The Woman in White by Wilkie Collins (portable ebook reader txt) 📕
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The Woman in White tells the story of Walter Hartright, a young and impoverished drawing teacher who falls in love with his aristocratic pupil, Laura Fairlie. He cannot hope to marry her, however, and she is married off against her will to a baronet, Sir Percival Glyde, who is seeking her fortune. The terms of her marriage settlement prevent Glyde accessing her money while she lives, so together with his deceptively charming and cunning friend, Count Fosco, they hatch an unscrupulous deception to do so nonetheless. In an early 19th Century version of “identity theft,” they contrive to fake Laura’s death and confine her to a mental asylum. Their plot is eventually uncovered and exposed by Hartright with the help of Laura’s resourceful half-sister, Marian Halcombe.
The Woman in White was the most popular of Wilkie Collins’ novels in the genre then known as “sensation fiction.” It has never been out of print and is frequently included in lists of the best novels of all time. Published initially in serial form in 1859–60, it achieved an early and remarkable following, probably because of the strength of its characters, in particular the smooth and charming but utterly wicked villain Count Fosco, and the intelligent and steadfast Marian Halcombe opposed to him.
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- Author: Wilkie Collins
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They entered the house, and went upstairs to a back room, either on the first or second floor. The luggage was carefully brought in. A female servant opened the door, and a man with a dark beard, apparently a foreigner, met them in the hall, and with great politeness showed them the way upstairs. In answer to Lady Glyde’s inquiries, the Count assured her that Miss Halcombe was in the house, and that she should be immediately informed of her sister’s arrival. He and the foreigner then went away and left her by herself in the room. It was poorly furnished as a sitting-room, and it looked out on the backs of houses.
The place was remarkably quiet—no footsteps went up or down the stairs—she only heard in the room beneath her a dull, rumbling sound of men’s voices talking. Before she had been long left alone the Count returned, to explain that Miss Halcombe was then taking rest, and could not be disturbed for a little while. He was accompanied into the room by a gentleman (an Englishman), whom he begged to present as a friend of his.
After this singular introduction—in the course of which no names, to the best of Lady Glyde’s recollection, had been mentioned—she was left alone with the stranger. He was perfectly civil, but he startled and confused her by some odd questions about herself, and by looking at her, while he asked them, in a strange manner. After remaining a short time he went out, and a minute or two afterwards a second stranger—also an Englishman—came in. This person introduced himself as another friend of Count Fosco’s, and he, in his turn, looked at her very oddly, and asked some curious questions—never, as well as she could remember, addressing her by name, and going out again, after a little while, like the first man. By this time she was so frightened about herself, and so uneasy about her sister, that she had thoughts of venturing downstairs again, and claiming the protection and assistance of the only woman she had seen in the house—the servant who answered the door.
Just as she had risen from her chair, the Count came back into the room.
The moment he appeared she asked anxiously how long the meeting between her sister and herself was to be still delayed. At first he returned an evasive answer, but on being pressed, he acknowledged, with great apparent reluctance, that Miss Halcombe was by no means so well as he had hitherto represented her to be. His tone and manner, in making this reply, so alarmed Lady Glyde, or rather so painfully increased the uneasiness which she had felt in the company of the two strangers, that a sudden faintness overcame her, and she was obliged to ask for a glass of water. The Count called from the door for water, and for a bottle of smelling-salts. Both were brought in by the foreign-looking man with the beard. The water, when Lady Glyde attempted to drink it, had so strange a taste that it increased her faintness, and she hastily took the bottle of salts from Count Fosco, and smelt at it. Her head became giddy on the instant. The Count caught the bottle as it dropped out of her hand, and the last impression of which she was conscious was that he held it to her nostrils again.
From this point her recollections were found to be confused, fragmentary, and difficult to reconcile with any reasonable probability.
Her own impression was that she recovered her senses later in the evening, that she then left the house, that she went (as she had previously arranged to go, at Blackwater Park) to Mrs. Vesey’s—that she drank tea there, and that she passed the night under Mrs. Vesey’s roof. She was totally unable to say how, or when, or in what company she left the house to which Count Fosco had brought her. But she persisted in asserting that she had been to Mrs. Vesey’s, and still more extraordinary, that she had been helped to undress and get to bed by Mrs. Rubelle! She could not remember what the conversation was at Mrs. Vesey’s or whom she saw there besides that lady, or why Mrs. Rubelle should have been present in the house to help her.
Her recollection of what happened to her the next morning was still more vague and unreliable.
She had some dim idea of driving out (at what hour she could not say) with Count Fosco, and with Mrs. Rubelle again for a female attendant. But when, and why, she left Mrs. Vesey she could not tell; neither did she know what direction the carriage drove in, or where it set her down, or whether the Count and Mrs. Rubelle did or did not remain with her all the time she was out. At this point in her sad story there was a total blank. She had no impressions of the faintest kind to communicate—no idea whether one day, or more than one day, had passed—until she came to herself suddenly in a strange place, surrounded by women who were all unknown to her.
This was the asylum. Here she first heard herself called by Anne Catherick’s name, and here, as a last remarkable circumstance in the story of the conspiracy, her own eyes informed her that she had Anne Catherick’s clothes on. The nurse, on the first night in the asylum,
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