Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âNow, sir, do you begin to be aware that it is useless to scheme for me; that in doing so you but sow the wind to reap the whirlwind? I sweep your cobweb projects from my path, that I may pass on unsullied. I am anchored on a resolve you cannot shake. My heart, my conscience shall dispose of my handâ âthey only. Know this at last.â
Mr. Sympson was becoming a little bewildered.
âNever heard such language!â he muttered again and again; ânever was so addressed in my lifeâ ânever was so used!â
âYou are quite confused, sir. You had better withdraw, or I will.â
He rose hastily. âWe must leave this place; they must pack up at once.â
âDo not hurry my aunt and cousins; give them time.â
âNo more intercourse; sheâs not proper.â
He made his way to the door. He came back for his handkerchief. He dropped his snuffbox, leaving the contents scattered on the carpet; he stumbled out. Tartar lay outside across the mat; Mr. Sympson almost fell over him. In the climax of his exasperation he hurled an oath at the dog and a coarse epithet at his mistress.
âPoor Mr. Sympson! he is both feeble and vulgar,â said Shirley to herself. âMy head aches, and I am tired,â she added; and leaning her head upon a cushion, she softly subsided from excitement to repose. One, entering the room a quarter of an hour afterwards, found her asleep. When Shirley had been agitated, she generally took this natural refreshment; it would come at her call.
The intruder paused in her unconscious presence, and said, âMiss Keeldar.â
Perhaps his voice harmonized with some dream into which she was passing. It did not startle, it hardly roused her. Without opening her eyes, she but turned her head a little, so that her cheek and profile, before hidden by her arm, became visible. She looked rosy, happy, half smiling, but her eyelashes were wet. She had wept in slumber; or perhaps, before dropping asleep, a few natural tears had fallen after she had heard that epithet. No manâ âno womanâ âis always strong, always able to bear up against the unjust opinion, the vilifying word. Calumny, even from the mouth of a fool, will sometimes cut into unguarded feelings. Shirley looked like a child that had been naughty and punished, but was now forgiven and at rest.
âMiss Keeldar,â again said the voice. This time it woke her. She looked up, and saw at her side Louis Mooreâ ânot close at her side, but standing, with arrested step, two or three yards from her.
âO Mr. Moore!â she said. âI was afraid it was my uncle again: he and I have quarrelled.â
âMr. Sympson should let you alone,â was the reply. âCan he not see that you are as yet far from strong?â
âI assure you he did not find me weak. I did not cry when he was here.â
âHe is about to evacuate Fieldheadâ âso he says. He is now giving orders to his family. He has been in the schoolroom issuing commands in a manner which, I suppose, was a continuation of that with which he has harassed you.â
âAre you and Henry to go?â
âI believe, as far as Henry is concerned, that was the tenor of his scarcely intelligible directions; but he may change all tomorrow. He is just in that mood when you cannot depend on his consistency for two consecutive hours. I doubt whether he will leave you for weeks yet. To myself he addressed some words which will require a little attention and comment by-and-by, when I have time to bestow on them. At the moment he came in I was busied with a note I had got from Mr. Yorkeâ âso fully busied that I cut short the interview with him somewhat abruptly. I left him raving. Here is the note. I wish you to see it. It refers to my brother Robert.â And he looked at Shirley.
âI shall be glad to hear news of him. Is he coming home?â
âHe is come. He is in Yorkshire. Mr. Yorke went yesterday to Stilbroâ to meet him.â
âMr. Moore, something is wrongâ ââ
âDid my voice tremble? He is now at Briarmains, and I am going to see him.â
âWhat has occurred?â
âIf you turn so pale I shall be sorry I have spoken. It might have been worse. Robert is not dead, but much hurt.â
âO sir, it is you who are pale. Sit down near me.â
âRead the note. Let me open it.â
Miss Keeldar read the note. It briefly signified that last night Robert Moore had been shot at from behind the wall of Milldean plantation, at the foot of the Brow; that he was wounded severely, but it was hoped not fatally. Of the assassin, or assassins, nothing was known; they had escaped. âNo doubt,â Mr. Yorke observed, âit was done in revenge. It was a pity ill-will had ever been raised; but that could not be helped now.â
âHe is my only brother,â said Louis, as Shirley returned the note. âI cannot hear unmoved that ruffians have laid in wait for him, and shot him down, like some wild beast from behind a wall.â
âBe comforted; be hopeful. He will get betterâ âI know he will.â
Shirley, solicitous to soothe, held her hand over Mr. Mooreâs as it lay on the arm of the chair. She just touched it lightly, scarce palpably.
âWell, give me your hand,â he said. âIt will be for the first time; it is in a moment of calamity. Give it me.â
Awaiting neither consent nor refusal, he took what he asked.
âI am going to Briarmains now,â he went on. âI want you to step over to the rectory and tell Caroline Helstone what has happened. Will you do this? She will hear it best from you.â
âImmediately,â said Shirley, with docile promptitude. âOught I to say that there is no danger?â
âSay so.â
âYou will come back soon, and let me know more?â
âI will either come or write.â
âTrust me for watching over Caroline. I will communicate with your sister too; but doubtless she is already with Robert?â
âDoubtless, or will be soon. Good morning
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