New Grub Street by George Gissing (best mobile ebook reader .txt) π

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Grub Street is the name of a former street in London synonymous with pulp writers and low-quality publishers. New Grub Street takes its name from that old street, as it follows the lives and endeavors of a group of writers active in the literary scene of 1880s London.
Edwin Reardon is a quiet and intelligent writer whose artistic sensibilities are the opposite of what the London public wants to read. Heβs forced to write long, joyless novels that he thinks pop publishers will want to buy. These novels are draining to write, yet result in meager sales; soon Edwinβs increasingly small bank account, and his stubborn pride, start to put a strain on his once-happy marriage.
His best friend, Biffen, lies to one side of Edwinβs nature: as another highly-educated writer, he accepts a dingy, lonely, and hungry life of abject poverty in exchange for being able to produce a novel thatβs true to his artistic desires but is unlikely to sell. On the other side lies Jasper Milvain, an βalarmingly modernβ writer laser-focused on earning as much money as possible no matter what heβs made to write, as he floats through the same literary circles that Edwin haunts.
The intricately-told tale follows these writers as their differing outlooks and their fluctuating ranks in society affect them and the people around them. Gissing, himself a prolific writer intimately familiar with the London literary scene, draws from his own life in laying out the characters and events in the novel. He carefully elaborates the fragile social fabric of the literary world, its paupers and its barons both equal in the industry but unequal in public life. Though the novel is about writers on the face, the deep thread that runs through it all is the brutality of the modern social structure, where the greedy and superficial are rewarded with stability and riches, while the delicate and thoughtful are condemned to live on the margins of respectable society in grimy poverty, robbed not only of dignity, but of love.
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- Author: George Gissing
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βWhat is it?β she cried to him. βLook, she has fallen down in a faint. Why are you treating her like this?β
βAttend to her,β Yule replied roughly. βI suppose you know better than I do what to do when a person faints.β
The swoon lasted for several minutes.
βWhatβs in the letter?β asked Mrs. Yule whilst chafing the lifeless hands.
βHer moneyβs lost. The people who were to pay it have just failed.β
βShe wonβt get anything?β
βMost likely nothing at all.β
The letter was a private communication from one of John Yuleβs executors. It seemed likely that the demand upon Turberville & Co. for an account of the deceased partnerβs share in their business had helped to bring about a crisis in affairs that were already unstable. Something might be recovered in the legal proceedings that would result, but there were circumstances which made the outlook very doubtful.
As Marian came to herself her father left the room. An hour afterwards Mrs. Yule summoned him again to the girlβs chamber; he went, and found Marian lying on the bed, looking like one who had been long ill.
βI wish to ask you a few questions,β she said, without raising herself. βMust my legacy necessarily be paid out of that investment?β
βIt must. Those are the terms of the will.β
βIf nothing can be recovered from those people, I have no remedy?β
βNone whatever that I can see.β
βBut when a firm is bankrupt they generally pay some portion of their debts?β
βSometimes. I know nothing of the case.β
βThis of course happens to me,β Marian said, with intense bitterness. βNone of the other legatees will suffer, I suppose?β
βSomeone must, but to a very small extent.β
βOf course. When shall I have direct information?β
βYou can write to Mr. Holden; you have his address.β
βThank you. Thatβs all.β
He was dismissed, and went quietly away.
XXX Waiting on DestinyThroughout the day Marian kept her room. Her intention to leave the house was, of course, abandoned; she was the prisoner of fate. Mrs. Yule would have tended her with unremitting devotion, but the girl desired to be alone. At times she lay in silent anguish; frequently her tears broke forth, and she sobbed until weariness overcame her. In the afternoon she wrote a letter to Mr. Holden, begging that she might be kept constantly acquainted with the progress of things.
At five her mother brought tea.
βWouldnβt it be better if you went to bed now, Marian?β she suggested.
βTo bed? But I am going out in an hour or two.β
βOh, you canβt, dear! Itβs so bitterly cold. It wouldnβt be good for you.β
βI have to go out, mother, so we wonβt speak of it.β
It was not safe to reply. Mrs. Yule sat down, and watched the girl raise the cup to her mouth with trembling hand.
βThis wonβt make any difference to youβ βin the end, my darling,β the mother ventured to say at length, alluding for the first time to the effect of the catastrophe on Marianβs immediate prospects.
βOf course not,β was the reply, in a tone of self-persuasion.
βMr. Milvain is sure to have plenty of money before long.β
βYes.β
βYou feel much better now, donβt you?β
βMuch. I am quite well again.β
At seven, Marian went out. Finding herself weaker than she had thought, she stopped an empty cab that presently passed her, and so drove to the Milvainsβ lodgings. In her agitation she inquired for Mr. Milvain, instead of for Dora, as was her habit; it mattered very little, for the landlady and her servants were of course under no misconception regarding this young ladyβs visits.
Jasper was at home, and working. He had but to look at Marian to see that something wretched had been going on at her home; naturally he supposed it the result of his letter to Mr. Yule.
βYour father has been behaving brutally,β he said, holding her hands and gazing anxiously at her.
βThere is something far worse than that, Jasper.β
βWorse?β
She threw off her outdoor things, then took the fatal letter from her pocket and handed it to him. Jasper gave a whistle of consternation, and looked vacantly from the paper to Marianβs countenance.
βHow the deuce comes this about?β he exclaimed. βWhy, wasnβt your uncle aware of the state of things?β
βPerhaps he was. He may have known that the legacy was a mere form.β
βYou are the only one affected?β
βSo father says. Itβs sure to be the case.β
βThis has upset you horribly, I can see. Sit down, Marian. When did the letter come?β
βThis morning.β
βAnd you have been fretting over it all day. But come, we must keep up our courage; you may get something substantial out of the scoundrels still.β
Even whilst he spoke his eyes wandered absently. On the last word his voice failed, and he fell into abstraction. Marianβs look was fixed upon him, and he became conscious of it. He tried to smile.
βWhat were you writing?β she asked, making involuntary diversion from the calamitous theme.
βRubbish for the Will-oβ-the-Wisp. Listen to this paragraph about English concert audiences.β
It was as necessary to him as to her to have a respite before the graver discussion began. He seized gladly the opportunity she offered, and read several pages of manuscript, slipping from one topic to another. To hear him one would have supposed that he was in his ordinary mood; he laughed at his own jokes and points.
βTheyβll have to pay me more,β was the remark with which he closed. βI only wanted to make myself indispensable to them, and at the end of this year I shall feel pretty sure of that. Theyβll have to give me two guineas a column; by Jove! they will.β
βAnd you may hope for much more than that, maynβt you, before long?β
βOh, I
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