Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
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Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âO take me! O claim me! This is a god.â
âThis is a son of Godâ âone who feels himself in the portion of life that stirs you. He is suffered to reclaim his own, and so to foster and aid that it shall not perish hopeless.â
âA son of God! Am I indeed chosen?â
âThou only in this land. I saw thee that thou wert fair; I knew thee that thou wert mine. To me it is given to rescue, to sustain, to cherish mine own. Acknowledge in me that Seraph on earth named Genius.â
âMy glorious Bridegroom! true Dayspring from on high! All I would have at last I possess. I receive a revelation. The dark hint, the obscure whisper, which have haunted me from childhood, are interpreted. Thou art He I sought. Godborn, take me, thy bride!â
âUnhumbled, I can take what is mine. Did I not give from the altar the very flame which lit Evaâs being? Come again into the heaven whence thou wert sent.â
That Presence, invisible but mighty, gathered her in like a lamb to the fold; that voice, soft but all-pervading, vibrated through her heart like music. Her eye received no image; and yet a sense visited her vision and her brain as of the serenity of stainless air, the power of sovereign seas, the majesty of marching stars, the energy of colliding elements, the rooted endurance of hills wide based, and, above all, as of the lustre of heroic beauty rushing victorious on the Night, vanquishing its shadows like a diviner sun.
Such was the bridal hour of Genius and Humanity. Who shall rehearse the tale of their after-union? Who shall depict its bliss and bale? Who shall tell how He between whom and the Woman God put enmity forged deadly plots to break the bond or defile its purity? Who shall record the long strife between Serpent and Seraph:â âHow still the Father of Lies insinuated evil into good, pride into wisdom, grossness into glory, pain into bliss, poison into passion? How the âdreadless Angelâ defied, resisted, and repelled? How again and again he refined the polluted cup, exalted the debased emotion, rectified the perverted impulse, detected the lurking venom, baffled the frontless temptationâ âpurified, justified, watched, and withstood? How, by his patience, by his strength, by that unutterable excellence he held from Godâ âhis Originâ âthis faithful Seraph fought for Humanity a good fight through time; and, when Timeâs course closed, and Death was encountered at the end, barring with fleshless arm the portals of Eternity, how Genius still held close his dying bride, sustained her through the agony of the passage, bore her triumphant into his own home, Heaven; restored her, redeemed, to Jehovah, her Maker; and at last, before Angel and Archangel, crowned her with the crown of Immortality?
Who shall of these things write the chronicle?
âI never could correct that composition,â observed Shirley, as Moore concluded. âYour censor-pencil scored it with condemnatory lines, whose signification I strove vainly to fathom.â
She had taken a crayon from the tutorâs desk, and was drawing little leaves, fragments of pillars, broken crosses, on the margin of the book.
âFrench may be half forgotten, but the habits of the French lesson are retained, I see,â said Louis. âMy books would now, as erst, be unsafe with you. My newly-bound St. Pierre would soon be like my Racineâ âMiss Keeldar, her mark, traced on every page.â
Shirley dropped her crayon as if it burned her fingers.
âTell me what were the faults of that devoir?â she asked. âWere they grammatical errors, or did you object to the substance?â
âI never said that the lines I drew were indications of faults at all. You would have it that such was the case, and I refrained from contradiction.â
âWhat else did they denote?â
âNo matter now.â
âMr. Moore,â cried Henry, âmake Shirley repeat some of the pieces she used to say so well by heart.â
âIf I ask for any, it will be âLe Cheval DomptĂ©,âââ said Moore, trimming with his penknife the pencil Miss Keeldar had worn to a stump.
She turned aside her head; the neck, the clear cheek, forsaken by their natural veil, were seen to flush warm.
âAh! she has not forgotten, you see, sir,â said Henry, exultant. âShe knows how naughty she was.â
A smile, which Shirley would not permit to expand, made her lip tremble; she bent her face, and hid it half with her arms, half in her curls, which, as she stooped, fell loose again. âCertainly I was a rebel,â she answered.
âA rebel!â repeated Henry. âYes; you and papa had quarrelled terribly, and you set both him and mamma, and Mrs. Pryor, and everybody, at defiance. You said he had insulted youâ ââ
âHe had insulted me,â interposed Shirley.
âAnd you wanted to leave Sympson Grove directly. You packed your things up, and papa threw them out of your trunk; mamma cried, Mrs. Pryor cried; they both stood wringing their hands begging you to be patient; and you knelt on the floor with your things and your upturned box before you, looking, Shirley, lookingâ âwhy, in one of your passions. Your features, in such passions, are not distorted; they are fixed, but quite beautiful. You scarcely look angry, only resolute, and in a certain haste; yet one feels that at such times an obstacle cast across your path would be split as with lightning. Papa lost heart, and called Mr. Moore.â
âEnough, Henry.â
âNo, it is not enough. I hardly know how Mr. Moore managed, except that I recollect he suggested to papa that agitation would bring on his gout; and then he spoke quietly to the ladies, and got them away; and afterwards he said to you, Miss Shirley, that it was of no use talking or lecturing now, but that the tea-things were just brought into the schoolroom, and he was very thirsty, and he would be glad if you would leave your packing for the present
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