Of Human Bondage by W. Somerset Maugham (classic english novels .TXT) 📕

him reasonable and praised his common sense; but he knew that his placid expression was no more than a mask, assumed unconsciously, which acted like the protective colouring of butterflies; and himself was astonished at the weakness of his will. It seemed to him that he was swayed by every light emotion, as though he were a leaf in the wind, and when passion seized him he was powerless. He had no self-control. He merely seemed to possess it because he was indifferent to many of the things which moved other people.

He considered with some irony the philosophy which he had developed for himself, for it had not been of much use to him in the conjuncture he had passed through; and he wondered whether thought really helped a man in any of the critical affairs of life: it seemed to him rather that he was swayed by some power alien to and yet within himself, which urged him like that great wind of Hell which drove Paolo and Francesca ceaselessly on. He thought of what he was going to do and, when the time came to act, he was powerless in the grasp of instincts, emotions, he knew not what. He acted as though he were a machine driven by the two forces of his environment and his personality; his reason was someone looking on, observing the facts but powerless to interfere: it was like those gods of Epicurus, who saw the doings of men from their empyrean heights and had no might to alter one smallest particle of what occurred.

LXXIX

Philip went up to London a couple of days before the session began in order to find himself rooms. He hunted about the streets that led out of the Westminster Bridge Road, but their dinginess was distasteful to him; and at last he found one in Kennington which had a quiet and old-world air. It reminded one a little of the London which Thackeray knew on that side of the river, and in the Kennington Road, through which the great barouche of the Newcomes must have passed as it drove the family to the West of London, the plane-trees were bursting into leaf. The houses in the street which Philip fixed upon were two-storied, and in most of the windows was a notice to state that lodgings were to let. He knocked at one which announced that the lodgings were unfurnished, and was shown by an austere, silent woman four very small rooms, in one of which there was a kitchen range and a sink. The rent was nine shillings a week. Philip did not want so many rooms, but the rent was low and he wished to settle down at once. He asked the landlady if she could keep the place clean for him and cook his breakfast, but she replied that she had enough work to do without that; and he was pleased rather than otherwise because she intimated that she wished to have nothing more to do with him than to receive his rent. She told him that, if he inquired at the grocer’s round the corner, which was also a post office, he might hear of a woman who would “do” for him.

Philip had a little furniture which he had gathered as he went along, an armchair that he had bought in Paris, and a table, a few drawings, and the small Persian rug which Cronshaw had given him. His uncle had offered a fold-up bed for which, now that he no longer let his house in August, he had no further use; and by spending another ten pounds Philip bought himself whatever else was essential. He spent ten shillings on putting a corn-coloured paper in the room he was making his parlour; and he hung on the walls a sketch which Lawson had given him of the Quai des Grands Augustins, and the photograph of the Odalisque by Ingres and Manet’s Olympia which in Paris had been the objects of his contemplation while he shaved. To remind himself that he too had once been engaged in the practice of art, he put up a charcoal drawing of the young Spaniard Miguel Ajuria: it was the best thing he had ever done, a nude standing with clenched hands, his feet gripping the floor with a peculiar force, and on his face that air of determination which had been so impressive; and though Philip after the long interval saw very well the defects of his work its associations made him look upon it with tolerance. He wondered what had happened to Miguel. There is nothing so terrible as the pursuit of art by those who have no talent. Perhaps, worn out by exposure, starvation, disease, he had found an end in some hospital, or in an access of despair had sought death in the turbid Seine; but perhaps with his Southern instability he had given up the struggle of his own accord, and now, a clerk in some office in Madrid, turned his fervent rhetoric to politics and bullfighting.

Philip asked Lawson and Hayward to come and see his new rooms, and they came, one with a bottle of whiskey, the other with a paté de foie gras; and he was delighted when they praised his taste. He would have invited the Scotch stockbroker too, but he had only three chairs, and thus could entertain only a definite number of guests. Lawson was aware that through him Philip had become very friendly with Norah Nesbit and now remarked that he had run across her a few days before.

“She was asking how you were.”

Philip flushed at the mention of her name (he could not get himself out of the awkward habit of reddening when he was embarrassed), and Lawson looked at him quizzically. Lawson, who now spent most of the year in London, had so far surrendered to his environment as to wear his hair short and to