The Ambassadors by Henry James (read people like a book .TXT) 📕

random; such days, whatever should happen, were numbered, and he had gone forth under the impulse⁠—artless enough, no doubt⁠—to give the whole of one of them to that French ruralism, with its cool special green, into which he had hitherto looked only through the little oblong window of the picture-frame. It had been as yet for the most part but a land of fancy for him⁠—the background of fiction, the medium of art, the nursery of letters; practically as distant as Greece, but practically also well-nigh as consecrated. Romance could weave itself, for Strether’s sense, out of elements mild enough; and even after what he had, as he felt, lately “been through,” he could thrill a little at the chance of seeing something somewhere that would remind him of a certain small Lambinet that had charmed him, long years before, at a Boston dealer’s and that he had quite absurdly never forgotten. It had been offered, he remembered, at a price he had been instructed to believe the lowest ever named for a Lambinet, a price he had never felt so poor as on having to recognise, all the same, as beyond a dream of possibility. He had dreamed⁠—had turned and twisted possibilities for an hour: it had been the only adventure of his life in connection with the purchase of a work of art. The adventure, it will be perceived, was modest; but the memory, beyond all reason and by some accident of association, was sweet. The little Lambinet abode with him as the picture he would have bought⁠—the particular production that had made him for the moment overstep the modesty of nature. He was quite aware that if he were to see it again he should perhaps have a drop or a shock, and he never found himself wishing that the wheel of time would turn it up again, just as he had seen it in the maroon-coloured, sky-lighted inner shrine of Tremont Street. It would be a different thing, however, to see the remembered mixture resolved back into its elements⁠—to assist at the restoration to nature of the whole faraway hour: the dusty day in Boston, the background of the Fitchburg Depot, of the maroon-coloured sanctum, the special-green vision, the ridiculous price, the poplars, the willows, the rushes, the river, the sunny silvery sky, the shady woody horizon.

He observed in respect to his train almost no condition save that it should stop a few times after getting out of the banlieue; he threw himself on the general amiability of the day for the hint of where to alight. His theory of his excursion was that he could alight anywhere⁠—not nearer Paris than an hour’s run⁠—on catching a suggestion of the particular note required. It made its sign, the suggestion⁠—weather, air, light, colour and his mood all favouring⁠—at the end of some eighty minutes; the train pulled up just at the right spot, and he found himself getting out as securely as if to keep an appointment. It will be felt of him that he could amuse himself, at his age, with very small things if it be again noted that his appointment was only with a superseded Boston fashion. He hadn’t gone far without the quick confidence that it would be quite sufficiently kept. The oblong gilt frame disposed its enclosing lines; the poplars and willows, the reeds and river⁠—a river of which he didn’t know, and didn’t want to know, the name⁠—fell into a composition, full of felicity, within them; the sky was silver and turquoise and varnish; the village on the left was white and the church on the right was grey; it was all there, in short⁠—it was what he wanted: it was Tremont Street, it was France, it was Lambinet. Moreover he was freely walking about in it. He did this last, for an hour, to his heart’s content, making for the shady woody horizon and boring so deep into his impression and his idleness that he might fairly have got through them again and reached the maroon-coloured wall. It was a wonder, no doubt, that the taste of idleness for him shouldn’t need more time to sweeten; but it had in fact taken the few previous days; it had been sweetening in truth ever since the retreat of the Pococks. He walked and walked as if to show himself how little he had now to do; he had nothing to do but turn off to some hillside where he might stretch himself and hear the poplars rustle, and whence⁠—in the course of an afternoon so spent, an afternoon richly suffused too with the sense of a book in his pocket⁠—he should sufficiently command the scene to be able to pick out just the right little rustic inn for an experiment in respect to dinner. There was a train back to Paris at 9:20, and he saw himself partaking, at the close of the day, with the enhancements of a coarse white cloth and a sanded door, of something fried and felicitous, washed down with authentic wine; after which he might, as he liked, either stroll back to his station in the gloaming or propose for the local carriole and converse with his driver, a driver who naturally wouldn’t fail of a stiff clean blouse, of a knitted nightcap and of the genius of response⁠—who, in fine, would sit on the shafts, tell him what the French people were thinking, and remind him, as indeed the whole episode would incidentally do, of Maupassant. Strether heard his lips, for the first time in French air, as this vision assumed consistency, emit sounds of expressive intention without fear of his company. He had been afraid of Chad and of Maria and of Madame de Vionnet; he had been most of all afraid of Waymarsh, in whose presence, so far as they had mixed together in the light of the town, he had never without somehow paying for it aired either his vocabulary or his accent.