The Count of Monte Cristo by Alexandre Dumas (best book club books .TXT) π
Description
Edmond DantΓ¨s is a young man about to be made captain of a cargo vessel and marry his sweetheart. But he is arrested at his pre-wedding feast, having been falsely accused of being a Bonapartist. Thrown into the notorious ChΓ’teau dβIf prison, he eventually meets an ancient inmate who teaches him language, science, and passes hints of a hidden fortune. When Edmond makes his way out of prison, he plots to reward those who stood by him (his old employer, for one), and to seek revenge on the men who betrayed him: one who wrote the letter that denounced him, one that married his fiancΓ©e in his absence, and one who knew DantΓ¨s was innocent but stood idly by and did nothing.
The Count of Monte Cristo is another of Alexandre Dumasβ thrilling adventure stories, possibly more popular even than The Three Musketeers. Originally serialized in a French newspaper over the course of a year-and-a-half, it was enormously popular after its publication in book form, and has never been out of print since. Its timeless story of adventure, historical drama, romance, revenge, and Eastern mystery has been the source of over forty movies and TV series.
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- Author: Alexandre Dumas
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βOne of the cavaliers then hastened to invite Teresa, without whom it was impossible for the quadrille to be formed, but the young girl had disappeared.
βThe truth was, that Luigi had not felt the strength to support another such trial, and, half by persuasion and half by force, he had removed Teresa toward another part of the garden. Teresa had yielded in spite of herself, but when she looked at the agitated countenance of the young man, she understood by his silence and trembling voice that something strange was passing within him. She herself was not exempt from internal emotion, and without having done anything wrong, yet fully comprehended that Luigi was right in reproaching her. Why, she did not know, but yet she did not the less feel that these reproaches were merited.
βHowever, to Teresaβs great astonishment, Luigi remained mute, and not a word escaped his lips the rest of the evening. When the chill of the night had driven away the guests from the gardens, and the gates of the villa were closed on them for the festa indoors, he took Teresa quite away, and as he left her at her home, he said:
βββTeresa, what were you thinking of as you danced opposite the young Countess of San-Felice?β
βββI thought,β replied the young girl, with all the frankness of her nature, βthat I would give half my life for a costume such as she wore.β
βββAnd what said your cavalier to you?β
βββHe said it only depended on myself to have it, and I had only one word to say.β
βββHe was right,β said Luigi. βDo you desire it as ardently as you say?β
βββYes.β
βββWell, then, you shall have it!β
βThe young girl, much astonished, raised her head to look at him, but his face was so gloomy and terrible that her words froze to her lips. As Luigi spoke thus, he left her. Teresa followed him with her eyes into the darkness as long as she could, and when he had quite disappeared, she went into the house with a sigh.
βThat night a memorable event occurred, due, no doubt, to the imprudence of some servant who had neglected to extinguish the lights. The Villa of San-Felice took fire in the rooms adjoining the very apartment of the lovely Carmela. Awakened in the night by the light of the flames, she sprang out of bed, wrapped herself in a dressing-gown, and attempted to escape by the door, but the corridor by which she hoped to fly was already a prey to the flames. She then returned to her room, calling for help as loudly as she could, when suddenly her window, which was twenty feet from the ground, was opened, a young peasant jumped into the chamber, seized her in his arms, and with superhuman skill and strength conveyed her to the turf of the grass-plot, where she fainted. When she recovered, her father was by her side. All the servants surrounded her, offering her assistance. An entire wing of the villa was burnt down; but what of that, as long as Carmela was safe and uninjured?
βHer preserver was everywhere sought for, but he did not appear; he was inquired after, but no one had seen him. Carmela was greatly troubled that she had not recognized him.
βAs the count was immensely rich, excepting the danger Carmela had runβ βand the marvellous manner in which she had escaped, made that appear to him rather a favor of Providence than a real misfortuneβ βthe loss occasioned by the conflagration was to him but a trifle.
βThe next day, at the usual hour, the two young peasants were on the borders of the forest. Luigi arrived first. He came toward Teresa in high spirits, and seemed to have completely forgotten the events of the previous evening. The young girl was very pensive, but seeing Luigi so cheerful, she on her part assumed a smiling air, which was natural to her when she was not excited or in a passion.
βLuigi took her arm beneath his own, and led her to the door of the grotto. Then he paused. The young girl, perceiving that there was something extraordinary, looked at him steadfastly.
βββTeresa,β said Luigi, βyesterday evening you told me you would give all the world to have a costume similar to that of the countβs daughter.β
βββYes,β replied Teresa with astonishment; βbut I was mad to utter such a wish.β
βββAnd I replied, βVery well, you shall have it.βββ
βββYes,β replied the young girl, whose astonishment increased at every word uttered by Luigi, βbut of course your reply was only to please me.β
βββI have promised no more than I have given you, Teresa,β said Luigi proudly. βGo into the grotto and dress yourself.β
βAt these words he drew away the stone, and showed Teresa the grotto, lighted up by two wax lights, which burnt on each side of a splendid mirror; on a rustic table, made by Luigi, were spread out the pearl necklace and the diamond pins, and on a chair at the side was laid the rest of the costume.
βTeresa uttered a cry of joy, and, without inquiring whence this attire came, or even thanking Luigi, darted into the grotto, transformed into a dressing-room.
βLuigi pushed the stone behind her, for on the crest of a small adjacent hill which cut off the view toward Palestrina, he saw a traveller on horseback, stopping a moment, as if uncertain of his road, and thus presenting against the
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