The Wings of the Dove by Henry James (bill gates books to read TXT) 📕
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The Wings of the Dove is perhaps the most well-received of Henry James’s novels. First published in 1902, it follows Kate Croy and Merton Densher, an engaged couple in late-Victorian London, who meet Milly Theale, a wealthy American heiress.
Milly, though young and lively, is burdened with a fatal disease. She wishes to spend her last days on happy adventures through Europe, and her sparkling personality, still bright despite her looming death, quickly makes her a hit in the London social scene. As she plans an excursion to Venice, Kate and Merton, who are too poor to marry and still maintain their social standing, scheme to trick Milly out of her inheritance.
The character of Milly is partly based on Minny Temple, James’ cousin who died young of tuberculosis. He later wrote that the novel was his attempt to immortalize her memory, and that he spent years developing the core of the book’s conceit before committing it to the page. The novel is James at his peak: dizzyingly complex prose weaves rich, impressionistic character studies, heavy in symbolism and allusion, amid the glamorous backdrops of high-society London and decaying Venetian grandeur.
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- Author: Henry James
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He did so then, daily, for twenty days, without deepened fear of the undue vibration that was keeping him watchful. He knew in his nervousness that he was living at best from day to day and from hand to mouth; yet he had succeeded, he believed, in avoiding a mistake. All women had alternatives, and Milly’s would doubtless be shaky too; but the national character was firm in her, whether as all of her, practically, by this time, or but as a part; the national character that, in a woman still so young, made of the air breathed a virtual nonconductor. It wasn’t till a certain occasion when the twenty days had passed that, going to the palace at teatime, he was met by the information that the signorina padrona was not “receiving.” The announcement met him, in the court, on the lips of one of the gondoliers, met him, he thought, with such a conscious eye as the knowledge of his freedoms of access, hitherto conspicuously shown, could scarce fail to beget. Densher had not been at Palazzo Leporelli among the mere receivable, but had taken his place once for all among the involved and included, so that on being so flagrantly braved he recognised after a moment the propriety of a further appeal. Neither of the two ladies, it appeared, received, and yet Pasquale was not prepared to say that either was poco bene. He was yet not prepared to say that either was anything, and he would have been blank, Densher mentally noted, if the term could ever apply to members of a race in whom vacancy was but a nest of darknesses—not a vain surface, but a place of withdrawal in which something obscure, something always ominous, indistinguishably lived. He felt afresh indeed at this hour the force of the veto laid within the palace on any mention, any cognition, of the liabilities of its mistress. The state of her health was never confessed to there as a reason. How much it might deeply be taken for one was another matter; of which he grew fully aware on carrying his question further. This appeal was to his friend Eugenio, whom he immediately sent for, with whom, for three rich minutes, protected from the weather, he was confronted in the gallery that led from the water-steps to the court, and whom he always called, in meditation, his friend; seeing it was so elegantly presumable he would have put an end to him if he could. That produced a relation which required a name of its own, an intimacy of consciousness in truth for each—an intimacy of eye, of ear, of general sensibility, of everything but tongue. It had been, in other words, for the five weeks, far from occult to our young man that Eugenio took a view of him not less finely formal than essentially vulgar, but which at the same time he couldn’t himself raise an eyebrow to prevent. It was all in the air now again; it was as much between them as ever while Eugenio waited on him in the court.
The weather, from early morning, had turned to storm, the first sea-storm of the autumn, and Densher had almost invidiously brought him down the outer staircase—the massive ascent, the great feature of the court, to Milly’s piano nobile. This was to pay him—it was the one chance—for all imputations; the imputation in particular that, clever, tanto bello and not rich, the young man from London was—by the obvious way—pressing Miss Theale’s fortune hard. It was to pay him for the further ineffable intimation that a gentleman must take the young lady’s most devoted servant (interested scarcely less in the high attraction) for a strangely casual appendage if he counted in such a connection on impunity and prosperity. These interpretations were odious to Densher for the simple reason that they might have been so true of the attitude of an inferior man, and three things alone, accordingly, had kept him from righting himself. One of these was that his critic sought expression only in an impersonality, a positive inhumanity, of politeness; the second was
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