Short Fiction by M. R. James (inspirational books for women TXT) 📕

“Oh, she can show you that right enough, sir. She have the key of the door, you see, and most weeks she go in and dust about. That’s a nice Chapel, that is. My son-in-law, he say he’ll be bound they didn’t have none of this Gregory singin’ there. Dear! I can’t help but smile when I think of him sayin’ that about th’ old donkey. ‘I can hear him bray,’ he say, ‘any day of the week’; and so he can, sir; that’s true, anyway.”

The walk across the fields from Kingsbourne to Brockstone was very pleasant. It lay for the most part on the top of the country, and commanded wide views over a succession of ridges, plough and pasture, or covered with dark-blue woods⁠—all ending, more or less abruptly, on the right, in headlands that overlooked the wide valley of a great western river. The last field they crossed was bounded by a close copse, and no sooner were they in it than the path turned downward very sharply, and it became evident that Brockstone was neatly fitted into a sudden and very narrow valley. It was not long before they had glimpses of groups of smokeless stone chimneys, and stone-tiled roofs, close beneath their feet; and, not many minutes after that, they were wiping their shoes at the backdoor of Brockstone Court, while the keeper’s dogs barked very loudly in unseen places, and Mrs. Porter, in quick succession, screamed at them to be quiet, greeted her father, and begged both her visitors to step in.

It was not to be expected that Mr. Davidson should escape being taken through the principal rooms of the Court, in spite of the fact that the house was entirely out of commission. Pictures, carpets, curtains, furniture, were all covered up or put away, as old Mr. Avery had said; and the admiration which our friend was very ready to bestow had to be lavished on the proportions of the rooms, and on the one painted ceiling, upon which an artist who had fled from London in the plague-year had depicted the Triumph of Loyalty and Defeat of Sedition. In this Mr. Davidson could show an unfeigned interest. The portraits of Cromwell, Ireton, Bradshaw, Peters, and the rest, writhing in carefully-devised torments, were evidently the part of the design to which most pains had been devoted.

“That were the old Lady Sadleir had that paintin’ done, same as the one what put up the Chapel. They say she were the first that went up to London to dance on Oliver Cromwell’s grave.” So said Mr. Avery, and continued musingly, “Well, I suppose she got some satisfaction to her mind, but I don’t know as I should want to pay the fare to London and back just for that; and my son-in-law, he say the same; he say he don’t know as he should have cared to pay all that money only for that. I was tellin’ the gentleman as we came along in the train, Mary, what your ’Arry says about this Gregory singin’ down at Stanford here. We ’ad a bit of a laugh over that, sir, didn’t us?”

“Yes, to be sure we did; ha! ha!” Once again Mr. Davidson strove to do justice to the pleasantry of the keeper. “But,” he said, “if Mrs. Porter can show me the Chapel, I think it should be now, for the days aren’t long, and I want to get back to Longbridge before it falls quite dark.”

Even if Brockstone Court has not been illustrated in Rural Life (and I think it has not), I do not propose to point out its excellences here; but of the Chapel a word must be said. It stands about a hundred yards from the house, and has its own little graveyard and trees about it. It is a stone building about seventy feet long, and in the Gothic style, as that style was understood in the middle of the seventeenth century. On the whole it resembles some of the Oxford college chapels as much as anything, save that it has a distinct chancel, like a parish church, and a fanciful domed bell-turret at the southwest angle.

When the west door was thrown open, Mr. Davidson could not repress an exclamation of pleased surprise at the completeness and richness of the interior. Screen-work, pulpit, seating, and glass⁠—all were of the same period; and as he advanced into the nave and sighted the organ-case with its gold embossed pipes in the western gallery, his cup of satisfaction was filled. The glass in the nave windows was chiefly armorial; and in the chancel were figure-subjects, of the kind that may be seen at Abbey Dore, of Lord Scudamore’s work.

But this is not an archaeological review.

While Mr. Davidson was still busy examining the remains of the organ (attributed to one of the Dallams, I believe), old Mr. Avery had stumped up into the chancel and was lifting the dust-cloths from the blue-velvet cushions of the stall-desks. Evidently it was here that the family sat.

Mr. Davidson heard him say in a rather hushed tone of surprise, “Why, Mary, here’s all the books open agin!”

The reply was in a voice that sounded peevish rather than surprised. “Tt-tt-tt, well, there, I never!”

Mrs. Porter went over to where her father was standing, and they continued talking in a lower key. Mr. Davidson saw plainly that something not quite in the common run was under discussion; so he came down the gallery stairs and joined them. There was no sign of disorder in the chancel any more than in the rest of the Chapel, which was beautifully clean; but the eight folio Prayerbooks on the cushions of the stall-desks were indubitably open.

Mrs. Porter was inclined to be fretful over it. “Whoever can it be as does it?” she said: “for there’s no key but mine, nor yet door but the one we came in by, and the winders is barred, every one of ’em; I don’t like it, father, that I don’t.”

“What is it, Mrs. Porter? Anything wrong?” said