The Rainbow by D. H. Lawrence (novels for beginners .txt) 📕
Description
The Rainbow is an epic tale spanning three generations of Brangwens, a family of farmers living in Nottinghamshire around the time of the Industrial Revolution. The tale begins with Tom Brangwen, the very epitome of a rural English farmer leading the old way of life. We follow him as a youth easing in to the rhythm of rural existence. He soon falls in love with Lydia, a Polish immigrant he had hired as a housekeeper, and despite their vast cultural differences, the two marry. Their relationship is, in a word, satisfactory: the two face a language and culture barrier that prevents their minds from ever truly meeting, but they learn to be more or less content with their place in society and in raising their children.
Lydia’s child by her first marriage, Anna, becomes the focus of the next part of the novel. She was born in England, and has a fiery and demanding temperament. She falls in love with Will, a nephew of Tom, and the two begin a rocky and difficult marriage. Will, a craftsman and not a farmer, is self-absorbed, and wants nothing more than for them to live their lives only for each other. But Anna wants to strike out in the world and become a part of society. The two must reconcile their clashing personalities and desires as they raise their many children.
The oldest of their children, Ursula, becomes the focus of the last third—and perhaps most famous—part of the novel. Ursula is a deeply sensual being born in to the Victorian era, a time restrained in morality but exploding in energy and possibility, now worlds away from her grandfather Tom Brangwen’s quiet, traditional farming life. She leads a life unimaginable to her rural ancestors: indulging in travel abroad, waiting for marriage and pursuing her physical desires, and even taking on a career—a concept both new and frightening to her family, who are just a generation removed from the era when a woman’s life was led at home. Her unhappiness with the contradiction in this new unbridled way of living and the strict social mores of the era becomes the main theme of this last part of the book.
The entire novel takes a frank approach to sexuality and physical desire, with sex portrayed unashamedly as a natural, powerful, pleasurable, and desirable force in relationships. In fact Ursula’s story is the most famous part of the novel not just because of her unrestrained physicality and lust, but because she also experiments with a candidly-realized homosexual affair with one of her teachers. This unheard-of treatment of deeply taboo topics was poorly received by Lawrence’s Edwardian contemporaries, and the book quickly became the subject of an obscenity trial that resulted in over 1,000 copies being burned and the book being banned in the U.K. for eleven years.
Though its charged portrayal of sexuality is what the book is remembered for, sexuality is only one of the themes Lawrence treats. The novel stands solidly on its rich description of both rural and city life, its wide-angled view of change over generations, and its exploration of hope for the human spirit in societies that heave not gently but quickly and violently into new eras.
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- Author: D. H. Lawrence
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“Jim Richards,” called Miss Harby, hard and authoritative. A boy came sheepishly forward.
“Shall you go down to our house for me, eh?” said Miss Harby, in a commanding, condescending, coaxing voice. She did not wait for an answer. “Go down and ask mamma to send me one of my school pinas, for Miss Brangwen—shall you?”
The boy muttered a sheepish “Yes, miss,” and was moving away.
“Hey,” called Miss Harby. “Come here—now what are you going for? What shall you say to mamma?”
“A school pina—” muttered the boy.
“ ‘Please, Mrs. Harby, Miss Harby says will you send her another school pinafore for Miss Brangwen, because she’s come without one.’ ”
“Yes, miss,” muttered the boy, head ducked, and was moving off. Miss Harby caught him back, holding him by the shoulder.
“What are you going to say?”
“Please, Mrs. Harby, Miss Harby wants a pinny for Miss Brangwin,” muttered the boy very sheepishly.
“Miss Brangwen!” laughed Miss Harby, pushing him away. “Here, you’d better have my umbrella—wait a minute.”
The unwilling boy was rigged up with Miss Harby’s umbrella, and set off.
“Don’t take long over it,” called Miss Harby, after him. Then she turned to Ursula, and said brightly:
“Oh, he’s a caution, that lad—but not bad, you know.”
“No,” Ursula agreed, weakly.
The latch of the door clicked, and they entered the big room. Ursula glanced down the place. Its rigid, long silence was official and chilling. Halfway down was a glass partition, the doors of which were open. A clock ticked reechoing, and Miss Harby’s voice sounded double as she said:
“This is the big room—Standard Five-Six-and-Seven.—Here’s your place—Five—”
She stood in the near end of the great room. There was a small high teacher’s desk facing a squadron of long benches, two high windows in the wall opposite.
It was fascinating and horrible to Ursula. The curious, unliving light in the room changed her character. She thought it was the rainy morning. Then she looked up again, because of the horrid feeling of being shut in a rigid, inflexible air, away from all feeling of the ordinary day; and she noticed that the windows were of ribbed, suffused glass.
The prison was round her now! She looked at the walls, colour washed, pale green and chocolate, at the large windows with frowsy geraniums against the pale glass, at the long rows of desks, arranged in a squadron, and dread filled her. This was a new world, a new life, with which she was threatened. But still excited, she climbed into her chair at her teacher’s desk. It was high, and her feet could not reach the ground, but must rest on the step. Lifted up there, off the ground, she was in office. How queer, how queer it all was! How different it was from the mist of rain blowing over Cossethay. As she thought of her own village, a spasm of yearning crossed her, it seemed so far off, so lost to her.
She was here in this hard, stark reality—reality. It was queer that she should call this the reality, which she had never known till today, and which now so filled her with dread and dislike, that she wished she might go away. This was the reality, and Cossethay, her beloved, beautiful, well-known Cossethay, which was as herself unto her, that was minor reality. This prison of a school was reality. Here, then, she would sit in state, the queen of scholars! Here she would realize her dream of being the beloved teacher bringing light and joy to her children! But the desks before her had an abstract angularity that bruised her sentiment and made her shrink. She winced, feeling she had been a fool in her anticipations. She had brought her feelings and her generosity to where neither generosity nor emotion were wanted. And already she felt rebuffed, troubled by the new atmosphere, out of place.
She slid down, and they returned to the teacher’s room. It was queer to feel that one ought to alter one’s personality. She was nobody, there was no reality in herself, the reality was all outside of her, and she must apply herself to it.
Mr. Harby was in the teachers’ room, standing before a big, open cupboard, in which Ursula could see piles of pink blotting-paper, heaps of shiny new books, boxes of chalk, and bottles of coloured inks. It looked a treasure store.
The schoolmaster was a short, sturdy man, with a fine head, and a heavy jowl. Nevertheless he was good-looking, with his shapely brows and nose, and his great, hanging moustache. He seemed absorbed in his work, and took no notice of Ursula’s entry. There was something insulting in the way he could be so actively unaware of another person, so occupied.
When he had a moment of absence, he looked up from the table and said good morning to Ursula. There was a pleasant light in his brown eyes. He seemed very manly and incontrovertible, like something she wanted to push over.
“You had a wet walk,” he said to Ursula.
“Oh, I don’t mind, I’m used to it,” she replied, with a nervous little laugh.
But already he was not listening. Her words sounded ridiculous and babbling. He was taking no notice of her.
“You will sign your name here,” he said to her, as if she were some child—“and the time when you come and go.”
Ursula signed her name in the time book and stood back. No one took any further notice of her. She beat her brains for something to say, but in vain.
“I’d let them in now,” said Mr. Harby to the thin man, who was very hastily arranging his papers.
The assistant teacher made no sign of acquiescence, and went on with what he was doing. The atmosphere in the room grew tense. At the last moment Mr. Brunt slipped into his coat.
“You will go to the girls’ lobby,” said the schoolmaster to Ursula, with a fascinating, insulting geniality, purely official and domineering.
She went out and found Miss Harby, and another girl teacher, in the porch.
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