The Woman in White by Wilkie Collins (portable ebook reader txt) 📕
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The Woman in White tells the story of Walter Hartright, a young and impoverished drawing teacher who falls in love with his aristocratic pupil, Laura Fairlie. He cannot hope to marry her, however, and she is married off against her will to a baronet, Sir Percival Glyde, who is seeking her fortune. The terms of her marriage settlement prevent Glyde accessing her money while she lives, so together with his deceptively charming and cunning friend, Count Fosco, they hatch an unscrupulous deception to do so nonetheless. In an early 19th Century version of “identity theft,” they contrive to fake Laura’s death and confine her to a mental asylum. Their plot is eventually uncovered and exposed by Hartright with the help of Laura’s resourceful half-sister, Marian Halcombe.
The Woman in White was the most popular of Wilkie Collins’ novels in the genre then known as “sensation fiction.” It has never been out of print and is frequently included in lists of the best novels of all time. Published initially in serial form in 1859–60, it achieved an early and remarkable following, probably because of the strength of its characters, in particular the smooth and charming but utterly wicked villain Count Fosco, and the intelligent and steadfast Marian Halcombe opposed to him.
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- Author: Wilkie Collins
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“My time is at Miss Halcombe’s disposal,” he replied. “Where any interests of hers are concerned, I represent my partner personally, as well as professionally. It was his request that I should do so, when he ceased to take an active part in business.”
“May I inquire whether Mr. Gilmore is in England?”
“He is not, he is living with his relatives in Germany. His health has improved, but the period of his return is still uncertain.”
While we were exchanging these few preliminary words, he had been searching among the papers before him, and he now produced from them a sealed letter. I thought he was about to hand the letter to me, but, apparently changing his mind, he placed it by itself on the table, settled himself in his chair, and silently waited to hear what I had to say.
Without wasting a moment in prefatory words of any sort, I entered on my narrative, and put him in full possession of the events which have already been related in these pages.
Lawyer as he was to the very marrow of his bones, I startled him out of his professional composure. Expressions of incredulity and surprise, which he could not repress, interrupted me several times before I had done. I persevered, however, to the end, and as soon as I reached it, boldly asked the one important question—
“What is your opinion, Mr. Kyrle?”
He was too cautious to commit himself to an answer without taking time to recover his self-possession first.
“Before I give my opinion,” he said, “I must beg permission to clear the ground by a few questions.”
He put the questions—sharp, suspicious, unbelieving questions, which clearly showed me, as they proceeded, that he thought I was the victim of a delusion, and that he might even have doubted, but for my introduction to him by Miss Halcombe, whether I was not attempting the perpetration of a cunningly-designed fraud.
“Do you believe that I have spoken the truth, Mr. Kyrle?” I asked, when he had done examining me.
“So far as your own convictions are concerned, I am certain you have spoken the truth,” he replied. “I have the highest esteem for Miss Halcombe, and I have therefore every reason to respect a gentleman whose mediation she trusts in a matter of this kind. I will even go farther, if you like, and admit, for courtesy’s sake and for argument’s sake, that the identity of Lady Glyde as a living person is a proved fact to Miss Halcombe and yourself. But you come to me for a legal opinion. As a lawyer, and as a lawyer only, it is my duty to tell you, Mr. Hartright, that you have not the shadow of a case.”
“You put it strongly, Mr. Kyrle.”
“I will try to put it plainly as well. The evidence of Lady Glyde’s death is, on the face of it, clear and satisfactory. There is her aunt’s testimony to prove that she came to Count Fosco’s house, that she fell ill, and that she died. There is the testimony of the medical certificate to prove the death, and to show that it took place under natural circumstances. There is the fact of the funeral at Limmeridge, and there is the assertion of the inscription on the tomb. That is the case you want to overthrow. What evidence have you to support the declaration on your side that the person who died and was buried was not Lady Glyde? Let us run through the main points of your statement and see what they are worth. Miss Halcombe goes to a certain private asylum, and there sees a certain female patient. It is known that a woman named Anne Catherick, and bearing an extraordinary personal resemblance to Lady Glyde, escaped from the asylum; it is known that the person received there last July was received as Anne Catherick brought back; it is known that the gentleman who brought her back warned Mr. Fairlie that it was part of her insanity to be bent on personating his dead niece; and it is known that she did repeatedly declare herself in the asylum (where no one believed her) to be Lady Glyde. These are all facts. What have you to set against them? Miss Halcombe’s recognition of the woman, which recognition after-events invalidate or contradict. Does Miss Halcombe assert her supposed sister’s identity to the owner of the asylum, and take legal means for rescuing her? No, she secretly bribes a nurse to let her escape. When the patient has been released in this doubtful manner, and is taken to Mr. Fairlie, does he recognise her? Is he staggered for one instant in his belief of his niece’s death? No. Do the servants recognise her? No. Is she kept in the neighbourhood to assert her own identity, and to stand the test of further proceedings? No, she is privately taken to London. In the meantime you have recognised her also, but you are not a relative—you are not even an old friend of the family. The servants contradict you, and Mr. Fairlie contradicts Miss Halcombe, and the supposed Lady Glyde contradicts herself. She declares she passed the night in London at a certain house. Your own evidence shows that she has never been near that house, and your own admission is that her condition of mind prevents you from producing her anywhere to submit to investigation, and to speak for herself. I pass over minor points of evidence on both sides to save time, and I ask you, if this case were to go now into a court of law—to go before a jury, bound to take facts as they reasonably appear—where are your proofs?”
I was obliged to wait and collect myself before I could answer him. It was the first time the story of Laura and the story of Marian had been presented to me from a stranger’s point of view—the first time the terrible obstacles that lay across our path had been made to show themselves in their true character.
“There can be no doubt,” I
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