Arthur Pinero wrote The Second Mrs. Tanqueray in 1893 after penning several successful farces. Playing on the “woman with a past” plot that was popular in melodramas, Pinero steered it in a more serious direction, centering the play around the social consequences arising when Aubrey Tanqueray remarries in an attempt to redeem a woman with a questionable past.
The play’s structure is based on the principles of the “well-made play” popular throughout the 19th-century. But just as Wilde manipulated the conventions of the “well-made play” to produce a new form of comedy, so did Arthur Pinero manipulate it, forgoing the happy ending to produce an elevated form of tragedy.
The Second Mrs. Tanqueray was first performed in 1893, at the St. James Theatre, London, at a time when England was still resisting the growing movement in Europe towards realism and the portrayal of real social problems and human misconduct. But while it was regarded as shocking, it ran well and made a substantial profit. Theatre historian J. P. Wearing phrased it thus: “although not as avant-garde as Ibsen’s plays, Tanqueray confronted its fashionable St. James’s audiences with as forceful a social message as they could stomach.”
luck. How will my wife regard it? Is Captain Ardale a good fellow?
Mrs. Cortelyon
My dear Aubrey, you’d better read up the accounts of his wonderful heroism. Face to face with death for a whole week; always with a smile and a cheering word for the poor helpless souls depending on him! Of course, it’s that that has stirred the depths of your child’s nature. I’ve watched her while we’ve been dragging the story out of him, and if angels look different from Ellean at that moment, I don’t desire to meet any, that’s all!
Aubrey
If you were in my position—? But you can’t judge.
Mrs. Cortelyon
Why, if I had a marriageable daughter of my own and Captain Ardale proposed for her, naturally I should cry my eyes out all night—but I should thank Heaven in the morning.
Aubrey
You believe so thoroughly in him?
Mrs. Cortelyon
Do you think I should have only a headache at this minute if I didn’t! Look here, you’ve got to see me down the lane; that’s the least you can do, my friend. Come into my house for a moment and shake hands with Hugh.
Aubrey
What, is he here?
Mrs. Cortelyon
He came through with us, to present himself formally tomorrow. Where are my gloves? Aubrey fetches them from the ottoman. Make my apologies to Mrs. Tanqueray, please. She’s well, I hope? Going towards the door. I can’t feel sorry she hasn’t seen me in this condition.
Ellean enters.
Ellean
To Mrs. Cortelyon. I’ve been waiting to wish you good night. I was afraid I’d missed you.
Mrs. Cortelyon
Good night, Ellean.
Ellean
In a low voice, embracing Mrs. Cortelyon. I can’t thank you. Dear Mrs. Cortelyon!
Mrs. Cortelyon
Her arms round Ellean, in a whisper to Aubrey. Speak a word to her.
Mrs. Cortelyon goes out.
Aubrey
To Ellean. Ellean, I’m going to see Mrs. Cortelyon home. Tell Paula where I am; explain, dear.
Going to the door.
Ellean
Her head drooping. Yes. Quickly. Father! You are angry with me—disappointed?
Aubrey
Angry?—no.
Ellean
Disappointed?
Aubrey
Smiling and going to her and taking her hand. If so, it’s only because you’ve shaken my belief in my discernment. I thought you took after your poor mother a little, Ellean; but there’s a look on your face tonight, dear, that I never saw on hers—never, never.
Ellean
Leaning her head on his shoulder. Perhaps I ought not to have gone away?
Aubrey
Hush! You’re quite happy?
Ellean
Yes.
Aubrey
That’s right. Then, as you are quite happy there is something I particularly want you to do for me Ellean.
Ellean
What is that?
Aubrey
Be very gentle with Paula. Will you?
Ellean
You think I have been unkind.
Aubrey
Kissing her upon the forehead. Be very gentle with Paula.
He goes out and she stands looking after him, then, as she turns thoughtfully from the door, a rose is thrown through the window and falls at her feet. She picks up the flower wonderingly and goes to the window.
Ellean
Starting back. Hugh!
Hugh Ardale, a handsome young man of about seven-and-twenty, with a boyish face and manner, appears outside the window.
Hugh
Nelly! Nelly dear!
Ellean
What’s the matter?
Hugh
Hush! Nothing. It’s only fun. Laughing. Ha, ha, ha! I’ve found out that Mrs. Cortelyon’s meadow runs up to your father’s plantation; I’ve come through a gap in the hedge.
Ellean
Why, Hugh?
Hugh
I’m miserable at The Warren; it’s so different from the Avenue de Friedland. Don’t look like that! Upon my word I meant just to peep at your home and go back, but I saw figures moving about here, and came nearer, hoping to get a glimpse of you. Was that your father?
Entering the room.
Ellean
Yes.
Hugh
Isn’t this fun! A rabbit ran across my foot while I was hiding behind that old yew.
Ellean
You must go away; it’s not right for you to be here like this.
Hugh
But it’s only fun, I tell you. You take everything so seriously. Do wish me good night.
Ellean
We have said good night.
Hugh
In the hall at The Warren before Mrs. Cortelyon and a manservant. Oh, it’s so different from the Avenue de Friedland!
Ellean
Giving him her hand hastily. Good night, Hugh.
Hugh
Is that all? We might be the merest acquaintances.
He momentarily embraces her, but she releases herself.
Ellean
It’s when you’re like this that you make me feel utterly miserable. Throwing the rose from her angrily. Oh!
Hugh
I’ve offended you now, I suppose?
Ellean
Yes.
Hugh
Forgive me, Nelly. Come into the garden for five minutes; we’ll stroll down to the plantation.
Ellean
No, no.
Hugh
For two minutes—to tell me you forgive me.
Ellean
I forgive you.
Hugh
Evidently. I shan’t sleep a wink tonight after this. What a fool I am! Come down to the plantation. Make it up with me.
Ellean
There is somebody coming into this room. Do you wish to be seen here?
Hugh
I shall wait for you behind that yew tree. You must speak to me. Nelly!
He disappears. Paula enters.
Paula
Ellean!
Ellean
You—you are very surprised to see me, Paula, of course.
Paula
Why are you here? Why aren’t you with—your friend?
Ellean
I’ve come home—if you’ll have me. We left Paris this morning; Mrs. Cortelyon brought me back. She was here a minute or two ago; papa has just gone with her to The Warren. He asked me to tell you.
Paula
There are some people staying with us that I’d rather you didn’t meet. It was hardly worth your while to return for a few hours.
Ellean
A few hours?
Paula
Well, when do you go to London?
Ellean
I don’t think I go to London, after all.
Paula
Eagerly. You—you’ve quarrelled with her?
Ellean
No, no, no, not that; but—Paula! In an altered tone. Paula.
Paula
Startled. Eh? Ellean goes deliberately to Paula and kisses her. Ellean!
Ellean
Kiss me.
Paula
What—what’s come to you?
Ellean
I want to behave differently to you in the future. Is it too late?
Paula
Too—late! Impulsively kissing Ellean and crying. No—no—no! No—no!
Ellean
Paula, don’t cry.
Paula
Wiping her eyes. I’m a little shaky; I haven’t
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