Our American Cousin by Tom Taylor (best books to read for beginners .TXT) 📕
Description
Our American Cousin is a three-act play written by English playwright Tom Taylor. The play opened in London in 1858 but quickly made its way to the U.S. and premiered at Laura Keene’s Theatre in New York City later that year. It remained popular in the U.S. and England for the next several decades. Its most notable claim to fame, however, is that it was the play U.S. President Abraham Lincoln was watching on April 14, 1865 when he was assassinated by John Wilkes Booth, who used his knowledge of the script to shoot Lincoln during a more raucous scene.
The play is a classic Victorian farce with a whole range of stereotyped characters, business, and many entrances and exits. The plot features a boorish but honest American cousin who travels to the aristocratic English countryside to claim his inheritance, and then quickly becomes swept up in the family’s affairs. An inevitable rescue of the family’s fortunes and of the various damsels in distress ensues.
Our American Cousin was originally written as a farce for an English audience, with the laughs coming mostly at the expense of the naive American character. But after it moved to the U.S. it was eventually recast as a comedy where English caricatures like the pompous Lord Dundreary soon became the primary source of hilarity. This early version, published in 1869, contains fewer of that character’s nonsensical adages, which soon came to be known as “Dundrearyisms,” and for which the play eventually gained much of its popular appeal.
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- Author: Tom Taylor
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Dairy set as before in Act 2nd, Scene 2.
Asa Trenchard discovered on bench, R. C., whittling stick. Mary busy with milk pans in dairy. Asa Trenchard Miss Mary, I wish you’d leave off those everlasting dairy fixings, and come and take a hand of chat along with me. Mary What, and leave my work? Why, when you first came here, you thought I could not be too industrious. Asa Trenchard Well, I think so yet, Miss Mary, but I’ve got a heap to say to you, and I never can talk while you’re moving about so spry among them pans, pails and cheeses. First you raise one hand and then the other, and well, it takes the gumption right out of me. Mary Brings sewing down. Well, then, I’ll sit here—sits on bench with Asa Trenchard, vis-à-vis. Well now, will that do? Asa Trenchard Well, no, Miss Mary, that won’t do, neither; them eyes of yourn takes my breath away. Mary What will I do, then? Asa Trenchard Well, I don’t know, Miss Mary, but, darn me, if you could do anything that wasn’t so tarnal neat and handsome, that a fellow would want to keep on doing nothing else all the time. Mary Well, then, I’ll go away. Rises. Asa Trenchard Stopping her. No, don’t do that, Miss Mary, for then I’ll be left in total darkness. She sits. Somehow I feel kinder lost, if I haven’t got you to talk to. Now that I’ve got the latitude and longitude of all them big folks, found out the length of every lady’s foot, and the soft spot on everybody’s head, they can’t teach me nothing; but here, Whittling here I come to school. Mary Then throw away that stick, and put away your knife, like a good boy. Throws away stick upstage. I must cure you of that dreadful trick of whittling. Asa Trenchard Oh, if you only knew how it helps me to keep my eyes off you, Miss Mary. Mary But you needn’t keep your eyes off me. Asa Trenchard I’m afraid I must, my eyes are awful tale-tellers, and they might be saying something you wouldn’t like to hear, and that might make you mad, and then you’d shut up school, and send me home feeling about as small as a tadpole with his tail bobbed off. Mary Don’t be alarmed, I don’t think I will listen to any tales that your eyes may tell unless they’re tales I like and ought to hear. Asa Trenchard If I thought they’d tell any other, Miss Mary, I pluck them right out and throw them in the first turnip patch I came to. Mary And now tell me more about your home in America. Do you know I’ve listened to your stories until I’m half a backwoodsman’s wife already? Asa Trenchard Aside. Wouldn’t I like to make her a whole one. Mary Yes, I can shut my eyes and almost fancy I see your home in the backwoods. There are your two sisters running about in their sunbonnets. Asa Trenchard Debby and Nan? Yes! Mary Then I can see the smoke curling from the chimney, then men and boys working in the fields. Asa Trenchard Yes. Mary The girls milking the cows, and everybody so busy. Asa Trenchard Yes. Mary And then at night, home come your four big brothers from the hunt laden with game, tired and footsore, and covered with snow. Asa Trenchard That’s so. Mary Then how we lasses bustle about to prepare supper. The fire blazes on the hearth, while your good old mother cooks the slapjacks. Asa Trenchard Getting very excited. Yes. Mary And then after supper the lads and lasses go to a corn husking. The demijohn of old peach brandy is brought out and everything is so nice. Asa Trenchard I shall faint in about five minutes, Miss Mary you’re a darned sight too good for this country. You ought to make tracks. Mary Make what? Asa Trenchard Make tracks, pack up, and emigrate to the roaring old state of Vermont, and live ’long with mother. She’d make you so comfortable, and there would be sister Debby and Nab, and well, I reckon I’d be there, too. Mary Oh! I’m afraid if I were there your mother would find the poor English girl a sad incumbrance. Asa Trenchard Oh, she ain’t proud, not a mite, besides they’ve all seen Britishers afore. Mary I suppose you allude to my cousin, Edward Trenchard? Asa Trenchard Well, he wan’t the only one, there was the old Squire, Mark Trenchard. Mary Starting Aside. My grandfather! Asa Trenchard Oh! he was a fine old hoss, as game as a bison bull, and as gray as a coon in the fall; you see he was kinder mad with his folks here, so he came over to America to look after the original branch of the family, that’s our branch. We’re older than
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