The Woman in White by Wilkie Collins (portable ebook reader txt) 📕

help me. We calculated our weekly expenditure to the last farthing, and we never touched our little fund except in Laura’s interests and for Laura’s sake.

The housework, which, if we had dared trust a stranger near us, would have been done by a servant, was taken on the first day, taken as her own right, by Marian Halcombe. “What a woman’s hands are fit for,” she said, “early and late, these hands of mine shall do.” They trembled as she held them out. The wasted arms told their sad story of the past, as she turned up the sleeves of the poor plain dress that she wore for safety’s sake; but the unquenchable spirit of the woman burnt bright in her even yet. I saw the big tears rise thick in her eyes, and fall slowly over her cheeks as she looked at me. She dashed them away with a touch of her old energy, and smiled with a faint reflection of her old good spirits. “Don’t doubt my courage, Walter,” she pleaded, “it’s my weakness that cries, not me. The housework shall conquer it if I can’t.” And she kept her word⁠—the victory was won when we met in the evening, and she sat down to rest. Her large steady black eyes looked at me with a flash of their bright firmness of bygone days. “I am not quite broken down yet,” she said. “I am worth trusting with my share of the work.” Before I could answer, she added in a whisper, “And worth trusting with my share in the risk and the danger too. Remember that, if the time comes!”

I did remember it when the time came.

As early as the end of October the daily course of our lives had assumed its settled direction, and we three were as completely isolated in our place of concealment as if the house we lived in had been a desert island, and the great network of streets and the thousands of our fellow-creatures all round us the waters of an illimitable sea. I could now reckon on some leisure time for considering what my future plan of action should be, and how I might arm myself most securely at the outset for the coming struggle with Sir Percival and the Count.

I gave up all hope of appealing to my recognition of Laura, or to Marian’s recognition of her, in proof of her identity. If we had loved her less dearly, if the instinct implanted in us by that love had not been far more certain than any exercise of reasoning, far keener than any process of observation, even we might have hesitated on first seeing her.

The outward changes wrought by the suffering and the terror of the past had fearfully, almost hopelessly, strengthened the fatal resemblance between Anne Catherick and herself. In my narrative of events at the time of my residence in Limmeridge House, I have recorded, from my own observation of the two, how the likeness, striking as it was when viewed generally, failed in many important points of similarity when tested in detail. In those former days, if they had both been seen together side by side, no person could for a moment have mistaken them one for the other⁠—as has happened often in the instances of twins. I could not say this now. The sorrow and suffering which I had once blamed myself for associating even by a passing thought with the future of Laura Fairlie, had set their profaning marks on the youth and beauty of her face; and the fatal resemblance which I had once seen and shuddered at seeing, in idea only, was now a real and living resemblance which asserted itself before my own eyes. Strangers, acquaintances, friends even who could not look at her as we looked, if she had been shown to them in the first days of her rescue from the asylum, might have doubted if she were the Laura Fairlie they had once seen, and doubted without blame.

The one remaining chance, which I had at first thought might be trusted to serve us⁠—the chance of appealing to her recollection of persons and events with which no impostor could be familiar, was proved, by the sad test of our later experience, to be hopeless. Every little caution that Marian and I practised towards her⁠—every little remedy we tried, to strengthen and steady slowly the weakened, shaken faculties, was a fresh protest in itself against the risk of turning her mind back on the troubled and the terrible past.

The only events of former days which we ventured on encouraging her to recall were the little trivial domestic events of that happy time at Limmeridge, when I first went there and taught her to draw. The day when I roused those remembrances by showing her the sketch of the summerhouse which she had given me on the morning of our farewell, and which had never been separated from me since, was the birthday of our first hope. Tenderly and gradually, the memory of the old walks and drives dawned upon her, and the poor weary pining eyes looked at Marian and at me with a new interest, with a faltering thoughtfulness in them, which from that moment we cherished and kept alive. I bought her a little box of colours, and a sketchbook like the old sketchbook which I had seen in her hands on the morning that we first met. Once again⁠—oh me, once again!⁠—at spare hours saved from my work, in the dull London light, in the poor London room, I sat by her side to guide the faltering touch, to help the feeble hand. Day by day I raised and raised the new interest till its place in the blank of her existence was at last assured⁠—till she could think of her drawing and talk of it, and patiently practise it by herself, with some faint reflection of the innocent pleasure in my encouragement, the growing enjoyment in