Eugene Onegin by Alexander Pushkin (scary books to read txt) 📕
Description
Eugene Onegin is bored: bored of the city, of parties, and of the superficial St. Petersburg social scene. So when a newly-deceased uncle leaves him his country mansion, he jumps at the chance to play the rural lord. There he meets his new neighbours Lenski, a young poet and stark contrast to Onegin’s affected nonchalance, and Tattiana, a dreamy but introverted romantic, and triggers a set of events with tragic consequences.
Serialized over the course of seven years starting in 1825, Pushkin’s novel in verse was and is a huge influence on Russian literature. Its unusual verse structure combined with Pushkin’s own commentary on the social canvas of the time has meant that it has remained relevant and read to this day. Eugene Onegine has been translated into many different languages, and into many different formats including successful operas and films.
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- Author: Alexander Pushkin
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But borne in spirit far away
Tattiana gazes on the moon,
And starting suddenly doth say:
“Nurse, leave me. I would be alone.
Pen, paper bring: the table too
Draw near. I soon to sleep shall go—
Good-night.” Behold! she is alone!
’Tis silent—on her shines the moon—
Upon her elbow she reclines,
And Eugene ever in her soul
Indites an inconsiderate scroll
Wherein love innocently pines.
Now it is ready to be sent—
For whom, Tattiana, is it meant?
I have known beauties cold and raw
As Winter in their purity,
Striking the intellect with awe
By dull insensibility,
And I admired their common sense
And natural benevolence,
But, I acknowledge, from them fled;
For on their brows I trembling read
The inscription o’er the gates of Hell
“Abandon hope for ever here!”45
Love to inspire doth woe appear
To such—delightful to repel.
Perchance upon the Neva e’en
Similar dames ye may have seen.
Amid submissive herds of men
Virgins miraculous I see,
Who selfishly unmoved remain
Alike by sighs and flattery.
But what astonished do I find
When harsh demeanour hath consigned
A timid love to banishment?—
On fresh allurements they are bent,
At least by show of sympathy;
At least their accents and their words
Appear attuned to softer chords;
And then with blind credulity
The youthful lover once again
Pursues phantasmagoria vain.
Why is Tattiana guiltier deemed?—
Because in singleness of thought
She never of deception dreamed
But trusted the ideal she wrought?—
Because her passion wanted art,
Obeyed the impulses of heart?—
Because she was so innocent,
That Heaven her character had blent
With an imagination wild,
With intellect and strong volition
And a determined disposition,
An ardent heart and yet so mild?—
Doth love’s incautiousness in her
So irremissible appear?
O ye whom tender love hath pained
Without the ken of parents both,
Whose hearts responsive have remained
To the impressions of our youth,
The all-entrancing joys of love—
Young ladies, if ye ever strove
The mystic lines to tear away
A lover’s letter might convey,
Or into bold hands anxiously
Have e’er a precious tress consigned,
Or even, silent and resigned,
When separation’s hour drew nigh,
Have felt love’s agitated kiss
With tears, confused emotions, bliss—
With unanimity complete,
Condemn not weak Tattiana mine;
Do not cold-bloodedly repeat
The sneers of critics superfine;
And you, O maids immaculate,
Whom vice, if named, doth agitate
E’en as the presence of a snake,
I the same admonition make.
Who knows? with love’s consuming flame
Perchance you also soon may burn,
Then to some gallant in your turn
Will be ascribed by treacherous Fame
The triumph of a conquest new.
The God of Love is after you!
A coquette loves by calculation,
Tattiana’s love was quite sincere,
A love which knew no limitation,
Even as the love of children dear.
She did not think “procrastination
Enhances love in estimation
And thus secures the prey we seek.
His vanity first let us pique
With hope and then perplexity,
Excruciate the heart and late
With jealous fire resuscitate,
Lest jaded with satiety,
The artful prisoner should seek
Incessantly his chains to break.”
I still a complication view,
My country’s honour and repute
Demands that I translate for you
The letter which Tattiana wrote.
At Russ she was by no means clever
And read our newspapers scarce ever,
And in her native language she
Possessed nor ease nor fluency,
So she in French herself expressed.
I cannot help it I declare,
Though hitherto a lady ne’er
In Russ her love made manifest,
And never hath our language proud
In correspondence been allowed.46
They wish that ladies should, I hear,
Learn Russian, but the Lord defend!
I can’t conceive a little dear
With the Well-Wisher in her hand!47
I ask, all ye who poets are,
Is it not true? the objects fair,
To whom ye for unnumbered crimes
Had to compose in secret rhymes,
To whom your hearts were consecrate—
Did they not all the Russian tongue
With little knowledge and that wrong
In charming fashion mutilate?
Did not their lips with foreign speech
The native Russian tongue impeach?
God grant I meet not at a ball
Or at a promenade mayhap,
A schoolmaster in yellow shawl
Or a professor in tulle cap.
As rosy lips without a smile,
The Russian language I deem vile
Without grammatical mistakes.
May be, and this my terror wakes,
The fair of the next generation,
As every journal now entreats,
Will teach grammatical conceits,
Introduce verse in conversation.
But I—what is all this to me?
Will to the old times faithful be.
Speech careless, incorrect, but soft,
With inexact pronunciation
Raises within my breast as oft
As formerly much agitation.
Repentance wields not now her spell
And gallicisms I love as well
As the sins of my youthful days
Or Bogdanovitch’s sweet lays.48
But I must now employ my Muse
With the epistle of my fair;
I promised!—Did I so?—Well, there!
Now I am ready to refuse.
I know that Parny’s tender pen49
Is no more cherished amongst men.
Bard of the “Feasts,” and mournful breast,50
If thou wert sitting by my side,
With this immoderate request
I should alarm our friendship tried:
In one of thine enchanting lays
To russify the foreign phrase
Of my impassioned heroine.
Where art thou? Come! pretensions mine
I yield with a low reverence;
But lonely beneath Finnish skies
Where melancholy rocks arise
He wanders in his indolence;
Careless of fame his spirit high
Hears not my importunity!
Tattiana’s letter I possess,
I guard it as a holy thing,
And though I read it with distress,
I’m o’er it ever pondering.
Inspired by whom this tenderness,
This gentle daring who could guess?
Who this soft nonsense could impart,
Imprudent prattle of the heart,
Attractive in its banefulness?
I cannot understand. But lo!
A feeble version read below,
A print without the picture’s grace,
Or, as it were, the Freischutz’ score
Strummed by a timid schoolgirl o’er.
I write to you! Is more required?
Can lower depths beyond remain?
’Tis in your power now, if desired,
To crush me with a just disdain.
But if my lot unfortunate
You in the least commiserate
You will not all abandon me.
At first, I clung to secrecy:
Believe me, of my present shame
You never would have heard the name,
If the fond hope I could have fanned
At times, if only once a week,
To see you by our fireside stand,
To listen to the words you speak,
Address to you one single phrase
And then to meditate for days
Of one thing till again we met.
’Tis said you are a misanthrope,
In country solitude you mope,
And we—an unattractive set—
Can hearty welcome give alone.
Why
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