parts. The first is set in rural Georgia and focuses on the lives of women and the men who desire them. The second part moves to the urban enclaves of the North in the years following the Great Migration. The third and final part returns to the rural South and explores the interactions between African-Americans from the North and those living in the South.
Although sales languished in the later years of Toomerโs life, the book was reissued after his death and rediscovered by a new generation of American writers. Alice Walker described Cane as one of the most important books in her own development as a writer: โI love it passionately, could not possibly exist without it.โ
Read free book ยซCane by Jean Toomer (100 best novels of all time .TXT) ๐ยป - read online or download for free at americanlibrarybooks.com
- Author: Jean Toomer
Read book online ยซCane by Jean Toomer (100 best novels of all time .TXT) ๐ยป. Author - Jean Toomer
โWhats y want?โ
โIโm Bob Stone.โ
โYassurโ โan Iโm Tom Burwell. Whats y want?โ
Bob lunged at him. Tom sidestepped, caught him by the shoulder, and flung him to the ground. Straddled him.
โLet me up.โ
โYassurโ โbut watch yo doins, Bob Stone.โ
A few dark figures, drawn by the sound of scuffle stood about them. Bob sprang to his feet.
โFight like a man, Tom Burwell, an Iโll lick y.โ
Again he lunged. Tom sidestepped and flung him to the ground. Straddled him.
โGet off me, you godam nigger you.โ
โYo sho has started somethin now. Get up.โ
Tom yanked him up and began hammering at him. Each blow sounded as if it smashed into a precious, irreplaceable soft something. Beneath them, Bob staggered back. He reached in his pocket and whipped out a knife.
โThats my game, sho.โ
Blue flash, a steel blade slashed across Bob Stoneโs throat. He had a sweetish sick feeling. Blood began to flow. Then he felt a sharp twitch of pain. He let his knife drop. He slapped one hand against his neck. He pressed the other on top of his head as if to hold it down. He groaned. He turned, and staggered towards the crest of the hill in the direction of white town. Negroes who had seen the fight slunk into their homes and blew the lamps out. Louisa, dazed, hysterical, refused to go indoors. She slipped, crumbled, her body loosely propped against the woodwork of the well. Tom Burwell leaned against it. He seemed rooted there.
Bob reached Broad Street. White men rushed up to him. He collapsed in their arms.
โTom Burwell.โ โโ โฆโ
White men like ants upon a forage rushed about. Except for the taut hum of their moving, all was silent. Shotguns, revolvers, rope, kerosene, torches. Two high-powered cars with glaring searchlights. They came together. The taut hum rose to a low roar. Then nothing could be heard but the flop of their feet in the thick dust of the road. The moving body of their silence preceded them over the crest of the hill into factory town. It flattened the Negroes beneath it. It rolled to the wall of the factory, where it stopped. Tom knew that they were coming. He couldnt move. And then he saw the searchlights of the two cars glaring down on him. A quick shock went through him. He stiffened. He started to run. A yell went up from the mob. Tom wheeled about and faced them. They poured down on him. They swarmed. A large man with dead-white face and flabby cheeks came to him and almost jabbed a gun-barrel through his guts.
โHands behind y, nigger.โ
Tomโs wrist were bound. The big man shoved him to the well. Burn him over it, and when the woodwork caved in, his body would drop to the bottom. Two deaths for a godam nigger. Louisa was driven back. The mob pushed in. Its pressure, its momentum was too great. Drag him to the factory. Wood and stakes already there. Tom moved in the direction indicated. But they had to drag him. They reached the great door. Too many to get in there. The mob divided and flowed around the walls to either side. The big man shoved him through the door. The mob pressed in from the sides. Taut humming. No words. A stake was sunk into the ground. Rotting floor boards piled around it. Kerosene poured on the rotting floor boards. Tom bound to the stake. His breast was bare. Nails scratches let little lines of blood trickle down and mat into the hair. His face, his eyes were set and stony. Except for irregular breathing, one would have thought him already dead. Torches were flung onto the pile. A great flare muffled in black smoke shot upward. The mob yelled. The mob was silent. Now Tom could be seen within the flames. Only his head, erect, lean, like a blackened stone. Stench of burning flesh soaked the air. Tomโs eyes popped. His head settled downward. The mob yelled. Its yell echoed against the skeleton stone walls and sounded like a hundred yells. Like a hundred mobs yelling. Its yell thudded against the thick front wall and fell back. Ghost of a yell slipped through the flames and out the great door of the factory. It fluttered like a dying thing down the single street of factory town. Louisa, upon the step before her home, did not hear it, but her
Comments (0)