Daniel Deronda by George Eliot (ebook pdf reader for pc .txt) 📕
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Daniel Deronda, published in 1876, was George Eliot’s last novel. It deals with two major characters whose lives intersect: One is a spoiled young woman named Gwendolen Harleth who makes an unwise marriage to escape impending poverty; the other is the titular character, Daniel Deronda, a wealthy young man who feels a mission to help the suffering.
During her childhood Gwendolen’s family was well-off. She lived in comfort and was indulged and pampered. But the family’s fortune is lost through an unwise investment, and she returns to a life of near-poverty, a change which she greatly resents both for herself and for her widowed mother. The only escape seems to be for her to marry a wealthy older man who has been courting her in a casual, unemotional way. The marriage turns out to be a terrible mistake.
Daniel Deronda has been raised by Sir Hugo Mallinger as his nephew, but Daniel has never discovered his true parentage, thinking it likely that he is Sir Hugo’s natural son. This consciousness of his probable illegitimacy moves him to kindness and tolerance towards anyone who is suffering from disadvantage. One evening, while rowing on the river Thames, he spots a young woman about to leap into the water to drown herself. He persuades her instead to come with him for shelter to a family he knows. The young woman turns out to be Jewish, and through his trying to help her find her lost family, Deronda comes into contact with Jewish culture—and in particular with a man named Mordecai, who has a passionate vision for the future of the Jewish race and who sees in Daniel a kindred spirit.
The paths that Gwendolen and Daniel follow intersect often, and Daniel’s kindly nature moves him to try to offer her comfort and advice in her moments of distress. Unsurprisingly, Gwendolen misinterprets Daniel’s attentions.
In Daniel Deronda Eliot demonstrates considerable sympathy towards the Jewish people, their culture, and their aspirations for a national homeland. At the time this was an unpopular and even controversial view. A foreword in this edition reproduces a letter Evans wrote to Harriet Beecher Stowe, defending her stance in this regard. Nevertheless, the novel was a success, and was translated almost immediately into German and Dutch. It is considered to have had a positive influence on Zionist thinkers.
Daniel Deronda has been adapted both for film and television, with the 2002 B.B.C. series winning several awards.
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- Author: George Eliot
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“Shall I ring?” he said, after what seemed to her a long while. She moved her head in assent, and after ringing he went to his dressing-room.
Certain words were gnawing within her. “The wrong you have done me will be your own curse.” As he closed the door, the bitter tears rose, and the gnawing words provoked an answer: “Why did you put your fangs into me and not into him?” It was uttered in a whisper, as the tears came up silently. But she immediately pressed her handkerchief against her eyes, and checked her tendency to sob.
The next day, recovered from the shuddering fit of this evening scene, she determined to use the charter which Grandcourt had scornfully given her, and to talk as much as she liked with Deronda; but no opportunities occurred, and any little devices she could imagine for creating them were rejected by her pride, which was now doubly active. Not toward Deronda himself—she was singularly free from alarm lest he should think her openness wanting in dignity: it was part of his power over her that she believed him free from all misunderstanding as to the way in which she appealed to him; or rather, that he should misunderstand her had never entered into her mind. But the last morning came, and still she had never been able to take up the dropped thread of their talk, and she was without devices. She and Grandcourt were to leave at three o’clock. It was too irritating that after a walk in the grounds had been planned in Deronda’s hearing, he did not present himself to join in it. Grandcourt was gone with Sir Hugo to King’s Topping, to see the old manor-house; others of the gentlemen were shooting; she was condemned to go and see the decoy and the waterfowl, and everything else that she least wanted to see, with the ladies, with old Lord Pentreath and his anecdotes, with Mr. Vandernoodt and his admiring manners. The irritation became too strong for her; without premeditation, she took advantage of the winding road to linger a little out of sight, and then set off back to the house, almost running when she was safe from observation. She entered by a side door, and the library was on her left hand; Deronda, she knew, was often there; why might she not turn in there as well as into any other room in the house? She had been taken there expressly to see the illuminated family tree, and other remarkable things—what more natural than that she should like to look in again? The thing most to be feared was that the room would be empty of Deronda, for the door was ajar. She pushed it gently, and looked round it. He was there, writing busily at a distant table, with his back toward the door (in fact, Sir Hugo had asked him to answer some constituents’ letters which had become pressing). An enormous log fire, with the scent of Russia from the books, made the great room as warmly odorous as a private chapel in which the censers have been swinging. It seemed too daring to go in—too rude to speak and interrupt him; yet she went in on the noiseless carpet, and stood still for two or three minutes, till Deronda, having finished a letter, pushed it aside for signature, and threw himself back to consider whether there were anything else for him to do, or whether he could walk out for the chance of meeting the party which included Gwendolen, when he heard her voice saying, “Mr. Deronda.”
It was certainly startling. He rose hastily, turned round, and pushed away his chair with a strong expression of surprise.
“Am I wrong to come in?” said Gwendolen.
“I thought you were far on your walk,” said Deronda.
“I turned back,” said Gwendolen.
“Do you intend to go out again? I could join you now, if you would allow me.”
“No; I want to say something, and I can’t stay long,” said Gwendolen, speaking quickly in a subdued tone, while she walked forward and rested her arms and muff on the back of the chair he had pushed away from him. “I want to tell you that it is really so—I can’t help feeling remorse for having injured others. That was what I meant when I said that I had done worse than gamble again and pawn the necklace again—something more injurious, as you called it. And I can’t alter it. I am punished, but I can’t alter it. You said I could do many things. Tell me again. What should you do—what should you feel if you were in my place?”
The hurried directness with which she spoke—the absence of all her little airs, as if she were only concerned to use the time in getting an answer that would guide her, made her appeal unspeakably touching.
Deronda said, “I should feel something of what you feel—deep sorrow.”
“But what would you try to do?” said Gwendolen, with urgent quickness.
“Order my life so as to make any possible amends, and keep away from doing any sort of injury again,” said Deronda, catching her sense that the time for speech was brief.
“But I can’t—I can’t; I must go on,” said Gwendolen, in a passionate loud whisper. “I have thrust out others—I have made my gain out of their loss—tried to make it—tried. And I must go on. I can’t alter it.”
It was impossible to answer this instantaneously. Her words had confirmed his conjecture, and the situation of all concerned rose in swift images before him. His feeling for those
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