Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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There is something in the air of this clime which fosters life kindly. There must be something, too, in its dews which heals with sovereign balm. Its gentle seasons exaggerate no passion, no sense; its temperature tends to harmony; its breezes, you would say, bring down from heaven the germ of pure thought and purer feeling. Not grotesquely fantastic are the forms of cliff and foliage, not violently vivid the colouring of flower and bird. In all the grandeur of these forests there is repose; in all their freshness there is tenderness.
The gentle charm vouchsafed to flower and tree, bestowed on deer and dove, has not been denied to the human nursling. All solitary, she has sprung up straight and graceful. Nature cast her features in a fine mould; they have matured in their pure, accurate first lines, unaltered by the shocks of disease. No fierce dry blast has dealt rudely with the surface of her frame; no burning sun has crisped or withered her tresses. Her form gleams ivory-white through the trees; her hair flows plenteous, long, and glossy; her eyes, not dazzled by vertical fires, beam in the shade large and open, and full and dewy. Above those eyes, when the breeze bares her forehead, shines an expanse fair and ampleâ âa clear, candid page, whereon knowledge, should knowledge ever come, might write a golden record. You see in the desolate young savage nothing vicious or vacant. She haunts the wood harmless and thoughtful, though of what one so untaught can think it is not easy to divine.
On the evening of one summer day, before the Flood, being utterly aloneâ âfor she had lost all trace of her tribe, who had wandered leagues away, she knew not whereâ âshe went up from the vale, to watch Day take leave and Night arrive. A crag overspread by a tree was her station. The oak roots, turfed and mossed, gave a seat; the oak boughs, thick-leaved, wove a canopy.
Slow and grand the Day withdrew, passing in purple fire, and parting to the farewell of a wild, low chorus from the woodlands. Then Night entered, quiet as death. The wind fell, the birds ceased singing. Now every nest held happy mates, and hart and hind slumbered blissfully safe in their lair.
The girl sat, her body still, her soul astir; occupied, however, rather in feeling than in thinking, in wishing than hoping, in imagining than projecting. She felt the world, the sky, the night, boundlessly mighty. Of all things herself seemed to herself the centreâ âa small, forgotten atom of life, a spark of soul, emitted inadvertent from the great creative source, and now burning unmarked to waste in the heart of a black hollow. She asked, was she thus to burn out and perish, her living light doing no good, never seen, never neededâ âa star in an else starless firmament, which nor shepherd, nor wanderer, nor sage, nor priest tracked as a guide or read as a prophecy? Could this be, she demanded, when the flame of her intelligence burned so vivid; when her life beat so true, and real, and potent; when something within her stirred disquieted, and restlessly asserted a God-given strength, for which it insisted she should find exercise?
She gazed abroad on Heaven and Evening. Heaven and Evening gazed back on her. She bent down, searching bank, hill, river, spread dim below. All she questioned responded by oracles. She heardâ âshe was impressed; but she could not understand. Above her head she raised her hands joined together.
âGuidanceâ âhelpâ âcomfortâ âcome!â was her cry.
There was no voice, nor any that answered.
She waited, kneeling, steadfastly looking up. Yonder sky was sealed; the solemn stars shone alien and remote.
At last one overstretched chord of her agony slacked; she thought Something above relented; she felt as if Something far round drew nigher; she heard as if Silence spoke. There was no language, no word, only a tone.
Againâ âa fine, full, lofty tone, a deep, soft sound, like a storm whispering, made twilight undulate.
Once more, profounder, nearer, clearer, it rolled harmonious.
Yet againâ âa distinct voice passed between Heaven and Earth.
âEva!â
If Eva were not this womanâs name, she had none. She rose. âHere am I.â
âEva!â
âO Night (it can be but Night that speaks), I am here!â
The voice, descending, reached Earth.
âEva!â
âLord,â she cried, âbehold thine handmaid!â
She had her religionâ âall tribes held some creed.
âI comeâ âa Comforter!â
âLord, come quickly!â
The Evening flushed full of hope; the Air panted; the Moonâ ârising beforeâ âascended large, but her light showed no shape.
âLean towards me, Eva. Enter my arms; repose thus.â
âThus I lean, O Invisible but felt! And what art thou?â
âEva, I have brought a living draught from heaven. Daughter of Man, drink of my cup!â
âI drink: it is as if sweetest dew visited my lips in a full current. My arid heart revives; my affliction is lightened; my strait and struggle are gone. And the night changes! the wood, the hill, the moon, the wide skyâ âall change!â
âAll change, and forever. I take from thy vision darkness; I loosen from thy faculties fetters!
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