Major Barbara by George Bernard Shaw (different e readers .TXT) ๐
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Major Barbara is a three-act play that premiered at the Court Theatre in 1905, and was subsequently published in 1907. It portrays idealist Barbara Undershaft, a Major in the Salvation Army, and her encounter with her long-estranged father who has made his fortune as a โdealer of deathโ in the munitions industry. Barbara doesnโt wish to be associated with her fatherโs ill-gotten wealth, but canโt prevent him from donating to the Salvation Army and eventually converting her family to his capitalist views on how best to help the poor.
In the preface, Shaw addresses his critics and explicates his actual attitudes towards the Salvation Army, versus the attitudes and fates portrayed by his characters and responded to by the critics. He continues on to discuss the issues of wealth and poverty, religion and science, and how they all fit into his views of society.
Major Barbara is one of the most controversial of Shawโs work and was greeted with decidedly mixed reviews, yet it endures as one of his most famous plays.
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- Author: George Bernard Shaw
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If a man cannot look evil in the face without illusion, he will never know what it really is, or combat it effectually. The few men who have been able (relatively) to do this have been called cynics, and have sometimes had an abnormal share of evil in themselves, corresponding to the abnormal strength of their minds; but they have never done mischief unless they intended to do it. That is why great scoundrels have been beneficent rulers whilst amiable and privately harmless monarchs have ruined their countries by trusting to the hocus-pocus of innocence and guilt, reward and punishment, virtuous indignation and pardon, instead of standing up to the facts without either malice or mercy. Major Barbara stands up to Bill Walker in that way, with the result that the ruffian who cannot get hated, has to hate himself. To relieve this agony he tries to get punished; but the Salvationist whom he tries to provoke is as merciless as Barbara, and only prays for him. Then he tries to pay, but can get nobody to take his money. His doom is the doom of Cain, who, failing to find either a savior, a policeman, or an almoner to help him to pretend that his brotherโs blood no longer cried from the ground, had to live and die a murderer. Cain took care not to commit another murder, unlike our railway shareholders (I am one) who kill and maim shunters by hundreds to save the cost of automatic couplings, and make atonement by annual subscriptions to deserving charities. Had Cain been allowed to pay off his score, he might possibly have killed Adam and Eve for the mere sake of a second luxurious reconciliation with God afterwards. Bodger, you may depend on it, will go on to the end of his life poisoning people with bad whisky, because he can always depend on the Salvation Army or the Church of England to negotiate a redemption for him in consideration of a trifling percentage of his profits. There is a third condition too, which must be fulfilled before the great teachers of the world will cease to scoff at its religions. Creeds must become intellectually honest. At present there is not a single credible established religion in the world. That is perhaps the most stupendous fact in the whole world-situation. This play of mine, Major Barbara, is, I hope, both true and inspired; but whoever says that it all happened, and that faith in it and understanding of it consist in believing that it is a record of an actual occurrence, is, to speak according to Scripture, a fool and a liar, and is hereby solemnly denounced and cursed as such by me, the author, to all posterity.
London, June 1906.
Major Barbara Act IIt is after dinner on a January night, in the library in Lady Britomart Undershaftโs house in Wilton Crescent. A large and comfortable settee is in the middle of the room, upholstered in dark leather. A person sitting on it (it is vacant at present) would have, on his right, Lady Britomartโs writing table, with the lady herself busy at it; a smaller writing table behind him on his left; the door behind him on Lady Britomartโs side; and a window with a window seat directly on his left. Near the window is an armchair.
Lady Britomart is a woman of fifty or thereabouts, well dressed and yet careless of her dress, well bred and quite reckless of her breeding, well mannered and yet appallingly outspoken and indifferent to the opinion of her interlocutory, amiable and yet peremptory, arbitrary, and high-tempered to the last bearable
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