The Wings of the Dove by Henry James (bill gates books to read TXT) 📕
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The Wings of the Dove is perhaps the most well-received of Henry James’s novels. First published in 1902, it follows Kate Croy and Merton Densher, an engaged couple in late-Victorian London, who meet Milly Theale, a wealthy American heiress.
Milly, though young and lively, is burdened with a fatal disease. She wishes to spend her last days on happy adventures through Europe, and her sparkling personality, still bright despite her looming death, quickly makes her a hit in the London social scene. As she plans an excursion to Venice, Kate and Merton, who are too poor to marry and still maintain their social standing, scheme to trick Milly out of her inheritance.
The character of Milly is partly based on Minny Temple, James’ cousin who died young of tuberculosis. He later wrote that the novel was his attempt to immortalize her memory, and that he spent years developing the core of the book’s conceit before committing it to the page. The novel is James at his peak: dizzyingly complex prose weaves rich, impressionistic character studies, heavy in symbolism and allusion, amid the glamorous backdrops of high-society London and decaying Venetian grandeur.
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- Author: Henry James
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“Oh!” Sir Luke Strett returned, and made no more of it; so that the thing was splendid, Densher fairly thought, as an inscrutability quite inevitable and unconscious. His friend appeared not even to make of it that he supposed it might be for respect to the crisis. He didn’t moreover afterwards make much more of anything—after the classic craft, that is, obeying in the main Pasquale’s inimitable stroke from the poop, had performed the manoeuvre by which it presented, receding, a back, so to speak, rendered positively graceful by the high black hump of its felze. Densher watched the gondola out of sight—he heard Pasquale’s cry, borne to him across the water, for the sharp firm swerve into a side-canal, a shortcut to the palace. He had no gondola of his own; it was his habit never to take one; and he humbly—as in Venice it is humble—walked away, though not without having for some time longer stood as if fixed where the guest of the palace had left him. It was strange enough, but he found himself as never yet, and as he couldn’t have reckoned, in presence of the truth that was the truest about Milly. He couldn’t have reckoned on the force of the difference instantly made—for it was all in the air as he heard Pasquale’s cry and saw the boat disappear—by the mere visibility, on the spot, of the personage summoned to her aid. He hadn’t only never been near the facts of her condition—which counted so as a blessing for him; he hadn’t only, with all the world, hovered outside an impenetrable ring fence, within which there reigned a kind of expensive vagueness made up of smiles and silences and beautiful fictions and priceless arrangements, all strained to breaking; but he had also, with everyone else, as he now felt, actively fostered suppressions which were in the direct interest of everyone’s good manner, everyone’s pity, everyone’s really quite generous ideal. It was a conspiracy of silence, as the cliché went, to which no one had made an exception, the great smudge of mortality across the picture, the shadow of pain and horror, finding in no quarter a surface of spirit or of speech that consented to reflect it. “The mere aesthetic instinct of mankind—!” our young man had more than once, in the connection, said to himself; letting the rest of the proposition drop, but touching again thus sufficiently on the outrage even to taste involved in one’s having to see. So then it had been—a general conscious fool’s paradise, from which the specified had been chased like a dangerous animal. What therefore had at present befallen was that the specified, standing all the while at the gate, had now crossed the threshold as in Sir Luke Strett’s person and quite on such a scale as to fill out the whole precinct. Densher’s nerves, absolutely his heartbeats too, had measured the change before he on this occasion moved away.
The facts of physical suffering, of incurable pain, of the chance grimly narrowed, had been made, at a stroke, intense, and this was to be the way he was now to feel them. The clearance of the air, in short, making vision not only possible but inevitable, the one thing left to be thankful for was the breadth of Sir Luke’s shoulders, which, should one be able to keep in line with them, might in some degree interpose. It was, however, far from plain to Densher for the first day or two that he was again to see his distinguished friend at all. That he couldn’t, on any basis actually serving, return to the palace—this was as solid to him, every whit, as the other feature of his case, the fact of the publicity attaching to his proscription through his not having taken himself off. He had been seen often enough in the Leporelli gondola. As, accordingly, he was not on any presumption destined to meet Sir Luke about the town, where the latter would have neither time nor taste to lounge, nothing more would occur between them unless the great man should surprisingly wait upon him. His doing that, Densher further reflected, wouldn’t even simply depend on Mrs. Stringham’s having decided to—as they might say—turn him on. It would depend as well—for there would be practically some difference to her—on her actually attempting it; and it would depend above all on what Sir Luke would make of such an overture. Densher had for that matter his own view of the amount, to say nothing of the particular sort, of response it might expect from him. He had his own view of the ability of such a personage even to understand such an appeal. To what extent could he be prepared, and what importance in fine could he attach? Densher asked himself these questions, in truth, to put his own position at the worst. He should miss the great man completely unless the great man should come to see him, and the great man
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