The Golden Bowl by Henry James (free ebook reader for android TXT) 📕
Description
In The Golden Bowl, an impoverished Italian aristocrat comes to London to marry a wealthy American, but meets an old mistress before the wedding and spends time with her, helping her pick out a wedding gift. After their marriage, his wife maintains a close relationship with her father, while their own relationship becomes strained.
Completed in 1904, Henry James himself considered The Golden Bowl one of his best novels, and it remains one of critics’ favorites. Along with The Wings of the Dove and The Ambassadors, the novel represents James’ “major phase,” where he returned to the study of Americans abroad, which dominated his earlier career. The novel focuses almost entirely on four central characters, and explores themes of marriage and adultery in an intricate psychological study, which some critics have even suggested anticipates the style of stream-of-consciousness writing.
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- Author: Henry James
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After it had been thus vividly before her for a little that, springing up under her wrong and making them all start, stare and turn pale, she might sound out their doom in a single sentence, a sentence easy to choose among several of the lurid—after she had faced that blinding light and felt it turn to blackness, she rose from her place, laying aside her magazine, and moved slowly round the room, passing near the card-players and pausing an instant behind the chairs in turn. Silent and discreet, she bent a vague mild face upon them, as if to signify that, little as she followed their doings, she wished them well; and she took from each, across the table, in the common solemnity, an upward recognition which she was to carry away with her on her moving out to the terrace, a few minutes later. Her father and her husband, Mrs. Assingham and Charlotte, had done nothing but meet her eyes; yet the difference in these demonstrations made each a separate passage—which was all the more wonderful since, with the secret behind every face, they had alike tried to look at her through it and in denial of it.
It all left her, as she wandered off, with the strangest of impressions—the sense, forced upon her as never yet, of an appeal, a positive confidence, from the four pairs of eyes, that was deeper than any negation, and that seemed to speak, on the part of each, of some relation to be contrived by her, a relation with herself, which would spare the individual the danger, the actual present strain, of the relation with the others. They thus tacitly put it upon her to be disposed of, the whole complexity of their peril, and she promptly saw why because she was there, and there just as she was, to lift it off them and take it; to charge herself with it as the scapegoat of old, of whom she had once seen a terrible picture, had been charged with the sins of the people and had gone forth into the desert to sink under his burden and die. That indeed wasn’t their design and their interest, that she should sink under hers; it wouldn’t be their feeling that she should do anything but live, live on somehow for their benefit, and even as much as possible in their company, to keep proving to them that they had truly escaped and that she was still there to simplify. This idea of her simplifying, and of their combined struggle, dim as yet but steadily growing, toward the perception of her adopting it from them, clung to her while she hovered on the terrace, where the summer night was so soft that she scarce needed the light shawl she had picked up. Several of the long windows of the occupied rooms stood open to it, and the light came out in vague shafts and fell upon the old smooth stones. The hour was moonless and starless and the air heavy and still—which was why, in her evening dress, she need fear no chill and could get away, in the outer darkness, from that provocation of opportunity which had assaulted her, within, on her sofa, as a beast might have leaped at her throat.
Nothing in fact was stranger than the way in which, when she had remained there a little, her companions, watched by her through one of the windows, actually struck her as almost consciously and gratefully safer. They might have been—really charming as they showed in the beautiful room, and Charlotte certainly, as always, magnificently handsome and supremely distinguished—they might have been figures rehearsing some play of which she herself was the author; they might even, for the happy appearance they continued to present, have been such figures as would, by the strong note of character in each, fill any author with the certitude of success, especially of their own histrionic. They might in short have represented any mystery they would; the point being predominantly that the key to the mystery, the key that could wind and unwind it without a snap of the spring, was there in her pocket—or rather, no doubt, clasped at this crisis in her hand and
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