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a want of complete trust: all of which showed her in the light of a person too plain and too ill-clothed for a thorough good time, and yet too rich and too befriended⁠—an intuitive cunning within her managing this last⁠—for a thorough bad one. The compatriots, in short, by what she made out, approved her friends for their expert wisdom with her; in spite of which judicial sagacity it was the compatriots who recorded themselves as the innocent parties. She saw things in these days that she had never seen before, and she couldn’t have said why save on a principle too terrible to name; whereby she saw that neither Lancaster Gate was what New York took it for, nor New York what Lancaster Gate fondly fancied it in coquetting with the plan of a series of American visits. The plan might have been, humorously, on Mrs. Lowder’s part, for the improvement of her social position⁠—and it had verily in that direction lights that were perhaps but half a century too prompt; at all of which Kate Croy assisted with the cool controlled facility that went so well, as the others said, with her particular kind of good looks, the kind that led you to expect the person enjoying them would dispose of disputations, speculations, aspirations, in a few very neatly and brightly uttered words, so simplified in sense, however, that they sounded, even when guiltless, like rather aggravated slang. It wasn’t that Kate hadn’t pretended too that she should like to go to America; it was only that with this young woman Milly had constantly proceeded, and more than ever of late, on the theory of intimate confessions, private frank ironies that made up for their public grimaces and amid which, face to face, they wearily put off the mask.

These puttings-off of the mask had finally quite become the form taken by their moments together, moments indeed not increasingly frequent and not prolonged, thanks to the consciousness of fatigue on Milly’s side whenever, as she herself expressed it, she got out of harness. They flourished their masks, the independent pair, as they might have flourished Spanish fans; they smiled and sighed on removing them; but the gesture, the smiles, the sighs, strangely enough, might have been suspected the greatest reality in the business. Strangely enough, we say, for the volume of effusion in general would have been found by either on measurement to be scarce proportional to the paraphernalia of relief. It was when they called each other’s attention to their ceasing to pretend, it was then that what they were keeping back was most in the air. There was a difference, no doubt, and mainly to Kate’s advantage: Milly didn’t quite see what her friend could keep back, was possessed of, in fine, that would be so subject to retention; whereas it was comparatively plain sailing for Kate that poor Milly had a treasure to hide. This was not the treasure of a shy, an abject affection⁠—concealment, on that head, belonging to quite another phase of such states; it was much rather a principle of pride relatively bold and hard, a principle that played up like a fine steel spring at the lightest pressure of too near a footfall. Thus insuperably guarded was the truth about the girl’s own conception of her validity; thus was a wondering pitying sister condemned wistfully to look at her from the far side of the moat she had dug round her tower. Certain aspects of the connection of these young women show for us, such is the twilight that gathers about them, in the likeness of some dim scene in a Maeterlinck play; we have positively the image, in the delicate dusk, of the figures so associated and yet so opposed, so mutually watchful: that of the angular pale princess, ostrich-plumed, black-robed, hung about with amulets, reminders, relics, mainly seated, mainly still, and that of the upright restless slow-circling lady of her court who exchanges with her, across the black water streaked with evening gleams, fitful questions and answers. The upright lady, with thick dark braids down her back, drawing over the grass a more embroidered train, makes the whole circuit, and makes it again, and the broken talk, brief and sparingly allusive, seems more to cover than to free their sense. This is because, when it fairly comes to not having others to consider, they meet in an air that appears rather anxiously to wait for their words. Such an impression as that was in fact grave, and might be tragic; so that, plainly enough, systematically at last, they settled to a care of what they said.

There could be no gross phrasing to Milly, in particular, of the probability that if she wasn’t so proud she might be pitied with more comfort⁠—more to the person pitying; there could be no spoken proof, no sharper demonstration than the consistently considerate attitude, that this marvellous mixture of her weakness and of her strength, her peril, if such it were, and her option, made her, kept her, irresistibly interesting. Kate’s predicament in the matter was, after all, very much Mrs. Stringham’s own, and Susan Shepherd herself indeed, in our Maeterlinck picture, might well have hovered in the gloaming by the moat. It may be declared for Kate, at all events, that her sincerity about her friend, through this time, was deep, her compassionate imagination strong; and that these things gave her a virtue, a good conscience, a credibility for herself, so to speak, that were later to be precious to her. She grasped with her keen intelligence the logic of their common duplicity, went unassisted through the same ordeal as Milly’s other hushed follower, easily saw that for the girl to be explicit was to betray divinations, gratitudes, glimpses of the felt contrast between her fortune and her fear⁠—all of which would have contradicted her systematic bravado. That was it, Kate wonderingly saw: to recognise was to bring down the avalanche⁠—the avalanche Milly lived so in

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