The Night Land by William Hope Hodgson (best new books to read .txt) π
Description
The Night Land is science fiction ahead of its time. Published in 1912, the book introduces a 17th-century gentleman who loses his wife. He soon discovers himself somehow reanimated in Earthβs far future, millions of years from now, when the sun has died and the Earth has become a hellish waste. What remains of humanity lives in titanic mile-high pyramids surrounded by energy shields to protect them from the abhuman monsters lurking in the darkness.
The human survivors soon receive a distress signal sent by a long-forgotten lesser pyramid, and the narrator embarks on a bloody quest to rescue the maiden of the pyramidβwhich he knows to be his lost love, somehow transcending time and space. On his journey the narrator is beset by countless horrifying monsters, many of them mutated former-humans. These depictions are so singular that H. P. Lovecraft called The Night Land βone of the most potent pieces of macabre imagination ever written.β
The novel is unique in its farsighted depiction of technology. The narrator has telepathic powers and is able to communicate with others over long distances. These powers are enabled by his βbrain elements,β which are possibly surgically-implanted. Telepathic communications may be spied upon by the monsters of the waste, but a βmaster wordβ sent by the caller may verify the integrity of the signalβa description of a kind of early public-key cryptography.
The narrator survives on food pellets and βpowdered water,β predicting a kind of astronaut food. His weapon of choice is a Diskos, a kind of whirling razor-sharp blade that shoots fire and energy. The machines and force fields of the human pyramid monument are powered by βEarth current,β which the narrator worries is slowly becoming dimmer over the years. The pyramid itself is a jewel of imagination: described as miles wide and miles high, each layer is its own city, and it continues deep underground where artificial grow chambers provide food for millions of humans.
Though the novel maintains a sort of legendary status for its grim and imaginative depiction of a monstrous future world, critics acknowledge the work as a flawed masterpiece. The narrative is written in a highly affected style, perhaps meant to emulate 17th century speech, or perhaps meant to be a stylized form of speech used by far-future humans. In any case, it resembles no real style of English, past or present. While some critics praise this style as uniquely atmospheric, others point to it, along with the lack of dialog or proper names, as some of the bookβs more difficult aspects. Critics also frequently cite the bookβs highly repetitious nature, simplistic characterization, and inordinate lengthβnearly 200,000 wordsβas major flaws. But despite whatever flaws the novel may have, the awesome vision of The Night Land remains a marvel to behold.
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- Author: William Hope Hodgson
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And she to break sudden from her rapture, and to set back her speech an Eternity with vague words, and memories so olden and englamoured that they did be as moonlight that once hath shone. And in a moment she to be forward again into that far future time and speech, and all her being to be close unto me, and oft in a solemn silence of the heart.
And the greatness of the sea to call unto her with an olden voice, and to half waken her; and I with her to be thus half-wakened, yet had I been not thus as I did come mine outward way; but truly I did stir to the stirring of the Maid, and all mine olden thoughts that did be my memory-dreams, to come afresh upon my spirit.
And so we two to sit there all shaken with dreamings that did concern happenings of the olden world that did lie upward in that dreadful night which made a mighty and deeply roof over that Country. And surely I am dumb, in that I have no speech to make known to you all the troublings and stirrings of our spirits that we did know in that moment.
And far off, by miles, beyond the feet of the mountain, where went the shore of the sea, upon our left, there was a great mist and steam; and this to be that mist and steam that I did come through on mine outward way; and Naani to ask concerning it, and I to tell her so much as I knew, and how that we must indeed come presently through it, upon our journey.
And she to be in wonder of the volcanoes that did burn in the sea, and in this place and that of the wide Country, and the height and grandness to exalt her, and in the same time to give her a strange humbleness of her mind; so that presently I did take her into mine arms, for I must kiss her, because that she did be so utter a sweet maiden, and lovely with interest and naturalness. And truly she to kiss me in turn; and to make her questionings between her kissings; and this to be because she did yearn for a greater knowing of the Country; but also, as I do half to think, because she did be sweetly impudent unto me; and this to be of her joy.
And presently, she to kiss me thrice very passionate and warm upon the mouth; and immediately to take my shoulders, with her small hands, that did seem so pretty upon my broadness and upon the metal of the armour. And she to strive thus that she shake me to a speedier answering; and she, all that while, to be full of a dear naughtiness, and to need that she be kist very hard.
And I to answer her; but after mine own fashion which did be a word between each kiss that I gave to her. And she very quick and naughty to put her hand between our lips; and I then to kiss the palm, that did be in my way, and did be very small and pretty. And she, when I had no thought, to open her fingers very quick, and kiss me through between the fingers, and immediately to shut the fingers, so that I did be stopt from the same.
And afterward, I made her to stand upon the rock, and I set free her hair over her shoulders; and I took then the boots from her, so that her little feet did show bare and pretty. And she, at the first, half to refuse me; but afterward to stand very dear and obedient that I should have my way with her; and to be a little shy, and the more pretty because of her sweet blushings.
And surely, when that I had her to my likings, I stept back a little pace, and lookt at her. And she to look again at me, very quaint and naughty; and then to turn her about, very grave; and to make pretend that she did be a dummy figure. And, surely, when she did be come right round, and to face me again, and had a very sedate look, she stretched out her pretty foot, all in a moment, and put her pink toes sudden upon my lips; and I to be so in surprise, that I had not wit to do aught, ere she had them back swift from me. And she then to make one glad spring into mine arms, and to want that she be hugged, and to be loved very great. And I to laugh, all tender; for I loved her so utter, as you do know; and I to tell her, as you sure likewise to have told your maid, that I wanted a pocket sufficient, that I might have her therein alway anigh to my heart; and this thing I to say to her, as a man that doth love, shall say it; and you to know the way of it so well as I. And she to laugh very mischievous, and to tell me that she should truly tickle me, if that I carried her thatwise; aye and to pinch me, too. And I to have no answer, save that I shake her, very gentle, but indeed she to kiss me very naughty on the mouth, in the midst of my shaking; and truly, what shall a man do with such an one.
And she then to want to be more sedate and to be set down upon the rock; and she to make me to turn around, so that she should come at the pouch, which did be upon my back.
And she gat thence the comb that was a fitment, and did comb her pretty hair, and I to sit and talk with her,
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