Table-Talk by William Hazlitt (best pdf reader for ebooks txt) ๐
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William Hazlitt was a well-regarded critic and essayist in his day, and Table-Talk, a collection of some of his more popular short essays, is perhaps his best-remembered work.
The essays themselves range in subject from philosophy, to art, to literature, culture, society, and politics, with titles like โOn the Pleasures of Paintingโ and โOn Corporate Bodies.โ Hazlittโs intimate style and deep familiarity with many different aspects of art culture (not only was he a literary success, but he studied under Joshua Reynolds to be a portrait painter) make his essays fascinating multi-disciplinary reads.
Table-Talk was originally published in two separate volumes, and, largely due to Hazlittโs political activism, was received poorly by his contemporaries. Today itโs considered one of his masterpieces.
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- Author: William Hazlitt
Read book online ยซTable-Talk by William Hazlitt (best pdf reader for ebooks txt) ๐ยป. Author - William Hazlitt
It is recorded in the life of some worthy (whose name I forget) that he was one of those โwho loved hospitality and respectโ: and I profess to belong to the same classification of mankind. Civility is with me a jewel. I like a little comfortable cheer, and careless, indolent chat, I hate to be always wise, or aiming at wisdom. I have enough to do with literary cabals, questions, critics, actors, essay-writing, without taking them out with me for recreation, and into all companies. I wish at these times to pass for a good-humoured fellow; and goodwill is all I ask in return to make good company. I do not desire to be always posing myself or others with the questions of fate, free-will, foreknowledge absolute, etc. I must unbend sometimes. I must occasionally lie fallow. The kind of conversation that I affect most is what sort of a day it is, and whether it is likely to rain or hold up fine for tomorrow. This I consider as enjoying the otium cum dignitate, as the end and privilege of a life of study. I would resign myself to this state of easy indifference, but I find I cannot. I must maintain a certain pretension, which is far enough from my wish. I must he put on my defence, I must take up the gauntlet continually, or I find I lose ground. โI am nothing, if not critical.โ While I am thinking what oโclock it is, or how I came to blunder in quoting a well-known passage, as if I had done it on purpose, others are thinking whether I am not really as dull a fellow as I am sometimes said to be. If a drizzling shower patters against the windows, it puts me in mind of a mild spring rain, from which I retired twenty years ago, into a little public-house near Wem in Shropshire, and while I saw the plants and shrubs before the door imbibe the dewy moisture, quaffed a glass of sparkling ale, and walked home in the dusk of evening, brighter to me than noonday suns at present are! Would I indulge this feeling? In vain. They ask me what news there is, and stare if I say I donโt know. If a new actress has come out, why must I have seen her? If a new novel has appeared, why must I have read it? I, at one time, used to go and take a hand at cribbage with a friend, and afterwards discuss a cold sirloin of beef, and throw out a few lackadaisical remarks, in a way to please myself, but it would not do long. I set up little pretension, and therefore the little that I did set up was taken from me. As I said nothing on that subject myself, it was continually thrown in my teeth that I was an author. From having me at this disadvantage, my friend wanted to peg on a hole or two in the game, and was displeased if I would not let him. If I won off him, it was hard he should be beat by an author. If he won, it would be strange if he did not understand the game better than I did. If I mentioned my favourite game of rackets, there was a general silence, as if this was my weak point. If I complained of being ill, it was asked why I made myself so. If I said such an actor had played a part well, the answer was, there was a different account in one of the newspapers. If any allusion was made to men of letters, there was a suppressed smile. If I told a humorous story, it was difficult to say whether the laugh was at me or at the narrative. The wife hated me for my ugly face; the servants, because I could not always get them tickets for the play, and because they could not tell exactly what an author meant. If a paragraph appeared against anything I had written, I found it was ready there before me, and I was to undergo a regular roasting. I submitted to all this till I was tired, and then I gave it up.
One of the miseries of intellectual pretensions is, that nine-tenths of those you come in contact with do not know whether you are an impostor or not. I dread that certain anonymous criticisms should get into the hands of servants where I go, or that my hatter or shoemaker should happen to read them, who cannot possibly tell whether they are well or ill founded. The ignorance of the world leaves one at the mercy of its malice. There are people whose good opinion or goodwill you want, setting aside all literary pretensions; and it is hard to lose by an ill report (which you have no means of rectifying) what you cannot gain by a good one. After a diatribe in the Quarterly (which is taken in by a gentleman who occupies my old apartments on the first floor), my landlord brings me up his bill (of some standing), and on my offering to give him so much in money and a note of hand for the rest, shakes his head, and says he is afraid he could make no use of it. Soon after, the daughter comes in, and, on my mentioning the circumstance carelessly to her, replies gravely, โthat indeed her father has been almost ruined by bills.โ This is the unkindest cut of all. It is in vain for me to endeavour to explain that the publication in which I am abused is a mere government engineโ โan organ of a political faction.
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