Little Dorrit by Charles Dickens (suggested reading .TXT) 📕
Description
Little Dorrit, like many of Charles Dickens’ novels, was originally published in serial form over a period of about 18 months, before appearing in book form in 1857.
The novel focuses on the experiences of its protagonist Arthur Clenham, who has spent some twenty years in China helping his father run the family business there. After his father dies, Arthur returns home to London. His mother gives him little in the way of welcome. She is a cold, bitter woman who has brought Arthur up under a strict religious regime concentrating on the punitive aspects of the Old Testament. Despite this upbringing, or perhaps in reaction to it, Arthur is a kind, considerate man. He is intrigued by a slight young woman he encounters working as a part-time seamstress for his mother, whom his mother calls simply “Little Dorrit.” Arthur senses some mystery about her mother’s employment of Little Dorrit, and proceeds to investigate.
There are several subplots and a whole host of characters. Compared to some of Dickens’ work, Little Dorrit features a good deal of intrigue and tension. There are also some strong strands of humor, in the form of the fictional “Circumlocution Office,” whose sole remit is “How Not To Do It,” and which stands in the way of any improvement of British life. Also very amusing are the rambling speeches of Flora, a woman with whom Arthur was enamored before he left for China, but whose shallowness he now perceives only too well.
Little Dorrit has been adapted for the screen many times, and by the BBC in 2010 in a limited television series which featured Claire Foy as Little Dorrit, Matthew Macfayden as Arthur Clenham, and Andy Serkis as the villain Rigaud.
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- Author: Charles Dickens
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Through these spectators the little procession, headed by the two brothers, moved slowly to the gate. Mr. Dorrit, yielding to the vast speculation how the poor creatures were to get on without him, was great, and sad, but not absorbed. He patted children on the head like Sir Roger de Coverley going to church, he spoke to people in the background by their Christian names, he condescended to all present, and seemed for their consolation to walk encircled by the legend in golden characters, “Be comforted, my people! Bear it!”
At last three honest cheers announced that he had passed the gate, and that the Marshalsea was an orphan. Before they had ceased to ring in the echoes of the prison walls, the family had got into their carriage, and the attendant had the steps in his hand.
Then, and not before, “Good Gracious!” cried Miss Fanny all at once, “Where’s Amy!”
Her father had thought she was with her sister. Her sister had thought she was “somewhere or other.” They had all trusted to finding her, as they had always done, quietly in the right place at the right moment. This going away was perhaps the very first action of their joint lives that they had got through without her.
A minute might have been consumed in the ascertaining of these points, when Miss Fanny, who, from her seat in the carriage, commanded the long narrow passage leading to the Lodge, flushed indignantly.
“Now I do say, Pa,” cried she, “that this is disgraceful!”
“What is disgraceful, Fanny?”
“I do say,” she repeated, “this is perfectly infamous! Really almost enough, even at such a time as this, to make one wish one was dead! Here is that child Amy, in her ugly old shabby dress, which she was so obstinate about, Pa, which I over and over again begged and prayed her to change, and which she over and over again objected to, and promised to change today, saying she wished to wear it as long as ever she remained in there with you—which was absolutely romantic nonsense of the lowest kind—here is that child Amy disgracing us to the last moment and at the last moment, by being carried out in that dress after all. And by that Mr. Clennam too!”
The offence was proved, as she delivered the indictment. Clennam appeared at the carriage-door, bearing the little insensible figure in his arms.
“She has been forgotten,” he said, in a tone of pity not free from reproach. “I ran up to her room (which Mr. Chivery showed me) and found the door open, and that she had fainted on the floor, dear child. She appeared to have gone to change her dress, and to have sunk down overpowered. It may have been the cheering, or it may have happened sooner. Take care of this poor cold hand, Miss Dorrit. Don’t let it fall.”
“Thank you, sir,” returned Miss Dorrit, bursting into tears. “I believe I know what to do, if you will give me leave. Dear Amy, open your eyes, that’s a love! Oh, Amy, Amy, I really am so vexed and ashamed! Do rouse yourself, darling! Oh, why are they not driving on! Pray, Pa, do drive on!”
The attendant, getting between Clennam and the carriage-door, with a sharp “By your leave, sir!” bundled up the steps, and they drove away.
Book II Riches I Fellow TravellersIn the autumn of the year, Darkness and Night were creeping up to the highest ridges of the Alps.
It was vintage time in the valleys on the Swiss side of the Pass of the Great Saint Bernard, and along the banks of the Lake of Geneva. The air there was charged with the scent of gathered grapes. Baskets, troughs, and tubs of grapes stood in the dim village doorways, stopped the steep and narrow village streets, and had been carrying all day along the roads and lanes. Grapes, split and crushed under foot, lay about everywhere. The child carried in a sling by the laden peasant woman toiling home, was quieted with picked-up grapes; the idiot sunning his big goitre under the leaves of the wooden chalet by the way to the Waterfall, sat munching grapes; the breath of the cows and goats was redolent of leaves and stalks of grapes; the company in every little cabaret were eating, drinking, talking grapes. A pity that no ripe touch of this generous abundance could be given to the thin, hard, stony wine, which after all was made from the grapes!
The air had
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