Poetry by William Shakespeare (best books to read for knowledge .txt) đź“•
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Though mostly known for his plays, Shakespeare also published poetry during his writing career. From 1592 to 1593, an outbreak of the bubonic plague swept through England, killing almost 20,000 people. In January 1593 city officials ordered the theaters in London to shut their doors, and work for the famous playwright and actor came to a halt. Shakespeare turned to writing poetry to make ends meet during the closures. While the plague hindered his work in theaters, it provided source material for some of his most famous plays.
He first published “Venus and Adonis” in 1593, followed by “The Rape of Lucrece” in 1594. While both narrative poems contain sexual themes, their views on love versus lust are in stark contrast. After the theaters reopened, Shakespeare continued to write poetry and went on to publish “The Passionate Pilgrim” and “The Phoenix and the Turtle.” The last of his poems were published in his 1609 quarto, containing 154 sonnets and “A Lover’s Complaint.” The sonnets cover an array of themes: different types of romantic love, real beauty versus clichéd beauty, and the responsibilities of being beautiful.
This Standard Ebooks production includes all of his poems and is based on William George Clark and William Aldis Wright’s 1887 Victoria edition, which is taken from the Globe edition.
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- Author: William Shakespeare
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Let him have time against himself to rave,
Let him have time of Time’s help to despair,
Let him have time to live a loathed slave,
Let him have time a beggar’s orts to crave,
And time to see one that by alms doth live
Disdain to him disdained scraps to give.
“Let him have time to see his friends his foes,
And merry fools to mock at him resort;
Let him have time to mark how slow time goes
In time of sorrow, and how swift and short
His time of folly and his time of sport;
And ever let his unrecalling crime
Have time to wail th’ abusing of his time.
“O Time, thou tutor both to good and bad,
Teach me to curse him that thou taught’st this ill!
At his own shadow let the thief run mad,
Himself himself seek every hour to kill!
Such wretched hands such wretched blood should spill;
For who so base would such an office have
As slanderous deathsman to so base a slave?
The baser is he, coming from a king,
To shame his hope with deeds degenerate:
The mightier man, the mightier is the thing
That makes him honour’d, or begets him hate;
For greatest scandal waits on greatest state.
The moon being clouded presently is miss’d,
But little stars may hide them when they list.
“The crow may bathe his coal-black wings in mire,
And unperceived fly with the filth away;
But if the like the snow-white swan desire,
The stain upon his silver down will stay.
Poor grooms are sightless night, kings glorious day:
Gnats are unnoted wheresoe’er they fly,
But eagles gazed upon with every eye.
“Out, idle words, servants to shallow fools!
Unprofitable sounds, weak arbitrators!
Busy yourselves in skill-contending schools;
Debate where leisure serves with dull debaters;
To trembling clients be you mediators:
For me, I force not argument a straw,
Since that my case is past the help of law.
“In vain I rail at Opportunity,
At Time, at Tarquin, and uncheerful Night;
In vain I cavil with mine infamy,
In vain I spurn at my confirm’d despite:
This helpless smoke of words doth me no right.
The remedy indeed to do me good
Is to let forth my foul-defiled blood.
“Poor hand, why quiver’st thou at this decree?
Honour thyself to rid me of this shame;
For if I die, my honour lives in thee;
But if I live, thou livest in my defame:
Since thou couldst not defend thy loyal dame,
And wast afeard to scratch her wicked foe,
Kill both thyself and her for yielding so.”
This said, from her be-tumbled couch she starteth,
To find some desperate instrument of death:
But this no slaughterhouse no tool imparteth
To make more vent for passage of her breath;
Which, thronging through her lips, so vanisheth
As smoke from Aetna, that in air consumes,
Or that which from discharged cannon fumes.
“In vain,” quoth she, “I live, and seek in vain
Some happy mean to end a hapless life.
I fear’d by Tarquin’s falchion to be slain,
Yet for the self-same purpose seek a knife:
But when I fear’d I was a loyal wife:
So am I now: O no, that cannot be;
Of that true type hath Tarquin rifled me.
“O, that is gone for which I sought to live,
And therefore now I need not fear to die.
To clear this spot by death, at least I give
A badge of fame to slander’s livery;
A dying life to living infamy:
Poor helpless help, the treasure stol’n away,
To burn the guiltless casket where it lay!
“Well, well, dear Collatine, thou shalt not know
The stained taste of violated troth;
I will not wrong thy true affection so,
To flatter thee with an infringed oath;
This bastard graff shall never come to growth:
He shall not boast who did thy stock pollute
That thou art doting father of his fruit.
“Nor shall he smile at thee in secret thought,
Nor laugh with his companions at thy state;
But thou shalt know thy interest was not bought
Basely with gold, but stol’n from forth thy gate.
For me, I am the mistress of my fate,
And with my trespass never will dispense,
Till life to death acquit my forced offence.
“I will not poison thee with my attaint,
Nor fold my fault in cleanly-coin’d excuses;
My sable ground of sin I will not paint,
To hide the truth of this false night’s abuses:
My tongue shall utter all; mine eyes, like sluices,
As from a mountain-spring that feeds a dale,
Shall gush pure streams to purge my impure tale.”
By this, lamenting Philomel had ended
The well-tuned warble of her nightly sorrow,
And solemn night with slow sad gait descended
To ugly hell; when, lo, the blushing morrow
Lends light to all fair eyes that light will borrow:
But cloudy Lucrece shames herself to see,
And therefore still in night would cloister’d be.
Revealing day through every cranny spies,
And seems to point her out where she sits weeping;
To whom she sobbing speaks: “O eye of eyes,
Why pry’st thou through my window? leave thy peeping:
Mock with thy tickling beams eyes that are sleeping:
Brand not my forehead with thy piercing light,
For day hath nought to do what’s done by night.”
Thus cavils she with everything she sees:
True grief is fond and testy as a child,
Who wayward once, his mood with nought agrees:
Old woes, not infant sorrows, bear them mild;
Continuance tames the one; the other wild,
Like an unpractised swimmer plunging still,
With too much labour drowns for want of skill.
So she, deep-drenched in a sea of care,
Holds disputation with each thing she views,
And to herself all sorrow doth compare;
No object but her passion’s strength renews;
And as one shifts, another straight ensues:
Sometime her grief is dumb and hath no words;
Sometime ’tis mad and too much talk affords.
The little birds that tune their morning’s joy
Make her moans mad with their sweet melody:
For mirth doth search the bottom of annoy;
Sad souls are slain in merry company;
Grief best is pleased with grief’s society:
True sorrow then is feelingly sufficed
When with like semblance it is sympathized.
’Tis double death to drown in ken of shore;
He ten times pines that pines beholding food;
To see the salve doth make the wound ache more;
Great grief grieves most at that would do it good;
Deep woes roll
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