Our American Cousin is a three-act play written by English playwright Tom Taylor. The play opened in London in 1858 but quickly made its way to the U.S. and premiered at Laura Keene’s Theatre in New York City later that year. It remained popular in the U.S. and England for the next several decades. Its most notable claim to fame, however, is that it was the play U.S. President Abraham Lincoln was watching on April 14, 1865 when he was assassinated by John Wilkes Booth, who used his knowledge of the script to shoot Lincoln during a more raucous scene.
The play is a classic Victorian farce with a whole range of stereotyped characters, business, and many entrances and exits. The plot features a boorish but honest American cousin who travels to the aristocratic English countryside to claim his inheritance, and then quickly becomes swept up in the family’s affairs. An inevitable rescue of the family’s fortunes and of the various damsels in distress ensues.
Our American Cousin was originally written as a farce for an English audience, with the laughs coming mostly at the expense of the naive American character. But after it moved to the U.S. it was eventually recast as a comedy where English caricatures like the pompous Lord Dundreary soon became the primary source of hilarity. This early version, published in 1869, contains fewer of that character’s nonsensical adages, which soon came to be known as “Dundrearyisms,” and for which the play eventually gained much of its popular appeal.
Read free book «Our American Cousin by Tom Taylor (best books to read for beginners .TXT) 📕» - read online or download for free at americanlibrarybooks.com
ask yourself seriously, as to the state of your affections, remember, your happiness for life will depend upon the choice you make.
Augusta
What would you advise, mamma? You know I am always advised by you.
Mrs. Mountchessington
Dear, obedient child. De Boots has excellent expectations, but then they are only expectations after all. This American is rich, and on the whole I think a well regulated affection ought to incline to Asa Trenchard.
Augusta
Very well, mamma.
Mrs. Mountchessington
At the same time, you must be cautious, or in grasping at Asa Trenchard’s solid good qualities, you may miss them, and De Boots expectations into the bargain.
Augusta
Oh, I will take care not to give up my hold on poor De Boots ’till I am quite sure of the American.
Mrs. Mountchessington
That’s my own girl. Enter Asa Trenchard L. Ah, Mr. Trenchard, we were just talking of your archery powers.
Asa Trenchard
Wal, I guess shooting with bows and arrows is just about like most things in life, all you’ve got to do is keep the sun out of your eyes, look straight—pull strong—calculate the distance, and you’re sure to hit the mark in most things as well as shooting.
Augusta
But not in England, Mr. Trenchard. There are disinterested hearts that only ask an opportunity of showing how they despise that gold, which others set such store by.
Asa Trenchard
Wal, I suppose there are, Miss Gusty.
Augusta
All I crave is affection.
Asa Trenchard
Crosses to C. Do you, now? I wish I could make sure of that, for I’ve been cruelly disappointed in that particular.
Mrs. Mountchessington
Yes, but we are old friends, Mr. Trenchard, and you needn’t be afraid of us.
Asa Trenchard
Oh, I ain’t afraid of you—both on you together.
Mrs. Mountchessington
People sometimes look a great way off, for that which is near at hand. Glancing at Augusta and Asa Trenchard alternatively.
Asa Trenchard
You don’t mean, Miss Gusta. Augusta casts sheeps eyes at him. Now, don’t look at me in that way. I can’t stand it, if you do, I’ll bust.
Mrs. Mountchessington
Oh, if you only knew how refreshing this ingenuousness of yours is to an old woman of the world like me.
Asa Trenchard
Be you an old woman of the world?
Mrs. Mountchessington
Yes, sir.
Augusta
Oh yes.
Asa Trenchard
Well I don’t doubt it in the least. Aside. This gal and the old woman are trying to get me on a string. Aloud. Wal, then, if a rough spun fellow like me was to come forward as a suitor for you daughter’s hand, you wouldn’t treat me as some folks do, when they find out I wasn’t heir to the fortune.
Mrs. Mountchessington
Not heir to the fortune, Mr. Trenchard?
Asa Trenchard
Oh, no.
Augusta
What, no fortune?
Asa Trenchard
Nary red, it all comes to their barkin up the wrong tree about the old man’s property.
Mrs. Mountchessington
Which he left to you.
Asa Trenchard
Oh, no.
Augusta
Not to you?
Asa Trenchard
No, which he meant to leave to me, but he thought better on it, and left it to his granddaughter Miss Mary Meredith.
Mrs. Mountchessington
Miss Mary Meredith! Oh, I’m delighted.
Augusta
Delighted?
Asa Trenchard
Yes, you both look tickled to death. Now, some gals, and mothers would go away from a fellow when they found that out, but you don’t valley fortune, Miss Gusty?
Mrs. Mountchessington
Aside, crosses to Augusta. My love, you had better go.
Asa Trenchard
You crave affection, you do. Now I’ve no fortune, but I’m filling over with affections which I’m ready to pour out all over you like apple sass, over roast pork.
Mrs. Mountchessington
Mr. Trenchard, you will please recollect you are addressing my daughter, and in my presence.
Asa Trenchard
Yes, I’m offering her my heart and hand just as she wants them with nothing in ’em.
Mrs. Mountchessington
Augusta, dear, to your room.
Augusta
Yes, ma, the nasty beast. Exit R.
Mrs. Mountchessington
I am aware, Mr. Trenchard, you are not used to the manners of good society, and that, alone, will excuse the impertinence of which you have been guilty.
Asa Trenchard
Don’t know the manners of good society, eh? Well, I guess I know enough to turn you inside out, old gal—you sockdologizing old mantrap. Wal, now, when I think what I’ve thrown away in hard cash today I’m apt to call myself some awful hard names, 400,000 dollars is a big pile for a man to light his cigar with. If that gal had only given me herself in exchange, it wouldn’t have been a bad bargain. But I dare no more ask that gal to be my wife, than I dare ask Queen Victoria to dance a Cape Cod reel.
Enter Florence Trenchard, L. 1 E.
Florence Trenchard
What do you mean by doing all these dreadful things?
Asa Trenchard
Which things.
Florence Trenchard
Come here sir. He does so.
Asa Trenchard
What’s the matter?
Florence Trenchard
Do you know this piece of paper? Showing burnt paper.
Asa Trenchard
Well I think I have seen it before. Aside. Its old Mark Trenchard’s will that I left half burned up like a landhead, that I am.
Florence Trenchard
And you’re determined to give up this fortune to Mary Meredith?
Asa Trenchard
Well, I couldn’t help it if I tried.
Florence Trenchard
Oh, don’t say that.
Asa Trenchard
I didn’t mean to do it when I first came here—hadn’t the least idea in the world of it, but when I saw that everlasting angel of a gal movin around among them doing fixins like a sunbeam in a shady place; and when I pictured her without a dollar in the world—I—well my old Adam riz right up, and I said, “Asa Trenchard do it”—and I did it.
Florence Trenchard
Well, I don’t know who your old Adam may be, but whoever it is, he’s a very honest man to consult you to do so good an action. But how dare you do such an outrageous thing? you impudent—you unceremonious, oh! you unselfish man! you! you, you! Smothers him with kisses, and runs off, R. 1 E.
Asa Trenchard
Well, if that ain’t worth four hundred thousand dollars, I don’t know what is,
Free e-book: «Our American Cousin by Tom Taylor (best books to read for beginners .TXT) 📕» - read online now on website american library books (americanlibrarybooks.com)
Comments (0)