The Mill on the Floss by George Eliot (best beach reads of all time .txt) 📕

darkness mute, and light eloquent? Something strangely powerful there was in the light of Stephen’s long gaze, for it made Maggie’s face turn toward it and look upward at it, slowly, like a flower at the ascending brightness. And they walked unsteadily on, without feeling that they were walking; without feeling anything but that long, grave, mutual gaze which has the solemnity belonging to all deep human passion. The hovering thought that they must and would renounce each other made this moment of mute confession more intense in its rapture.

But they had reached the end of the conservatory, and were obliged to pause and turn. The change of movement brought a new consciousness to Maggie; she blushed deeply, turned away her head, and drew her arm from Stephen’s, going up to some flowers to smell them. Stephen stood motionless, and still pale.

“Oh, may I get this rose?” said Maggie, making a great effort to say something, and dissipate the burning sense of irretrievable confession. “I think I am quite wicked with roses; I like to gather them and smell them till they have no scent left.”

Stephen was mute; he was incapable of putting a sentence together, and Maggie bent her arm a little upward toward the large half-opened rose that had attracted her. Who has not felt the beauty of a woman’s arm? The unspeakable suggestions of tenderness that lie in the dimpled elbow, and all the varied gently lessening curves, down to the delicate wrist, with its tiniest, almost imperceptible nicks in the firm softness. A woman’s arm touched the soul of a great sculptor two thousand years ago, so that he wrought an image of it for the Parthenon which moves us still as it clasps lovingly the timeworn marble of a headless trunk. Maggie’s was such an arm as that, and it had the warm tints of life.

A mad impulse seized on Stephen; he darted toward the arm, and showered kisses on it, clasping the wrist.

But the next moment Maggie snatched it from him, and glared at him like a wounded war-goddess, quivering with rage and humiliation.

“How dare you?” She spoke in a deeply shaken, half-smothered voice. “What right have I given you to insult me?”

She darted from him into the adjoining room, and threw herself on the sofa, panting and trembling.

A horrible punishment was come upon her for the sin of allowing a moment’s happiness that was treachery to Lucy, to Philip, to her own better soul. That momentary happiness had been smitten with a blight, a leprosy; Stephen thought more lightly of her than he did of Lucy.

As for Stephen, he leaned back against the framework of the conservatory, dizzy with the conflict of passions⁠—love, rage, and confused despair; despair at his want of self-mastery, and despair that he had offended Maggie.

The last feeling surmounted every other; to be by her side again and entreat forgiveness was the only thing that had the force of a motive for him, and she had not been seated more than a few minutes when he came and stood humbly before her. But Maggie’s bitter rage was unspent.

“Leave me to myself, if you please,” she said, with impetuous haughtiness, “and for the future avoid me.”

Stephen turned away, and walked backward and forward at the other end of the room. There was the dire necessity of going back into the dancing-room again, and he was beginning to be conscious of that. They had been absent so short a time, that when he went in again the waltz was not ended.

Maggie, too, was not long before she re-entered. All the pride of her nature was stung into activity; the hateful weakness which had dragged her within reach of this wound to her self-respect had at least wrought its own cure. The thoughts and temptations of the last month should all be flung away into an unvisited chamber of memory. There was nothing to allure her now; duty would be easy, and all the old calm purposes would reign peacefully once more. She re-entered the drawing-room still with some excited brightness in her face, but with a sense of proud self-command that defied anything to agitate her. She refused to dance again, but she talked quite readily and calmly with everyone who addressed her. And when they got home that night, she kissed Lucy with a free heart, almost exulting in this scorching moment, which had delivered her from the possibility of another word or look that would have the stamp of treachery toward that gentle, unsuspicious sister.

The next morning Maggie did not set off to Basset quite so soon as she had expected. Her mother was to accompany her in the carriage, and household business could not be dispatched hastily by Mrs. Tulliver. So Maggie, who had been in a hurry to prepare herself, had to sit waiting, equipped for the drive, in the garden. Lucy was busy in the house wrapping up some bazaar presents for the younger ones at Basset, and when there was a loud ring at the doorbell, Maggie felt some alarm lest Lucy should bring out Stephen to her; it was sure to be Stephen.

But presently the visitor came out into the garden alone, and seated himself by her on the garden-chair. It was not Stephen.

“We can just catch the tips of the Scotch firs, Maggie, from this seat,” said Philip.

They had taken each other’s hands in silence, but Maggie had looked at him with a more complete revival of the old childlike affectionate smile than he had seen before, and he felt encouraged.

“Yes,” she said, “I often look at them, and wish I could see the low sunlight on the stems again. But I have never been that way but once⁠—to the churchyard with my mother.”

“I have been there, I go there, continually,” said Philip. “I have nothing but the past to live upon.”

A keen remembrance and keen pity impelled Maggie to put her hand in Philip’s. They had so often walked hand in hand!

“I remember