Short Fiction by Ernest Hemingway (best free ebook reader for android .txt) 📕
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Ernest Hemingway is perhaps the most influential American writer of the twentieth century. Though known mostly for his longer works, he began his writing career with the publication of short stories which helped develop his often-imitated concise, simple, and straightforward style, which stood in stark contrast to the more elaborate prose of many of his contemporaries.
In 1947, during a University of Mississippi creative writing class, William Faulkner remarked that Hemingway “has never been known to use a word that might cause the reader to check with a dictionary to see if it is properly used.” Hemingway famously responded: “Poor Faulkner. Does he really think big emotions come from big words? He thinks I don’t know the ten-dollar words. I know them all right. But there are older and simpler and better words, and those are the ones I use.”
Besides his writing style, Hemingway’s most well-known contribution to the literary landscape was the iceberg theory of writing, developed while composing the short story “Out of Season.” Hemingway later said of the story: “I had omitted the real end of it which was that the old man hanged himself. This was omitted on my new theory that you could omit anything if you knew that you omitted and the omitted part would strengthen the story and make people feel something more than they understood.”
This collection comprises all of the public domain stories published in Hemingway’s short story collections, some miscellaneous stories published in various magazines, and his novellas. With the exception of stories within collections with a thematic link, such as In Our Time, they are arranged in publication order.
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- Author: Ernest Hemingway
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Ahead there was a bridge. Nick crossed it, his boots ringing hollow on the iron. Down below the water showed black between the slits of ties. Nick kicked a loose spike and it dropped into the water. Beyond the bridge were hills. It was high and dark on both sides of the track. Up the track Nick saw a fire.
He came up the track toward the fire carefully. It was off to one side of the track, below the railway embankment. He had only seen the light from it. The track came out through a cut and where the fire was burning the country opened out and fell away into woods. Nick dropped carefully down the embankment and cut into the woods to come up to the fire through the trees. It was a beechwood forest and the fallen beechnut burrs were under his shoes as he walked between the trees. The fire was bright now, just at the edge of the trees. There was a man sitting by it. Nick waited behind the tree and watched. The man looked to be alone. He was sitting there with his head in his hands looking at the fire. Nick stepped out and walked into the firelight.
The man sat there looking into the fire. When Nick stopped quite close to him he did not move.
“Hello!” Nick said.
The man looked up.
“Where did you get the shiner?” he said.
“A brakeman busted me.”
“Off the through freight?”
“Yes.”
“I saw the bastard,” the man said. “He went through here ’bout an hour and a half ago. He was walking along the top of the cars slapping his arms and singing.”
“The bastard!”
“It must have made him feel good to bust you,” the man said seriously.
“I’ll bust him.”
“Get him with a rock sometime when he’s going through,” the man advised.
“I’ll get him.”
“You’re a tough one, aren’t you?”
“No,” Nick answered.
“All you kids are tough.”
“You got to be tough,” Nick said.
“That’s what I said.”
The man looked at Nick and smiled. In the firelight Nick saw that his face was misshapen. His nose was sunken, his eyes were slits, he had queer shaped lips. Nick did not perceive all this at once, he only saw the man’s face was queerly formed and mutilated. It was like putty in color. Dead looking in the firelight.
“Don’t you like my pan?” the man asked.
Nick was embarrassed.
“Sure,” he said.
“Look here!” the man took off his cap.
He had only one ear. It was thickened and tight against the side of his head. Where the other ear should have been there was a stump.
“Ever see one like that?”
“No,” said Nick. It made him a little sick.
“I could take it,” the man said. “Don’t you think I could take it, kid?”
“You bet!”
“They all bust their hands on me,” the little man said. “They couldn’t hurt me.”
He looked at Nick. “Sit down,” he said. “Want to eat?”
“Don’t bother,” Nick said. “I’m going on to the town.”
“Listen!” the man said. “Call me Ad.”
“Sure!”
“Listen,” the little man said. “I’m not quite right.”
“What’s the matter?”
“I’m crazy.”
He put on his cap. Nick felt like laughing.
“You’re all right,” he said.
“No, I’m not. I’m crazy. Listen, you ever been crazy?”
“No,” Nick said. “How does it get you?”
“I don’t know,” Ad said. “When you got it you don’t know about it. You know me, don’t you?”
“No.”
“I’m Ad Francis.”
“Honest to God?”
“Don’t you believe it?”
“Yes.”
Nick knew it must be true.
“You know how I beat them?”
“No,” Nick said.
“My heart’s slow. It only beats forty a minute. Feel it.”
Nick hesitated.
“Come on,” the man took hold of his hand. “Take hold of my wrist. Put your fingers there.”
The little man’s wrist was thick and the muscles bulged above the bone. Nick felt the slow pumping under his fingers.
“Got a watch?”
“No.”
“Neither have I,” Ad said. “It ain’t any good if you haven’t got a watch.”
Nick dropped his wrist.
“Listen,” Ad Francis said. “Take ahold again. You count and I’ll count up to sixty.”
Feeling the slow hard throb under his fingers Nick started to count. He heard the little man counting slowly, one, two, three, four, five, and on—aloud.
“Sixty,” Ad finished. “That’s a minute. What did you make it?”
“Forty,” Nick said.
“That’s right,” Ad said happily. “She never speeds up.”
A man dropped down the railroad embankment and came across the clearing to the fire.
“Hello, Bugs!” Ad said.
“Hello!” Bugs answered. It was a negro’s voice. Nick knew from the way he walked that he was a negro. He stood with his back to them, bending over the fire. He straightened up.
“This is my pal Bugs,” Ad said. “He’s crazy, too.”
“Glad to meet you,” Bugs said. “Where you say you’re from?”
“Chicago,” Nick said.
“That’s a fine town,” the negro said. “I didn’t catch your name.”
“Adams. Nick Adams.”
“He says he’s never been crazy, Bugs,” Ad said.
“He’s got a lot coming to him,” the negro said. He was unwrapping a package by the fire.
“When are we going to eat, Bugs?” the prizefighter asked.
“Right away.”
“Are you hungry, Nick?”
“Hungry as hell.”
“Hear that, Bugs?”
“I hear most of what goes on.”
“That ain’t what I asked you.”
“Yes. I heard what the gentleman said.”
Into a skillet he was laying slices of ham. As the skillet grew hot the grease sputtered and Bugs, crouching on long nigger legs over the fire, turned the ham and broke eggs into the skillet, tipping it from side to side to baste the eggs with the hot fat.
“Will you cut some bread out of that bag, Mister Adams?” Bugs turned from the fire.
“Sure.”
Nick reached in the bag and brought out a loaf of bread. He cut six slices. Ad watched him and leaned forward.
“Let me take your knife, Nick,” he said.
“No, you don’t,” the negro said. “Hang onto your knife, Mister Adams.”
The prizefighter sat back.
“Will you bring me the bread,
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