The Age of Reason by Thomas Paine (icecream ebook reader TXT) 📕
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The Age of Reason is an important work in the American Deist movement. Paine worked on it continually for more than a decade, publishing it in three parts from 1794 through 1807. It quickly became a best-seller in post-Revolution America, spurring a revival in Deism as an alternative to the prevailing Christian influence.
In clear, simple, and often funny language, Paine attempts to dissect the Bible’s supposed inaccuracies and hypocrisies. He portrays the Bible as a human construct, full of illogic, errors, and internal inconsistencies, as opposed to it being a text born of divine inspiration. On those arguments he pivots to decrying not just Christianity, but organized religion as a whole, as a human invention created to terrorize and enslave. Instead of accepting organized religion, he states that “his mind is his own church” and that man must embrace reason.
While these arguments weren’t new to the wealthy and educated class of the era, they were new to the poor masses. The book was at first distributed as cheap unbound pamphlets, making it easily accessible to the poor; and Paine’s simple language was written in way the poor could understand and sympathize with. This made the powerful very nervous, and, fearing that the book could cause a potential revolution, Paine and his publishers were suppressed.
Paine wrote The Age of Reason while living in Paris. In France, its thesis wasn’t revolutionary enough for the bloodthirsty Jacobins; he was imprisoned there for ten months and only escaped execution through a stroke of luck. Meanwhile in Britain, the government considered the pamphlets seditious. British booksellers and publishers involved in printing and distributing the pamphlets were repeatedly tried for seditious and blasphemous libel, with some even receiving sentences of hard labor.
Paine began writing Part III after escaping France for America, but even the American elite thought the book too scandalous, with Thomas Jefferson—himself a Deist—advising Paine not to publish. Paine listened to Jefferson’s advice and held off publishing Part III for five years before publishing extracts as separate pamphlets. For that reason, Part III is not a concrete publication, but rather an arrangement of several loosely-related pamphlets organized at the discretion of an edition’s editor.
Once it was in the hands of Americans, it sparked a revival in Deism in the United States before being viciously attacked from all sides. Paine earned a reputation as an agitator and blasphemer that stuck to him for the rest of his life.
Despite The Age of Reason’s harsh reception—or perhaps, because of it, and the controversy and discussion it caused—it achieved a popularity in England, France, and America that gave it incredible influence in those nation’s perspectives on organized religion.
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- Author: Thomas Paine
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We scarcely meet with anything, a few phrases excepted, but what deserves either our abhorrence or our contempt, till we come to the miscellaneous parts of the Bible. In the anonymous publications, the Psalms, and the Book of Job, more particularly in the latter, we find a great deal of elevated sentiment reverentially expressed of the power and benignity of the Almighty; but they stand on no higher rank than many other compositions on similar subjects, as well before that time as since.
The Proverbs which are said to be Solomon’s, though most probably a collection, (because they discover a knowledge of life, which his situation excluded him from knowing) are an instructive table of ethics. They are inferior in keenness to the proverbs of the Spaniards, and not more wise and economical than those of the American Franklin.
All the remaining parts of the Bible, generally known by the name of the Prophets, are the works of the Jewish poets and itinerant preachers, who mixed poetry, anecdote, and devotion together—and those works still retain the air and style of poetry, though in translation.8
There is not, throughout the whole book called the Bible, any word that describes to us what we call a poet, nor any word that describes what we call poetry. The case is, that the word “prophet,” to which a later times have affixed a new idea, was the Bible word for “poet,” and the word “prophesying” meant the art of making poetry. It also meant the art of playing poetry to a tune upon any instrument of music.
We read of prophesying with pipes, tabrets, and horns—of prophesying with harps, with psalteries, with cymbals, and with every other instrument of music then in fashion.9 Were we now to speak of prophesying with a fiddle, or with a pipe and tabor, the expression would have no meaning, or would appear ridiculous, and to some people contemptuous, because we have changed the meaning of the word.
We are told of Saul being among the prophets, and also that he prophesied; but we are not told what they prophesied, nor what he prophesied. The case is, there was nothing to tell; for these prophets were a company of musicians and poets, and Saul joined in the concert, and this was called prophesying.
The account given of this affair in the book called Samuel, is, that Saul met a company of prophets; a whole company of them! coming down with a psaltery, a tabret, a pipe, and a harp, and that they prophesied, and that he prophesied with them. But it appears afterwards, that Saul prophesied badly, that is, he performed his part badly; for it is said that an “evil spirit from God10 came upon Saul, and he prophesied.”11
Now, were there no other passage in the book called the Bible, than this, to demonstrate to us that we have lost the original meaning of the word “prophesy,” and substituted another meaning in its place, this alone would be sufficient; for it is impossible to use and apply the word “prophesy,” in the place it is here used and applied, if we give to it the sense which later times have affixed to it. The manner in which it is here used strips it of all religious meaning, and shows that a man might then be a prophet, or he might “prophesy,” as he may now be a poet or a musician, without any regard to the morality or the immorality of his character. The word was originally a term of science, promiscuously applied to poetry and to music, and not restricted to any subject upon which poetry and music might be exercised.
Deborah and Barak are called prophets, not because they predicted anything, but because they composed the poem or song that bears their name, in celebration of an act already done. David is ranked among the prophets, for he was a musician, and was also reputed to be (though perhaps very erroneously) the author of the Psalms. But Abraham, Isaac, and Jacob are not called prophets; it does not appear from any accounts we have, that they could either sing, play music, or make poetry.
We are told of the greater and the lesser prophets. They might as well tell us of the greater and the lesser God; for there cannot be degrees in prophesying consistently with its modern sense. But there are degrees in poetry, and therefore the phrase is reconcilable to the case, when we understand by it the greater and the lesser poets.
It is altogether unnecessary, after this, to offer any observations upon what those men, styled prophets, have written. The axe goes at once to the root, by showing that the original meaning of the word has been mistaken, and consequently all the inferences that have been drawn from those books, the devotional respect that has been paid to them, and the laboured commentaries that have been written upon them, under that mistaken meaning, are not worth disputing about.—In many things, however, the writings of the Jewish poets deserve a better fate than that of being bound up, as they now are, with the trash that accompanies them, under the abused name of the Word of God.
If we permit ourselves to conceive right ideas of things, we must necessarily affix the idea, not only of unchangeableness, but of the utter impossibility of any change taking place, by any means or accident whatever, in that which we would honour with the name of the Word of God; and therefore the Word of God cannot exist in any written or human language.
The continually progressive change to which the meaning of words is subject,
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