The History of Tom Jones, a Foundling by Henry Fielding (top young adult novels TXT) 📕

is not totally bad and corrupt in his heart. In truth, none seem to have any title to assert human nature to be necessarily and universally evil, but those whose own minds afford them one instance of this natural depravity; which is not, I am convinced, your case.”

“And such,” said the stranger, “will be always the most backward to assert any such thing. Knaves will no more endeavour to persuade us of the baseness of mankind, than a highwayman will inform you that there are thieves on the road. This would, indeed, be a method to put you on your guard, and to defeat their own purposes. For which reason, though knaves, as I remember, are very apt to abuse particular persons, yet they never cast any reflection on human nature in general.” The old gentleman spoke this so warmly, that as Jones despaired of making a convert, and was unwilling to offend, he returned no answer.

The day now began to send forth its first streams of light, when Jones made an apology to the stranger for having stayed so long, and perhaps detained him from his rest. The stranger answered, “He never wanted rest less than at present; for that day and night were indifferent seasons to him; and that he commonly made use of the former for the time of his repose and of the latter for his walks and lucubrations. However,” said he, “it is now a most lovely morning, and if you can bear any longer to be without your own rest or food, I will gladly entertain you with the sight of some very fine prospects which I believe you have not yet seen.”

Jones very readily embraced this offer, and they immediately set forward together from the cottage. As for Partridge, he had fallen into a profound repose just as the stranger had finished his story; for his curiosity was satisfied, and the subsequent discourse was not forcible enough in its operation to conjure down the charms of sleep. Jones therefore left him to enjoy his nap; and as the reader may perhaps be at this season glad of the same favour, we will here put an end to the eighth book of our history.

Book IX

Containing twelve hours.

I

Of those who lawfully may, and of those who may not, write such histories as this.

Among other good uses for which I have thought proper to institute these several introductory chapters, I have considered them as a kind of mark or stamp, which may hereafter enable a very indifferent reader to distinguish what is true and genuine in this historic kind of writing, from what is false and counterfeit. Indeed, it seems likely that some such mark may shortly become necessary, since the favourable reception which two or three authors have lately procured for their works of this nature from the public, will probably serve as an encouragement to many others to undertake the like. Thus a swarm of foolish novels and monstrous romances will be produced, either to the great impoverishing of booksellers, or to the great loss of time and depravation of morals in the reader; nay, often to the spreading of scandal and calumny, and to the prejudice of the characters of many worthy and honest people.

I question not but the ingenious author of the Spectator was principally induced to prefix Greek and Latin mottos to every paper, from the same consideration of guarding against the pursuit of those scribblers, who having no talents of a writer but what is taught by the writing-master, are yet nowise afraid nor ashamed to assume the same titles with the greatest genius, than their good brother in the fable was of braying in the lion’s skin.

By the device therefore of his motto, it became impracticable for any man to presume to imitate the Spectators, without understanding at least one sentence in the learned languages. In the same manner I have now secured myself from the imitation of those who are utterly incapable of any degree of reflection, and whose learning is not equal to an essay.

I would not be here understood to insinuate, that the greatest merit of such historical productions can ever lie in these introductory chapters; but, in fact, those parts which contain mere narrative only, afford much more encouragement to the pen of an imitator, than those which are composed of observation and reflection. Here I mean such imitators as Rowe was of Shakespeare, or as Horace hints some of the Romans were of Cato, by bare feet and sour faces.

To invent good stories, and to tell them well, are possibly very rare talents, and yet I have observed few persons who have scrupled to aim at both: and if we examine the romances and novels with which the world abounds, I think we may fairly conclude, that most of the authors would not have attempted to show their teeth (if the expression may be allowed me) in any other way of writing; nor could indeed have strung together a dozen sentences on any other subject whatever. Scribimus indocti doctique passim,11 may be more truly said of the historian and biographer, than of any other species of writing; for all the arts and sciences (even criticism itself) require some little degree of learning and knowledge. Poetry, indeed, may perhaps be thought an exception; but then it demands numbers, or something like numbers: whereas, to the composition of novels and romances, nothing is necessary but paper, pens, and ink, with the manual capacity of using them. This, I conceive, their productions show to be the opinion of the authors themselves: and this must be the opinion of their readers, if indeed there be any such.

Hence we are to derive that universal contempt which the world, who always denominate the whole from the majority, have cast on all historical writers who do not draw their materials from records.