Arthur Pinero wrote The Second Mrs. Tanqueray in 1893 after penning several successful farces. Playing on the āwoman with a pastā plot that was popular in melodramas, Pinero steered it in a more serious direction, centering the play around the social consequences arising when Aubrey Tanqueray remarries in an attempt to redeem a woman with a questionable past.
The playās structure is based on the principles of the āwell-made playā popular throughout the 19th-century. But just as Wilde manipulated the conventions of the āwell-made playā to produce a new form of comedy, so did Arthur Pinero manipulate it, forgoing the happy ending to produce an elevated form of tragedy.
The Second Mrs. Tanqueray was first performed in 1893, at the St. James Theatre, London, at a time when England was still resisting the growing movement in Europe towards realism and the portrayal of real social problems and human misconduct. But while it was regarded as shocking, it ran well and made a substantial profit. Theatre historian J. P. Wearing phrased it thus: āalthough not as avant-garde as Ibsenās plays, Tanqueray confronted its fashionable St. Jamesās audiences with as forceful a social message as they could stomach.ā
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as her own mother would have been had she lived. I know what you mean. How dare you?
Aubrey
You say that; very likely you believe it. But youāre blind, Paula; youāre blind. You! Every belief that a young, pure-minded girl holds sacredā āthat you once held sacredā āyou now make a target for a jest, a sneer, a paltry cynicism. I tell you, youāre not mistress any longer of your thoughts or your tongue. Why, how often, sitting between you and Ellean, have I seen her cheeks turn scarlet as youāve rattled off some tale that belongs by right to the club or the smoking-room! Have you noticed the blush? If you have, has the cause of it ever struck you? And this is the girl you say you love, I admit that you do love, whose love you expect in return! Oh, Paula, I make the best, the only, excuse for you when I tell you youāre blind!
Paula
Elleanā āEllean blushes easily.
Aubrey
You blushed as easily a few years ago.
Paula
After a short pause. Well! Have you finished your sermon?
Aubrey
With a gesture of despair. Oh, Paula!
Going up to the window and standing with his back to the room.
Paula
To herself. A fewā āyears ago! She walks slowly towards the door, then suddenly drops upon the ottoman in a paroxysm of weeping. O God! A few years ago!
Aubrey
Going to her. Paula!
Paula
Sobbing. Oh, donāt touch me!
Aubrey
Paula!
Paula
Oh, go away from me! He goes back a few steps, and after a little while she becomes calmer and rises unsteadily; then in an altered tone. Look hereā ā! He advances a step; she checks him with a quick gesture. Look here! Get rid of these peopleā āMabel and her husbandā āas soon as possible! Iā āIāve done with them!
Aubrey
In a whisper. Paula!
Paula
And thenā āthenā āwhen the time comes for Ellean to leave Mrs. Cortelyon, give meā āgive me another chance! He advances again, but she shrinks away. No, no!
She goes out by the door on the right. He sinks on to the settee, covering his eyes with his hands. There is a brief silence, then a Servant enters.
Servant
Mrs. Cortelyon, sir, with Miss Ellean.
Aubrey rises to meet Mrs. Cortelyon, who enters, followed by Ellean, both being in travelling dresses. The Servant withdraws.
Mrs. Cortelyon
Shaking hands with Aubrey. Oh, my dear Aubrey!
Aubrey
Mrs. Cortelyon! Kissing Ellean. Ellean dear!
Ellean
Papa, is all well at home?
Mrs. Cortelyon
Weāre shockingly anxious.
Aubrey
Yes, yes, allās well. This is quite unexpected. To Mrs. Cortelyon. Youāve found Paris insufferably hot?
Mrs. Cortelyon
Insufferably hot! Paris is pleasant enough. Weāve had no letter from you!
Aubrey
I wrote to Ellean a week ago.
Mrs. Cortelyon
Without alluding to the subject I had written to you upon.
Aubrey
Thinking. Ah, of courseā ā
Mrs. Cortelyon
And since then weāve both written and youāve been absolutely silent. Oh, itās too bad!
Aubrey
Picking up the letters from the table. It isnāt altogether my fault. Here are the lettersā ā
Ellean
Papa!
Mrs. Cortelyon
Theyāre unopened.
Aubrey
An accident delayed their reaching me till this evening. Iām afraid this has upset you very much.
Mrs. Cortelyon
Upset me!
Ellean
In an undertone to Mrs. Cortelyon. Never mind. Not now, dearā ānot tonight.
Aubrey
Eh?
Mrs. Cortelyon
To Ellean aloud. Child, run away and take your things off. She doesnāt look as if sheād journeyed from Paris today.
Aubrey
Iāve never seen her with such a colour.
Taking Elleanās hands.
Ellean
To Aubrey, in a faint voice. Papa, Mrs. Cortelyon has been so very, very kind to me, but Iā āI have come home.
She goes out.
Aubrey
Come home! To Mrs. Cortelyon. Ellean returns to us, then?
Mrs. Cortelyon
Thatās the very point I put to you in my letters, and you oblige me to travel from Paris to Willowmere on a warm day to settle it. I think perhaps itās right that Ellean should be with you just now, although Iā āMy dear friend, circumstances are a little altered.
Aubrey
Alice, youāre in some trouble.
Mrs. Cortelyon
Wellā āyes, I am in trouble. You remember pretty little Mrs. Brereton who was once Caroline Ardale?
Aubrey
Quite well.
Mrs. Cortelyon
Sheās a widow now, poor thing. She has the entresol of the house where weāve been lodging in the Avenue de Friedland. Carolineās a dear chum of mine; she formed a great liking for Ellean.
Aubrey
Iām very glad.
Mrs. Cortelyon
Yes, itās nice for her to meet her motherās friends. Erā āthat young Hugh Ardale the papers were full of some time agoā āheās Caroline Breretonās brother, you know.
Aubrey
No, I didnāt know. What did he do? I forget.
Mrs. Cortelyon
Checked one of those horrid mutinies at some faraway station in India, marched down with a handful of his men and a few faithful natives, and held the place until he was relieved. They gave him his company and a V.C. for it.
Aubrey
And heās Mrs. Breretonās brother?
Mrs. Cortelyon
Yes. Heās with his sisterā āwas, ratherā āin Paris. Heās homeā āinvalided. Good gracious, Aubrey, why donāt you help me out? Canāt you guess what has occurred?
Aubrey
Alice!
Mrs. Cortelyon
Young Ardaleā āEllean!
Aubrey
An attachment?
Mrs. Cortelyon
Yes, Aubrey. After a little pause. Well, I suppose Iāve got myself into sad disgrace. But really I didnāt foresee anything of this kind. A serious, reserved child like Ellean, and a boyish, high-spirited soldierā āit never struck me as being likely. Aubrey paces to and fro thoughtfully. I did all I could directly Captain Ardale spokeā āwrote to you at once. Why on earth donāt you receive your letters promptly, and when you do get them why canāt you open them? I endured the anxiety till last night, and then made up my mindā āhome! Of course, it has worried me terribly. My headās bursting. Are there any salts about? Aubrey fetches a bottle from the cabinet and hands it to her. Weāve had one of those hateful smooth crossings that wonāt let you be properly indisposed.
Aubrey
My dear Alice, I assure you Iāve no thought of blaming you.
Mrs. Cortelyon
That statement always precedes a quarrel.
Aubrey
I donāt know whether this is the worst or the best
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