His Masterpiece by Émile Zola (classic novels for teens .TXT) 📕
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His Masterpiece, sometimes translated as “The Work” or “The Masterpiece,” is Zola’s 14th entry in his Rougon-Macquart series of novels. In it we see Claude Lantier, a painter with obvious talent, struggle to leave a revolutionary mark on the art world of 19th-century Paris. The novel deftly explores the themes of genius, poverty, purity in art, art as a beaurocratic institution, obsession, and madness.
The book is notable not just for its accurate portrayal of the art world of the time, but also for the interesting personal details Zola incorporated into the book. Lantier is a pastiche of several famous painters Zola personally knew, including Paul Cézanne, Claude Monet, and Édouard Manet; Lantier’s masterpiece is based on Manet’s revolutionary painting Le Déjeuner sur l’herbe; and the novel’s accuracy is even blamed on ending the long friendship between Zola and Cézanne. Zola himself includes a self-portrait, as the character Pierre Sandoz.
Vizetelly’s translation is fresh and readable, and Zola’s rendition of Paris and the surrounding countryside is vibrant and engrossing. Rarely do we get such a close and engaging window into bohemian life in old Paris.
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- Author: Émile Zola
Read book online «His Masterpiece by Émile Zola (classic novels for teens .TXT) 📕». Author - Émile Zola
By a shooting pain at her heart, Christine this time realised that the terrible thought had just occurred to him. She held out her quivering hands which the wind was lashing. But Claude remained there, struggling against the sweetness of death; indeed he did not move for another hour, he lingered there unconscious of the lapse of time, with his eyes still turned in the direction of the Cité, as if by a miracle of power they were about to create light, and conjure up the island so that he might behold it.
When Claude at last left the bridge, with stumbling steps, Christine had to pass in front and run in order to be home in the Rue Tourlaque before him.
XIIIt was nearly three o’clock when they went to bed that night, with the bitter cold November wind blowing through their little room and the big studio. Christine, breathless from her run, had quickly slipped between the sheets so that he might not know that she had followed him; and Claude, quite overcome, had taken his clothes off, one garment after another, without saying a word. For long months they had been as strangers; until then, however, she had never felt such a barrier between them, such tomb-like coldness.
She struggled for nearly a quarter of an hour against the sleepiness coming over her. She was very tired, and a kind of torpor numbed her; still she would not give way, feeling anxious at leaving him awake. She thus waited every night until he dozed off, so that she herself might afterwards sleep in peace. But he had not extinguished the candle, he lay there with his eyes open, fixed upon its flame. What could he be thinking of? Had he remained in fancy over yonder in the black night, amid the moist atmosphere of the quays, in front of Paris studded with stars like a frosty sky? And what inner conflict, what matter that had to be decided, contracted his face like that? Then, resistance being impossible, she succumbed and glided into the slumber following upon great weariness.
An hour later, the consciousness of something missing, the anguish of uneasiness awoke her with a sudden start. She at once felt the bed beside her, it was already cold: he was no longer there, she had already divined it while asleep. And she was growing alarmed, still but half awake, her head heavy and her ears buzzing, when through the doorway, left ajar, she perceived a ray of light coming from the studio. She then felt reassured, she thought that in a fit of sleeplessness he had gone to fetch some book or other; but at last, as he did not return, she ended by softly rising so as to take a peep. What she beheld quite unsettled her, and kept her standing on the tiled floor, with her feet bare, in such surprise that she did not at first dare to show herself.
Claude, who was in his shirtsleeves, despite the coldness of the temperature, having merely put on his trousers and slippers in his haste, was standing on the steps in front of his large picture. His palette was lying at his feet, and with one hand he held the candle, while with the other he painted. His eyes were dilated like those of a somnambulist, his gestures were precise and stiff; he stooped every minute to take some colour on his brush, and then rose up, casting a large fantastic shadow on the wall. And there was not a sound; frightful silence reigned in the big dim room.
Christine guessed the truth and shuddered. The besetting worry, made more acute by that hour spent on the Pont des Saints-Pères, had prevented him from sleeping and had brought him once more before his canvas, consumed with a longing to look at it again, in spite of the lateness of the hour. He had, no doubt, only climbed the steps to fill his eyes the nearer. Then, tortured by the sight of some faulty shade, upset by some defect, to such a point that he could not wait for daylight, he had caught up a brush, at first merely wishing to give a simple touch, and then had been carried on from correction to correction, until at last, with the candle in his hand, he painted there like a man in a state of hallucination, amid the pale light which darted hither and thither as he gesticulated. His powerless creative rage had seized hold of him again, he was wearing himself out, oblivious of the hour, oblivious of the world; he wished to infuse life into his work at once.
Ah, what a pitiful sight! And with what tear-drenched eyes did Christine gaze at him! At first she thought of leaving him to that mad work, as a maniac is left to the pleasures of his craziness. He would never finish that picture, that was quite certain now. The more desperately he worked at it, the more incoherent did it become; the colouring had grown heavy and pasty, the drawing was losing shape and showing signs of effort. Even the background and the group of labourers, once so substantial and satisfactory, were getting spoiled; yet he clung to them, he had
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