Nightmare Abbey by Thomas Love Peacock (top 10 best books of all time txt) 📕
Description
Published in 1818, Peacock’s novella Nightmare Abbey is a gentle satire of the then-popular gothic movement in literature. He pokes fun at the genre’s obsessions and most of the book’s characters are caricatures of well-known personages of the time.
Young Scythrop is the only son of Mr. Glowry, living in the semi-ruined Nightmare Abbey on his estate in Lincolnshire. Mr. Glowry, the survivor of a miserable marriage, is addicted to the depressing and the morbid, surrounding himself with servants whose names, such as Raven, Graves and Skellet, reflect his obsessions. His friends, also, are chosen from those who best reflect his misanthropic views.
Scythrop himself imagines himself a philosopher with a unique view of the world, and to this end has written a treatise titled “Philosophical Gas; or, a Project for a General Illumination of the Human Mind.” Only seven copies of this treatise have ever been sold, and Scythrop dreams of being united with one of the buyers. His passions, though, become more earthy when he falls in love both with his cousin Marionetta and then also with a mysterious woman who appears in his apartment and begs him for asylum, thus creating a situation of romantic farce as he tries to decide between the two.
These events are interleaved between entertaining discussions among the varied guests at Nightmare Abbey, richly filled with humor, allusions and quotation.
Nightmare Abbey is probably Peacock’s most successful work of fiction, and helped establish his position as an important satirist of his times. His satire, though, is light-hearted rather than savage and is directed more at foolish opinions than attacking particular persons.
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- Author: Thomas Love Peacock
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There are, indeed, some learned casuists, who maintain that love has no language, and that all the misunderstandings and dissensions of lovers arise from the fatal habit of employing words on a subject to which words are inapplicable; that love, beginning with looks, that is to say, with the physiognomical expression of congenial mental dispositions, tends through a regular gradation of signs and symbols of affection, to that consummation which is most devoutly to be wished; and that it neither is necessary that there should be, nor probable that there would be, a single word spoken from first to last between two sympathetic spirits, were it not that the arbitrary institutions of society have raised, at every step of this very simple process, so many complicated impediments and barriers in the shape of settlements and ceremonies, parents and guardians, lawyers, Jew-brokers, and parsons, that many an adventurous knight (who, in order to obtain the conquest of the Hesperian fruit, is obliged to fight his way through all these monsters), is either repulsed at the onset, or vanquished before the achievement of his enterprise: and such a quantity of unnatural talking is rendered inevitably necessary through all the stages of the progression, that the tender and volatile spirit of love often takes flight on the pinions of some of the επεα πτεροεντα, or winged words which are pressed into his service in despite of himself.
At this conjuncture, Mr. Glowry entered, and sitting down near them, said, “I see how it is; and, as we are all sure to be miserable do what we may, there is no need of taking pains to make one another more so; therefore, with God’s blessing and mine, there”—joining their hands as he spoke.
Scythrop was not exactly prepared for this decisive step; but he could only stammer out, “Really, sir, you are too good;” and Mr. Glowry departed to bring Mr. Hilary to ratify the act.
Now, whatever truth there may be in the theory of love and language, of which we have so recently spoken, certain it is, that during Mr. Glowry’s absence, which lasted half an hour, not a single word was said by either Scythrop or Marionetta.
Mr. Glowry returned with Mr. Hilary, who was delighted at the prospect of so advantageous an establishment for his orphan niece, of whom he considered himself in some manner the guardian, and nothing remained, as Mr. Glowry observed, but to fix the day.
Marionetta blushed, and was silent. Scythrop was also silent for a time, and at length hesitatingly said, “My dear sir, your goodness overpowers me; but really you are so precipitate.”
Now, this remark, if the young lady had made it, would, whether she thought it or not—for sincerity is a thing of no account on these occasions, nor indeed on any other, according to Mr. Flosky—this remark, if the young lady had made it, would have been perfectly comme il faut; but, being made by the young gentleman, it was toute autre chose, and was, indeed, in the eyes of his mistress, a most heinous and irremissible offence. Marionetta was angry, very angry, but she concealed her anger, and said, calmly and coldly, “Certainly, you are much too precipitate, Mr. Glowry. I assure you, sir, I have by no means made up my mind; and, indeed, as far as I know it, it inclines the other way; but it will be quite time enough to think of these matters seven years hence.” Before surprise permitted reply, the young lady had locked herself up in her own apartment.
“Why, Scythrop,” said Mr. Glowry, elongating his face exceedingly, “the devil is come among us sure enough, as Mr. Toobad observes: I thought you and Marionetta were both of a mind.”
“So we are, I believe, sir,” said Scythrop, gloomily, and stalked away to his tower.
“Mr. Glowry,” said Mr. Hilary, “I do not very well understand all this.”
“Whims, brother Hilary,” said Mr. Glowry; “some little foolish love quarrel, nothing more. Whims, freaks, April showers. They will be blown over by tomorrow.”
“If not,” said Mr. Hilary, “these April showers have made us April fools.”
“Ah!” said Mr. Glowry, “you are a happy man, and in all your afflictions you can console yourself with a joke, let it be ever so bad, provided you crack it yourself. I should be very happy to laugh with you, if it would give you any satisfaction; but, really, at present, my heart is so sad, that I find it impossible to levy a contribution on my muscles.”
XOn the evening on which Mr. Asterias had caught a glimpse of a female figure on the seashore, which he had translated into the visual sign of his interior cognition of a mermaid, Scythrop, retiring to his tower, found his study pre-occupied. A stranger, muffled in a cloak, was sitting at his table. Scythrop paused in surprise. The stranger rose at his entrance, and looked at him intently a few minutes, in silence. The eyes of the stranger alone were visible. All the rest of the figure was muffled and mantled in the folds of a black cloak, which was raised, by the right hand, to the level of the eyes. This scrutiny being completed, the stranger, dropping the cloak, said, “I see, by your physiognomy, that you may be trusted;” and revealed to the astonished Scythrop a female form and countenance of dazzling grace and beauty, with long flowing hair of raven blackness, and large black eyes of almost oppressive brilliancy, which strikingly contrasted with a complexion of snowy whiteness. Her dress was extremely elegant, but had an appearance of foreign fashion, as if both the lady and her mantua-maker were of “a far countree.”
“I guess ’twas frightful there to see
A lady so richly clad as she,
Beautiful exceedingly.”
For, if it be terrible to one young lady to find another under a tree at midnight, it must, a fortiori, be much more terrible to a young gentleman to find a young lady in his study at that hour. If the logical consecutiveness of
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