His Masterpiece by Émile Zola (classic novels for teens .TXT) 📕

“Why, that clump of pollards still emerging from the water on the left,” cried Claude, “was the Barreux Island, where we used to chat together, lying on the grass! You remember, don’t you? Ah! the scoundrels!”

Sandoz, who could never see a tree felled without shaking his fist at the woodcutter, turned pale with anger, and felt exasperated that the authorities had thus dared to mutilate nature.

Then, as Claude approached his old home, he became silent, and his teeth clenched. The house had been sold to some middle-class folk, and now there was an iron gate, against which he pressed his face. The rosebushes were all dead, the apricot trees were dead also; the garden, which looked very trim, with its little pathways and its square-cut beds of flowers and vegetables, bordered with box, was reflected in a large ball of plated glass set upon a stand in the very centre of it; and the house, newly whitewashed and painted at the corners and round the doors and windows, in a manner to imitate freestone, suggested some clownish parvenu awkwardly arrayed in his Sunday toggery. The sight fairly enraged the painter. No, no, nothing of himself, nothing of Christine, nothing of the great love of their youth remained there! He wished to look still further; he turned round behind the house, and sought for the wood of oak trees where they had left the living quiver of their embraces; but the wood was dead, dead like all the rest, felled, sold, and burnt! Then he made a gesture of anathema, in which he cast all his grief to that stretch of country which was now so changed that he could not find in it one single token of his past life. And so a few years sufficed to efface the spot where one had laboured, loved, and suffered! What was the use of man’s vain agitation if the wind behind him swept and carried away all the traces of his footsteps? He had rightly realised that he ought not to return thither, for the past is simply the cemetery of our illusions, where our feet forever stumble against tombstones!

“Let us go!” he cried; “let us go at once! It’s stupid to torture one’s heart like this!”

When they were on the new bridge, Sandoz tried to calm him by showing him the view which had not formerly existed, the widened bed of the Seine, full to the brim, as it were, and the water flowing onward, proudly and slowly. But this water failed to interest Claude, until he reflected that it was the same water which, as it passed through Paris, had bathed the old quay walls of the Cité; and then he felt touched, he leant over the parapet of the bridge for a moment, and thought that he could distinguish glorious reflections in it⁠—the towers of Notre-Dame, and the needle-like spire of the Sainte-Chapelle, carried along by the current towards the sea.

The two friends missed the three o’clock train, and it was real torture to have to spend two long hours more in that region, where everything weighed so heavily on their shoulders. Fortunately, they had forewarned Christine and Madame Sandoz that they might return by a night train if they were detained. So they resolved upon a bachelor dinner at a restaurant on the Place du Havre, hoping to set themselves all right again by a good chat at dessert as in former times. Eight o’clock was about to strike when they sat down to table.

Claude, on leaving the terminus, with his feet once more on the Paris pavement, had lost his nervous agitation, like a man who at last finds himself once more at home. And with the cold, absentminded air which he now usually displayed, he listened to Sandoz trying to enliven him. The novelist treated his friend like a mistress whose head he wished to turn; they partook of delicate, highly spiced dishes and heady wines. But mirth was rebellious, and Sandoz himself ended by becoming gloomy. All his hopes of immortality were shaken by his excursion to that ungrateful country village, that Bennecourt, so loved and so forgetful, where he and Claude had not found a single stone retaining any recollection of them. If things which are eternal forget so soon, can one place any reliance for one hour on the memory of man?

“Do you know, old fellow,” said the novelist, “it’s that which sometimes sends me into a cold sweat. Have you ever reflected that posterity may not be the faultless dispenser of justice that we dream of? One consoles oneself for being insulted and denied, by relying on the equity of the centuries to come; just as the faithful endure all the abominations of this earth in the firm belief of another life, in which each will be rewarded according to his deserts. But suppose Paradise exists no more for the artist than it does for the Catholic, suppose that future generations prolong the misunderstanding and prefer amiable little trifles to vigorous works! Ah! what a sell it would be, eh? To have led a convict’s life⁠—to have screwed oneself down to one’s work⁠—all for a mere delusion! Please notice that it’s quite possible, after all. There are some consecrated reputations which I wouldn’t give a rap for. Classical education has deformed everything, and has imposed upon us as geniuses men of correct, facile talent, who follow the beaten track. To them one may prefer men of free tendencies, whose work is at times unequal; but these are only known to a few people of real culture, so that it looks as if immortality might really go merely to the middle-class ‘average’ talent, to the men whose names are forced into our brains at school, when we are not strong enough to defend ourselves. But no, no, one mustn’t say those things; they make me shudder! Should I have the courage to go on with