The Man Who Was Thursday by G. K. Chesterton (best novels to read for beginners .txt) ๐
Description
Sometimes described as thrilling, sometimes as comic, and sometimes as metaphysical or spiritual, The Man Who Was Thursday is perhaps a little of each. The tale begins when an undercover policeman infiltrates a mysterious Anarchist group. As the novel progresses, things become more comic and improbable, and eventually evolve in to a sort of abstract, dreamlike state. Filled with Christian allegory, Thursday is a glittering, fascinating exploration of good versus evil and theology through the lens of adventure, wit, and the surreal.
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- Author: G. K. Chesterton
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โTelephone?โ inquired Syme, with interest.
โNo,โ said the policeman placidly, โhe has a fancy for always sitting in a pitch-dark room. He says it makes his thoughts brighter. Do come along.โ
Somewhat dazed and considerably excited, Syme allowed himself to be led to a side-door in the long row of buildings of Scotland Yard. Almost before he knew what he was doing, he had been passed through the hands of about four intermediate officials, and was suddenly shown into a room, the abrupt blackness of which startled him like a blaze of light. It was not the ordinary darkness, in which forms can be faintly traced; it was like going suddenly stone-blind.
โAre you the new recruit?โ asked a heavy voice.
And in some strange way, though there was not the shadow of a shape in the gloom, Syme knew two things: first, that it came from a man of massive stature; and second, that the man had his back to him.
โAre you the new recruit?โ said the invisible chief, who seemed to have heard all about it. โAll right. You are engaged.โ
Syme, quite swept off his feet, made a feeble fight against this irrevocable phrase.
โI really have no experience,โ he began.
โNo one has any experience,โ said the other, โof the Battle of Armageddon.โ
โBut I am really unfitโ โโ
โYou are willing, that is enough,โ said the unknown.
โWell, really,โ said Syme, โI donโt know any profession of which mere willingness is the final test.โ
โI do,โ said the otherโ โโmartyrs. I am condemning you to death. Good day.โ
Thus it was that when Gabriel Syme came out again into the crimson light of evening, in his shabby black hat and shabby, lawless cloak, he came out a member of the New Detective Corps for the frustration of the great conspiracy. Acting under the advice of his friend the policeman (who was professionally inclined to neatness), he trimmed his hair and beard, bought a good hat, clad himself in an exquisite summer suit of light blue-grey, with a pale yellow flower in the buttonhole, and, in short, became that elegant and rather insupportable person whom Gregory had first encountered in the little garden of Saffron Park. Before he finally left the police premises his friend provided him with a small blue card, on which was written, โThe Last Crusade,โ and a number, the sign of his official authority. He put this carefully in his upper waistcoat pocket, lit a cigarette, and went forth to track and fight the enemy in all the drawing-rooms of London. Where his adventure ultimately led him we have already seen. At about half-past one on a February night he found himself steaming in a small tug up the silent Thames, armed with swordstick and revolver, the duly elected Thursday of the Central Council of Anarchists.
When Syme stepped out on to the steam-tug he had a singular sensation of stepping out into something entirely new; not merely into the landscape of a new land, but even into the landscape of a new planet. This was mainly due to the insane yet solid decision of that evening, though partly also to an entire change in the weather and the sky since he entered the little tavern some two hours before. Every trace of the passionate plumage of the cloudy sunset had been swept away, and a naked moon stood in a naked sky. The moon was so strong and full that (by a paradox often to be noticed) it seemed like a weaker sun. It gave, not the sense of bright moonshine, but rather of a dead daylight.
Over the whole landscape lay a luminous and unnatural discoloration, as of that disastrous twilight which Milton spoke of as shed by the sun in eclipse; so that Syme fell easily into his first thought, that he was actually on some other and emptier planet, which circled round some sadder star. But the more he felt this glittering desolation in the moonlit land, the more his own chivalric folly glowed in the night like a great fire. Even the common things he carried with himโ โthe food and the brandy and the loaded pistolโ โtook on exactly that concrete and material poetry which a child feels when he takes a gun upon a journey or a bun with him to bed. The sword-stick and the brandy-flask, though in themselves only the tools of morbid conspirators, became the expressions of his own more healthy romance. The sword-stick became almost the sword of chivalry, and the brandy the wine of the stirrup-cup. For even the most dehumanised modern fantasies depend on some older and simpler figure; the adventures may be mad, but the adventurer must be sane. The dragon without St. George would not even be grotesque. So this inhuman landscape was only imaginative by the presence of a man really human. To Symeโs exaggerative mind the bright, bleak houses and terraces by the Thames looked as empty as the mountains of the moon. But even the moon is only poetical because there is a man in the moon.
The tug was worked by two men, and with much toil went comparatively slowly. The clear moon that had lit up Chiswick had gone down by the time that they passed Battersea, and when they came under the enormous bulk of Westminster day had already begun to break. It broke like the splitting of great bars of lead, showing bars of silver; and these had brightened like white fire when the tug, changing its onward course, turned inward to a large landing stage rather beyond Charing Cross.
The great stones of the Embankment seemed equally dark and gigantic as Syme looked up at them. They were big and black against the huge white dawn. They made
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