The Wings of the Dove by Henry James (bill gates books to read TXT) 📕
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The Wings of the Dove is perhaps the most well-received of Henry James’s novels. First published in 1902, it follows Kate Croy and Merton Densher, an engaged couple in late-Victorian London, who meet Milly Theale, a wealthy American heiress.
Milly, though young and lively, is burdened with a fatal disease. She wishes to spend her last days on happy adventures through Europe, and her sparkling personality, still bright despite her looming death, quickly makes her a hit in the London social scene. As she plans an excursion to Venice, Kate and Merton, who are too poor to marry and still maintain their social standing, scheme to trick Milly out of her inheritance.
The character of Milly is partly based on Minny Temple, James’ cousin who died young of tuberculosis. He later wrote that the novel was his attempt to immortalize her memory, and that he spent years developing the core of the book’s conceit before committing it to the page. The novel is James at his peak: dizzyingly complex prose weaves rich, impressionistic character studies, heavy in symbolism and allusion, amid the glamorous backdrops of high-society London and decaying Venetian grandeur.
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- Author: Henry James
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It played for him—certainly in this prime afterglow—the part of a treasure kept at home in safety and sanctity, something he was sure of finding in its place when, with each return, he worked his heavy old key in the lock. The door had but to open for him to be with it again and for it to be all there; so intensely there that, as we say, no other act was possible to him than the renewed act, almost the hallucination, of intimacy. Wherever he looked or sat or stood, to whatever aspect he gave for the instant the advantage, it was in view as nothing of the moment, nothing begotten of time or of chance could be, or ever would; it was in view as, when the curtain has risen, the play on the stage is in view, night after night, for the fiddlers. He remained thus, in his own theatre, in his single person, perpetual orchestra to the ordered drama, the confirmed “run”; playing low and slow, moreover, in the regular way, for the situations of most importance. No other visitor was to come to him; he met, he bumped occasionally, in the Piazza or in his walks, against claimants to acquaintance, remembered or forgotten, at present mostly effusive, sometimes even inquisitive; but he gave no address and encouraged no approach; he couldn’t for his life, he felt, have opened his door to a third person. Such a person would have interrupted him, would have profaned his secret or perhaps have guessed it; would at any rate have broken the spell of what he conceived himself—in the absence of anything “to show”—to be inwardly doing. He was giving himself up—that was quite enough—to the general feeling of his renewed engagement to fidelity. The force of the engagement, the quantity of the article to be supplied, the special solidity of the contract, the way, above all, as a service for which the price named by him had been magnificently paid, his equivalent office was to take effect—such items might well fill his consciousness when there was nothing from outside to interfere. Never was a consciousness more rounded and fastened down over what filled it; which is precisely what we have spoken of as, in its degree, the oppression of success, the somewhat chilled state—tending to the solitary—of supreme recognition. If it was slightly awful to feel so justified, this was by the loss of the warmth of the element of mystery. The lucid reigned instead of it, and it was into the lucid that he sat and stared. He shook himself out of it a dozen times a day, tried to break by his own act his constant still communion. It wasn’t still communion she had meant to bequeath him; it was the very different business of that kind of fidelity of which the other name was careful action.
Nothing, he perfectly knew, was less like careful action than the immersion he enjoyed at home. The actual grand queerness was that to be faithful to Kate he had positively to take his eyes, his arms, his lips straight off her—he had to let her alone. He had to remember it was time to go to the palace—which in truth was a mercy, since the check was not less effectual than imperative. What it came to, fortunately, as yet, was that when he closed the door behind him for an absence he always shut her in. Shut her out—it came to that rather, when once he had got a little away; and before he reached the palace, much more after hearing at his heels the bang of the greater portone, he felt free enough not to know his position as oppressively false. As Kate was all in his poor rooms, and not a ghost of her left for the grander, it was only on reflection that the falseness came out; so long as he left it to the mercy of beneficent chance it offered him no face and made of him no claim that he couldn’t meet without aggravation of his inward sense. This aggravation had been his original horror; yet what—in Milly’s presence, each day—was horror doing with him but virtually letting him off? He shouldn’t perhaps get off to the end; there was time enough still for the possibility of shame to pounce. Still, however, he did constantly a little more what he liked best, and that kept him for the time more safe. What he liked best was, in any case, to know why things were as he felt them; and he knew it pretty well, in this case, ten days after the retreat of his other friends. He then fairly perceived that—even putting their purity of motive at its highest—it was neither Kate nor he who made his strange relation to Milly, who made her own, so far as it might be, innocent; it was neither of them who practically purged it—if practically purged it was. Milly herself did everything—so far at least as he was concerned—Milly herself, and Milly’s house, and Milly’s hospitality, and Milly’s manner, and Milly’s character, and, perhaps still more than anything else, Milly’s imagination, Mrs. Stringham and Sir Luke indeed a little aiding: whereby he knew the blessing of a fair pretext to ask himself what more he had to do. Something incalculable wrought for them—for him and Kate; something outside, beyond, above themselves, and doubtless ever so much better than they: which wasn’t a reason,
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