His Masterpiece by Émile Zola (classic novels for teens .TXT) 📕

“Debts? Have I any debts, I who have always starved?” answered Mahoudeau in a roughly arrogant tone. “Ought a fellow to build himself a palace and spend money on creatures like that Irma Bécot, who’s ruining Fagerolles?”

At this Jory grew angry, while the others jested, and Irma’s name went flying over the table. But Mathilde, who had so far remained reserved and silent by way of making a show of good breeding, became intensely indignant. “Oh! gentlemen, oh! gentlemen,” she exclaimed, “to talk before us about that creature. No, not that creature, I implore you!”

After that Henriette and Sandoz, who were in consternation, witnessed the rout of their menu. The truffle salad, the ice, the dessert, everything was swallowed without being at all appreciated amidst the rising anger of the quarrel; and the chambertin and sparkling moselle were imbibed as if they had merely been water. In vain did Henriette smile, while Sandoz good-naturedly tried to calm them by making allowances for human weakness. Not one of them retreated from his position; a single word made them spring upon each other. There was none of the vague boredom, the somniferous satiety which at times had saddened their old gatherings; at present there was real ferocity in the struggle, a longing to destroy one another. The tapers of the hanging lamp flared up, the painted flowers of the earthenware on the walls bloomed, the table seemed to have caught fire amid the upsetting of its symmetrical arrangements and the violence of the talk, that demolishing onslaught of chatter which had filled them with fever for a couple of hours past.

And amid the racket, when Henriette made up her mind to rise so as to silence them, Claude at length remarked:

“Ah! if I only had the Hôtel de Ville work, and if I could! It used to be my dream to cover all the walls of Paris!”

They returned to the drawing-room, where the little chandelier and the bracket-candelabra had just been lighted. It seemed almost cold there in comparison with the kind of hothouse which had just been left; and for a moment the coffee calmed the guests. Nobody beyond Fagerolles was expected. The house was not an open one by any means, the Sandozes did not recruit literary dependents or muzzle the press by dint of invitations. The wife detested society, and the husband said with a laugh that he needed ten years to take a liking to anybody, and then he must like him always. But was not that real happiness, seldom realised? A few sound friendships and a nook full of family affection. No music was ever played there, and nobody had ever read a page of his composition aloud.

On that particular Thursday the evening seemed a long one, on account of the persistent irritation of the men. The ladies had begun to chat before the smouldering fire; and when the servant, after clearing the table, reopened the door of the dining-room, they were left alone, the men repairing to the adjoining apartment to smoke and sip some beer.

Sandoz and Claude, who were not smokers, soon returned, however, and sat down, side by side, on a sofa near the doorway. The former, who was glad to see his old friend excited and talkative, recalled the memories of Plassans apropos of a bit of news he had learnt the previous day. Pouillaud, the old jester of their dormitory, who had become so grave a lawyer, was now in trouble over some adventure with a woman. Ah! that brute of a Pouillaud! But Claude did not answer, for, having heard his name mentioned in the dining-room, he listened attentively, trying to understand.

Jory, Mahoudeau, and Gagnière, unsatiated and eager for another bite, had started on the massacre again. Their voices, at first mere whispers, gradually grew louder, till at last they began to shout.

“Oh! the man, I abandon the man to you,” said Jory, who was speaking of Fagerolles. “He isn’t worth much. And he out-generalled you, it’s true. Ah! how he did get the better of you fellows, by breaking off from you and carving success for himself on your backs! You were certainly not at all cute.”

Mahoudeau, waxing furious, replied:

“Of course! It sufficed for us to be with Claude, to be turned away everywhere.”

“It was Claude who did for us!” so Gagnière squarely asserted.

And thus they went on, relinquishing Fagerolles, whom they reproached for toadying the newspapers, for allying himself with their enemies and wheedling sexagenarian baronesses, to fall upon Claude, who now became the great culprit. Well, after all, the other was only a hussy, one of the many found in the artistic fraternity, fellows who accost the public at street corners, leave their comrades in the lurch, and victimise them so as to get the bourgeois into their studios. But Claude, that abortive great artist, that impotent fellow who couldn’t set a figure on its legs in spite of all his pride, hadn’t he utterly compromised them, hadn’t he let them in altogether? Ah! yes, success might have been won by breaking off. If they had been able to begin over again, they wouldn’t have been idiots enough to cling obstinately to impossible principles! And they accused Claude of having paralysed them, of having traded on them⁠—yes, traded on them, but in so clumsy and dull-witted a manner that he himself had not derived any benefit by it.

“Why, as for me,” resumed Mahoudeau, “didn’t he make me quite idiotic at one moment? When I think of it, I sound myself, and remain wondering why I ever joined his band. Am I at all like him? Was there ever any one thing in common between us, eh? Ah! it’s exasperating to find the truth out so late in the day!”

“And as for myself,” said Gagnière, “he robbed me of my originality. Do you think it has amused me, each time I have exhibited a painting during the last fifteen years, to hear people saying behind me, ‘That’s a