Daniel Deronda by George Eliot (ebook pdf reader for pc .txt) 📕
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Daniel Deronda, published in 1876, was George Eliot’s last novel. It deals with two major characters whose lives intersect: One is a spoiled young woman named Gwendolen Harleth who makes an unwise marriage to escape impending poverty; the other is the titular character, Daniel Deronda, a wealthy young man who feels a mission to help the suffering.
During her childhood Gwendolen’s family was well-off. She lived in comfort and was indulged and pampered. But the family’s fortune is lost through an unwise investment, and she returns to a life of near-poverty, a change which she greatly resents both for herself and for her widowed mother. The only escape seems to be for her to marry a wealthy older man who has been courting her in a casual, unemotional way. The marriage turns out to be a terrible mistake.
Daniel Deronda has been raised by Sir Hugo Mallinger as his nephew, but Daniel has never discovered his true parentage, thinking it likely that he is Sir Hugo’s natural son. This consciousness of his probable illegitimacy moves him to kindness and tolerance towards anyone who is suffering from disadvantage. One evening, while rowing on the river Thames, he spots a young woman about to leap into the water to drown herself. He persuades her instead to come with him for shelter to a family he knows. The young woman turns out to be Jewish, and through his trying to help her find her lost family, Deronda comes into contact with Jewish culture—and in particular with a man named Mordecai, who has a passionate vision for the future of the Jewish race and who sees in Daniel a kindred spirit.
The paths that Gwendolen and Daniel follow intersect often, and Daniel’s kindly nature moves him to try to offer her comfort and advice in her moments of distress. Unsurprisingly, Gwendolen misinterprets Daniel’s attentions.
In Daniel Deronda Eliot demonstrates considerable sympathy towards the Jewish people, their culture, and their aspirations for a national homeland. At the time this was an unpopular and even controversial view. A foreword in this edition reproduces a letter Evans wrote to Harriet Beecher Stowe, defending her stance in this regard. Nevertheless, the novel was a success, and was translated almost immediately into German and Dutch. It is considered to have had a positive influence on Zionist thinkers.
Daniel Deronda has been adapted both for film and television, with the 2002 B.B.C. series winning several awards.
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- Author: George Eliot
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“Oh, a mixture. He generally observes the forms: but he doesn’t listen much,” said Deronda. Then, after a moment’s pause, he went on, “I should think there must be some exaggeration or inaccuracy in what you have heard about this lady at Gadsmere.”
“Not a bit, depend upon it; it has all lain snug of late years. People have forgotten all about it. But there the nest is, and the birds are in it. And I know Grandcourt goes there. I have good evidence that he goes there. However, that’s nobody’s business but his own. The affair has sunk below the surface.”
“I wonder you could have learned so much about it,” said Deronda, rather drily.
“Oh, there are plenty of people who knew all about it; but such stories get packed away like old letters. They interest me. I like to know the manners of my time—contemporary gossip, not antediluvian. These Dryasdust fellows get a reputation by raking up some small scandal about Semiramis or Nitocris, and then we have a thousand and one poems written upon it by all the warblers big and little. But I don’t care a straw about the faux pas of the mummies. You do, though. You are one of the historical men—more interested in a lady when she’s got a rag face and skeleton toes peeping out. Does that flatter your imagination?”
“Well, if she had any woes in her love, one has the satisfaction of knowing that she’s well out of them.”
“Ah, you are thinking of the Medea, I see.”
Deronda then chose to point to some giant oaks worth looking at in their bareness. He also felt an interest in this piece of contemporary gossip, but he was satisfied that Mr. Vandernoodt had no more to tell about it.
Since the early days when he tried to construct the hidden story of his own birth, his mind had perhaps never been so active in weaving probabilities about any private affair as it had now begun to be about Gwendolen’s marriage. This unavowed relation of Grandcourt’s—could she have gained some knowledge of it, which caused her to shrink from the match—a shrinking finally overcome by the urgence of poverty? He could recall almost every word she had said to him, and in certain of these words he seemed to discern that she was conscious of having done some wrong—inflicted some injury. His own acute experience made him alive to the form of injury which might affect the unavowed children and their mother. Was Mrs. Grandcourt, under all her determined show of satisfaction, gnawed by a double, a treble-headed grief—self-reproach, disappointment, jealousy? He dwelt especially on all the slight signs of self-reproach: he was inclined to judge her tenderly, to excuse, to pity. He thought he had found a key now by which to interpret her more clearly: what magnifying of her misery might not a young creature get into who had wedded her fresh hopes to old secrets! He thought he saw clearly enough now why Sir Hugo had never dropped any hint of this affair to him; and immediately the image of this Mrs. Glasher became painfully associated with his own hidden birth. Gwendolen knowing of that woman and her children, marrying Grandcourt, and showing herself contented, would have been among the most repulsive of beings to him; but Gwendolen tasting the bitterness of remorse for having contributed to their injury was brought very near to his fellow-feeling. If it were so, she had got to a common plane of understanding with him on some difficulties of life which a woman is rarely able to judge of with any justice or generosity; for, according to precedent, Gwendolen’s view of her position might easily have been no other than that her husband’s marriage with her was his entrance on the path of virtue, while Mrs. Glasher represented his forsaken sin. And Deronda had naturally some resentment on behalf of the Hagars and Ishmaels.
Undeniably Deronda’s growing solicitude about Gwendolen depended chiefly on her peculiar manner toward him; and I suppose neither man nor woman would be the better for an utter insensibility to such appeals. One sign that his interest in her had changed its footing was that he dismissed any caution against her being a coquette setting snares to involve him in a vulgar flirtation, and determined that he would not again evade any opportunity of talking to her. He had shaken off Mr. Vandernoodt, and got into a solitary corner in the twilight; but half an hour was long enough to think of those possibilities in Gwendolen’s position and state of mind; and on forming the determination not to avoid her, he remembered that she was likely to be at tea with the other ladies in the drawing-room. The conjecture was true; for Gwendolen, after resolving not to go down again for the next four hours, began to feel, at the end of one, that in shutting herself up she missed all chances of seeing and hearing, and that her visit would only last two days more. She adjusted herself, put on her little air of self-possession, and going down, made herself resolutely agreeable. Only ladies were assembled, and Lady Pentreath was amusing them with a description of a drawing-room under the Regency, and the figure that was cut by ladies and gentlemen in 1819, the year she was presented—when Deronda entered.
“Shall I be acceptable?” he said. “Perhaps I had better go back and look for the others. I suppose they are in the billiard-room.”
“No, no; stay where you are,” said Lady Pentreath. “They were all getting tired of me; let us hear what
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