Fathers and Children by Ivan Turgenev (the best novels to read txt) 📕
Description
Arkady, a university graduate, returns from St. Petersburg to his father’s estate with his mentor Bazarov—a nihilist.
Fathers and Children (also known as Fathers and Sons) is a novel written in 1862 by Russian writer Ivan Turgenev and published in Moscow by The Russian Messenger.
The main theme of the novel is the conflict between two generations—the “fathers,” the liberal serf owners, and the “children,” nihilists who reject their authority and traditions.
Turgenev’s novel also helped popularize the term “nihilism,” especially after the word’s use by an influential Russian nihilist movement in the 1860s.
Despite being harshly criticized in Russia, the novel was very well received in Europe, being praised by influential novelists like Gustave Flaubert and Guy de Maupassant, making it the first Russian novel to gain recognition in the Western literary world.
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- Author: Ivan Turgenev
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Pavel Petrovitch did not spend a single evening at home, prided himself on his ease and audacity (he was just bringing gymnastics into fashion among young men in society), and had read in all some five or six French books. At twenty-eight he was already a captain; a brilliant career awaited him. Suddenly everything was changed.
At that time, there was sometimes seen in Petersburg society a woman who has even yet not been forgotten. Princess R⸺. She had a well-educated, well-bred, but rather stupid husband, and no children. She used suddenly to go abroad, and suddenly return to Russia, and led an eccentric life in general. She had the reputation of being a frivolous coquette, abandoned herself eagerly to every sort of pleasure, danced to exhaustion, laughed and jested with young men, whom she received in the dim light of her drawing-room before dinner; while at night she wept and prayed, found no peace in anything, and often paced her room till morning, wringing her hands in anguish, or sat, pale and chill, over a psalter. Day came, and she was transformed again into a grand lady; again she went out, laughed, chattered, and simply flung herself headlong into anything which could afford her the slightest distraction. She was marvellously well-proportioned, her hair coloured like gold and heavy as gold hung below her knees, but no one would have called her a beauty; in her whole face the only good point was her eyes, and even her eyes were not good—they were grey, and not large—but their glance was swift and deep, unconcerned to the point of audacity, and thoughtful to the point of melancholy—an enigmatic glance. There was a light of something extraordinary in them, even while her tongue was lisping the emptiest of inanities. She dressed with elaborate care. Pavel Petrovitch met her at a ball, danced a mazurka with her, in the course of which she did not utter a single rational word, and fell passionately in love with her. Being accustomed to make conquests, in this instance, too, he soon attained his object, but his easy success did not damp his ardour. On the contrary, he was in still more torturing, still closer bondage to this woman, in whom, even at the very moment when she surrendered herself utterly, there seemed always something still mysterious and unattainable, to which none could penetrate. What was hidden in that soul—God knows! It seemed as though she were in the power of mysterious forces, incomprehensible even to herself; they seemed to play on her at will; her intellect was not powerful enough to master their caprices. Her whole behaviour presented a series of inconsistencies; the only letters which could have awakened her husband’s just suspicions, she wrote to a man who was almost a stranger to her, whilst her love had always an element of melancholy; with a man she had chosen as a lover, she ceased to laugh and to jest, she listened to him, and gazed at him with a look of bewilderment. Sometimes, for the most part suddenly, this bewilderment passed into chill horror; her face took a wild, deathlike expression; she locked herself up in her bedroom, and her maid, putting her ear to the keyhole, could hear her smothered sobs. More than once, as he went home after a tender interview, Kirsanov felt within him that heartrending, bitter vexation which follows on a total failure.
“What more do I want?” he asked himself, while his heart was heavy. He once gave her a ring with a sphinx engraved on the stone.
“What’s that?” she asked; “a sphinx?”
“Yes,” he answered, “and that sphinx is you.”
“I?” she queried, and slowly raising her enigmatical glance upon him. “Do you know that’s awfully flattering?” she added with a meaningless smile, while her eyes still kept the same strange look.
Pavel Petrovitch suffered even while Princess R⸺ loved him; but when she grew cold to him, and that happened rather quickly, he almost went out of his mind. He was on the rack, and he was jealous; he gave her no peace, followed her about everywhere; she grew sick of his pursuit of her, and she went abroad. He resigned his commission in spite of the entreaties of his friends and the exhortations of his superiors, and followed the princess; four years he spent in foreign countries, at one time pursuing her, at another time intentionally losing sight of her. He was ashamed of himself, he was disgusted with his own lack of spirit … but nothing availed. Her image, that incomprehensible, almost meaningless, but bewitching image, was deeply rooted in his heart. At Baden he once more regained his old footing with her; it seemed as though she had never loved him so passionately … but in a month it was all at an end: the flame flickered up for the last time and went out for ever. Foreseeing inevitable separation, he wanted at least to remain her friend, as though friendship with such a woman was possible. … She secretly left Baden, and from that time steadily avoided Kirsanov. He returned to Russia, and tried to live his former life again; but he could not get back into the old groove. He wandered from place to place like a man possessed; he still went into society; he still retained the habits of a man of the world; he could boast of two or three fresh conquests; but he no longer expected anything much of himself or of others, and
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