Middlemarch by George Eliot (ebook and pdf reader TXT) 📕
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“George Eliot” was the pen-name of Mary Ann Evans, one of the greatest of English novelists of the Victorian era. Her long novel Middlemarch, subtitled A Study of Provincial Life, is generally considered to be her finest work.
Published in eight installments between 1871 and 1872, Middlemarch tells the intertwined stories of a variety of people living in the vicinity of the (fictional) midlands town of Middlemarch during the early 1830s, the time of the great Reform Act. The novel is remarkable for its realistic treatment of situation, character and relationships and also demonstrates its author’s accurate knowledge of political issues, medicine, politics, and rural economy. Yet it also includes several touches of humor.
The novel’s main characters include: Dorothea Brooke, a religiously-inclined and very intelligent young woman who marries a much older man believing that she can assist him in his scholarly studies; Dr. Tertius Lydgate, a doctor who comes to Middlemarch to further his medical research and implement his ideas for treatment, but whose plans are thrown into disarray by an unwise marriage; Fred Vincy, an idle young man, the son of the town’s Mayor, who gets into a mire of debt; and several others.
The initial reception of the novel by critics was mixed, with a number of unfavorable reviews, but its reputation has grown through time and Middlemarch is now generally considered to be one of the best novels ever written in English.
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- Author: George Eliot
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“What is that?” said Will, rather jealous of the belief.
“That by desiring what is perfectly good, even when we don’t quite know what it is and cannot do what we would, we are part of the divine power against evil—widening the skirts of light and making the struggle with darkness narrower.”
“That is a beautiful mysticism—it is a—”
“Please not to call it by any name,” said Dorothea, putting out her hands entreatingly. “You will say it is Persian, or something else geographical. It is my life. I have found it out, and cannot part with it. I have always been finding out my religion since I was a little girl. I used to pray so much—now I hardly ever pray. I try not to have desires merely for myself, because they may not be good for others, and I have too much already. I only told you, that you might know quite well how my days go at Lowick.”
“God bless you for telling me!” said Will, ardently, and rather wondering at himself. They were looking at each other like two fond children who were talking confidentially of birds.
“What is your religion?” said Dorothea. “I mean—not what you know about religion, but the belief that helps you most?”
“To love what is good and beautiful when I see it,” said Will. “But I am a rebel: I don’t feel bound, as you do, to submit to what I don’t like.”
“But if you like what is good, that comes to the same thing,” said Dorothea, smiling.
“Now you are subtle,” said Will.
“Yes; Mr. Casaubon often says I am too subtle. I don’t feel as if I were subtle,” said Dorothea, playfully. “But how long my uncle is! I must go and look for him. I must really go on to the Hall. Celia is expecting me.”
Will offered to tell Mr. Brooke, who presently came and said that he would step into the carriage and go with Dorothea as far as Dagley’s, to speak about the small delinquent who had been caught with the leveret. Dorothea renewed the subject of the estate as they drove along, but Mr. Brooke, not being taken unawares, got the talk under his own control.
“Chettam, now,” he replied; “he finds fault with me, my dear; but I should not preserve my game if it were not for Chettam, and he can’t say that that expense is for the sake of the tenants, you know. It’s a little against my feeling:—poaching, now, if you come to look into it—I have often thought of getting up the subject. Not long ago, Flavell, the Methodist preacher, was brought up for knocking down a hare that came across his path when he and his wife were walking out together. He was pretty quick, and knocked it on the neck.”
“That was very brutal, I think,” said Dorothea.
“Well, now, it seemed rather black to me, I confess, in a Methodist preacher, you know. And Johnson said, ‘You may judge what a hypocrite he is.’ And upon my word, I thought Flavell looked very little like ‘the highest style of man’—as somebody calls the Christian—Young, the poet Young, I think—you know Young? Well, now, Flavell in his shabby black gaiters, pleading that he thought the Lord had sent him and his wife a good dinner, and he had a right to knock it down, though not a mighty hunter before the Lord, as Nimrod was—I assure you it was rather comic: Fielding would have made something of it—or Scott, now—Scott might have worked it up. But really, when I came to think of it, I couldn’t help liking that the fellow should have a bit of hare to say grace over. It’s all a matter of prejudice—prejudice with the law on its side, you know—about the stick and the gaiters, and so on. However, it doesn’t do to reason about things; and law is law. But I got Johnson to be quiet, and I hushed the matter up. I doubt whether Chettam would not have been more severe, and yet he comes down on me as if I were the hardest man in the county. But here we are at Dagley’s.”
Mr. Brooke got down at a farmyard-gate, and Dorothea drove on. It is wonderful how much uglier things will look when we only suspect that we are blamed for them. Even our own persons in the glass are apt to change their aspect for us after we have heard some frank remark on their less admirable points; and on the other hand it is astonishing how pleasantly conscience takes our encroachments on those who never complain or have nobody to complain for them. Dagley’s homestead never before looked so dismal to Mr. Brooke as it did today, with his mind thus sore about the faultfinding of the Trumpet, echoed by Sir James.
It is true that an observer, under that softening influence of the fine arts which makes other people’s hardships picturesque, might have been delighted with this homestead called Freeman’s End: the old house had dormer-windows in the dark red roof, two of the chimneys were choked with ivy, the large porch was blocked up with bundles of sticks, and half the windows were closed with gray worm-eaten shutters about which the jasmine-boughs grew in wild luxuriance; the mouldering garden wall with hollyhocks peeping over it was a perfect study of highly mingled subdued color, and there was an aged goat (kept doubtless on interesting superstitious grounds) lying against the open back-kitchen door. The mossy thatch of the cowshed, the broken gray barn-doors, the pauper laborers in ragged breeches who had nearly finished unloading a wagon of corn into the barn ready for early thrashing; the scanty dairy of cows being tethered for milking and leaving one half of the shed in brown emptiness; the very pigs and white ducks seeming to wander about the uneven neglected yard as if in low spirits from feeding on a too meagre quality
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