Cane by Jean Toomer (100 best novels of all time .TXT) ๐
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Published in 1923, Jean Toomerโs Cane was widely heralded as one of the first masterpieces of the Harlem Renaissance, and its author as โa bright morning starโ of the movement. Toomer himself, however, was reluctant to embrace an explicitly racialized identity, preferring to define himself as simply an American writer.
Inspired in part by Sherwood Andersonโs short story cycle Winesburg, Ohio, Toomer conceived Cane as a mosaic of intricately connected vignettes, poems, stories, songs, and even play-like dialogues. Drawing on both modernist poetry and African-American spirituals, Toomer imbues each form with a lyrical and often experimental sensibility.
The work is structured in three distinct but unnamed parts. The first is set in rural Georgia and focuses on the lives of women and the men who desire them. The second part moves to the urban enclaves of the North in the years following the Great Migration. The third and final part returns to the rural South and explores the interactions between African-Americans from the North and those living in the South.
Although sales languished in the later years of Toomerโs life, the book was reissued after his death and rediscovered by a new generation of American writers. Alice Walker described Cane as one of the most important books in her own development as a writer: โI love it passionately, could not possibly exist without it.โ
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- Author: Jean Toomer
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Perhaps five years passed. The business of hunting a job or something or other had bruised my vanity so that I could recognize it. I felt old. Avey and my real relation to her, I thought I came to know. I wanted to see her. I had been told that she was in New York. As I had no money, I hiked and bummed my way there. I got work in a shipyard and walked the streets at night, hoping to meet her. Failing in this, I saved enough to pay my fare back home. One evening in early June, just at the time when dusk is most lovely on the eastern horizon, I saw Avey, indolent as ever, leaning on the arm of a man, strolling under the recently lit arc-lights of U Street. She had almost passed before she recognized me. She showed no surprise. The puff over her eyes had grown heavier. The eyes themselves were still sleepy-large, and beautiful. I had almost concludedโ โindifferent. โYou look older,โ was what she said. I wanted to convince her that I was, so I asked her to walk with me. The man whom she was with, and whom she never took the trouble to introduce, at a nod from her, hailed a taxi, and drove away. That gave me a notion of what she had been used to. Her dress was of some fine, costly stuff. I suggested the park, and then added that the grass might stain her skirt. Let it get stained, she said, for where it came from there are others.
I have a spot in Soldierโs Home to which I always go when I want the simple beauty of anotherโs soul. Robins spring about the lawn all day. They leave their footprints in the grass. I imagine that the grass at night smells sweet and fresh because of them. The ground is high. Washington lies below. Its light spreads like a blush against the darkened sky. Against the soft dusk sky of Washington. And when the wind is from the South, soil of my homeland falls like a fertile shower upon the lean streets of the city. Upon my hill in Soldierโs Home. I know the policeman who watches the place of nights. When I go there alone, I talk to him. I tell
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