Little Dorrit by Charles Dickens (suggested reading .TXT) 📕
Description
Little Dorrit, like many of Charles Dickens’ novels, was originally published in serial form over a period of about 18 months, before appearing in book form in 1857.
The novel focuses on the experiences of its protagonist Arthur Clenham, who has spent some twenty years in China helping his father run the family business there. After his father dies, Arthur returns home to London. His mother gives him little in the way of welcome. She is a cold, bitter woman who has brought Arthur up under a strict religious regime concentrating on the punitive aspects of the Old Testament. Despite this upbringing, or perhaps in reaction to it, Arthur is a kind, considerate man. He is intrigued by a slight young woman he encounters working as a part-time seamstress for his mother, whom his mother calls simply “Little Dorrit.” Arthur senses some mystery about her mother’s employment of Little Dorrit, and proceeds to investigate.
There are several subplots and a whole host of characters. Compared to some of Dickens’ work, Little Dorrit features a good deal of intrigue and tension. There are also some strong strands of humor, in the form of the fictional “Circumlocution Office,” whose sole remit is “How Not To Do It,” and which stands in the way of any improvement of British life. Also very amusing are the rambling speeches of Flora, a woman with whom Arthur was enamored before he left for China, but whose shallowness he now perceives only too well.
Little Dorrit has been adapted for the screen many times, and by the BBC in 2010 in a limited television series which featured Claire Foy as Little Dorrit, Matthew Macfayden as Arthur Clenham, and Andy Serkis as the villain Rigaud.
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- Author: Charles Dickens
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“It is a genuine old house,” said Mrs. Clennam, with her frozen smile. “A place of no pretensions, but a piece of antiquity.”
“Faith!” cried the visitor. “If Mr. Flintwinch would do me the favour to take me through the rooms on my way out, he could hardly oblige me more. An old house is a weakness with me. I have many weaknesses, but none greater. I love and study the picturesque in all its varieties. I have been called picturesque myself. It is no merit to be picturesque—I have greater merits, perhaps—but I may be, by an accident. Sympathy, sympathy!”
“I tell you beforehand, Mr. Blandois, that you’ll find it very dingy and very bare,” said Jeremiah, taking up the candle. “It’s not worth your looking at. But Mr. Blandois, smiting him in a friendly manner on the back, only laughed; so the said Blandois kissed his hand again to Mrs. Clennam, and they went out of the room together.
“You don’t care to go upstairs?” said Jeremiah, on the landing.
“On the contrary, Mr. Flintwinch; if not tiresome to you, I shall be ravished!”
Mr. Flintwinch, therefore, wormed himself up the staircase, and Mr. Blandois followed close. They ascended to the great garret bedroom which Arthur had occupied on the night of his return. “There, Mr. Blandois!” said Jeremiah, showing it, “I hope you may think that worth coming so high to see. I confess I don’t.”
Mr. Blandois being enraptured, they walked through other garrets and passages, and came down the staircase again. By this time Mr. Flintwinch had remarked that he never found the visitor looking at any room, after throwing one quick glance around, but always found the visitor looking at him, Mr. Flintwinch. With this discovery in his thoughts, he turned about on the staircase for another experiment. He met his eyes directly; and on the instant of their fixing one another, the visitor, with that ugly play of nose and moustache, laughed (as he had done at every similar moment since they left Mrs. Clennam’s chamber) a diabolically silent laugh.
As a much shorter man than the visitor, Mr. Flintwinch was at the physical disadvantage of being thus disagreeably leered at from a height; and as he went first down the staircase, and was usually a step or two lower than the other, this disadvantage was at the time increased. He postponed looking at Mr. Blandois again until this accidental inequality was removed by their having entered the late Mr. Clennam’s room. But, then twisting himself suddenly round upon him, he found his look unchanged.
“A most admirable old house,” smiled Mr. Blandois. “So mysterious. Do you never hear any haunted noises here?”
“Noises,” returned Mr. Flintwinch. “No.”
“Nor see any devils?”
“Not,” said Mr. Flintwinch, grimly screwing himself at his questioner, “not any that introduce themselves under that name and in that capacity.”
“Haha! A portrait here, I see.”
(Still looking at Mr. Flintwinch, as if he were the portrait.)
“It’s a portrait, sir, as you observe.”
“May I ask the subject, Mr. Flintwinch?”
“Mr. Clennam, deceased. Her husband.”
“Former owner of the remarkable watch, perhaps?” said the visitor.
Mr. Flintwinch, who had cast his eyes towards the portrait, twisted himself about again, and again found himself the subject of the same look and smile. “Yes, Mr. Blandois,” he replied tartly. “It was his, and his uncle’s before him, and Lord knows who before him; and that’s all I can tell you of its pedigree.”
“That’s a strongly marked character, Mr. Flintwinch, our friend upstairs.”
“Yes, sir,” said Jeremiah, twisting himself at the visitor again, as he did during the whole of this dialogue, like some screw-machine that fell short of its grip; for the other never changed, and he always felt obliged to retreat a little. “She is a remarkable woman. Great fortitude—great strength of mind.”
“They must have been very happy,” said Blandois.
“Who?” demanded Mr. Flintwinch, with another screw at him.
Mr. Blandois shook his right forefinger towards the sick room, and his left forefinger towards the portrait, and then, putting his arms akimbo and striding his legs wide apart, stood smiling down at Mr. Flintwinch with the advancing nose and the retreating moustache.
“As happy as most other married people, I suppose,” returned Mr. Flintwinch. “I can’t say. I don’t know. There are secrets in all families.”
“Secrets!” cried Mr. Blandois, quickly. “Say it again, my son.”
“I say,” replied Mr. Flintwinch, upon whom he had swelled himself so suddenly that Mr. Flintwinch found his face almost brushed by the dilated chest. “I say there are secrets in all families.”
“So there are,” cried the other, clapping him on both shoulders, and rolling him backwards and forwards. “Haha! you are right. So there are! Secrets! Holy Blue! There are the devil’s own secrets in some families, Mr. Flintwinch!” With that, after clapping Mr. Flintwinch on both shoulders several times, as if in a friendly and humorous way he were rallying him on a joke he had made, he threw up his arms, threw back his head, hooked his hands together behind it, and burst into a roar of laughter. It was in vain for Mr. Flintwinch to try another screw at him. He had his laugh out.
“But, favour me with the candle a moment,” he said, when he had done. “Let us have a look at the husband of the remarkable lady. Hah!” holding up the light at arm’s length. “A decided expression of face here too, though not of the same character. Looks as if he were saying, what is it—Do Not Forget—does he not, Mr. Flintwinch? By Heaven, sir, he does!”
As he returned the candle, he looked at him once more; and then, leisurely strolling out with him into the hall, declared it to be a charming old house indeed, and one which had so greatly pleased him that he would not have missed inspecting it for a hundred pounds.
Throughout these singular freedoms on the part of Mr. Blandois, which involved a general alteration in his demeanour, making it much coarser and rougher, much more
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