Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âYou read French. Your mind is poisoned with French novels. You have imbibed French principles.â
âThe ground you are treading now returns a mighty hollow sound under your feet. Beware!â
âIt will end in infamy, sooner or later. I have foreseen it all along.â
âDo you assert, sir, that something in which I am concerned will end in infamy?â
âThat it willâ âthat it will. You said just now you would act as you please. You acknowledge no rulesâ âno limitations.â
âSilly stuff, and vulgar as silly!â
âRegardless of decorum, you are prepared to fly in the face of propriety.â
âYou tire me, uncle.â
âWhat, madamâ âwhat could be your reasons for refusing Sir Philip?â
âAt last there is another sensible question; I shall be glad to reply to it. Sir Philip is too young for me. I regard him as a boy. All his relationsâ âhis mother especiallyâ âwould be annoyed if he married me. Such a step would embroil him with them. I am not his equal in the worldâs estimation.â
âIs that all?â
âOur dispositions are not compatible.â
âWhy, a more amiable gentleman never breathed.â
âHe is very amiableâ âvery excellentâ âtruly estimable; but not my masterâ ânot in one point. I could not trust myself with his happiness. I would not undertake the keeping of it for thousands. I will accept no hand which cannot hold me in check.â
âI thought you liked to do as you please. You are vastly inconsistent.â
âWhen I promise to obey, it shall be under the conviction that I can keep that promise. I could not obey a youth like Sir Philip. Besides, he would never command me. He would expect me always to ruleâ âto guideâ âand I have no taste whatever for the office.â
âYou no taste for swaggering, and subduing, and ordering, and ruling?â
âNot my husband; only my uncle.â
âWhere is the difference?â
âThere is a slight differenceâ âthat is certain. And I know full well any man who wishes to live in decent comfort with me as a husband must be able to control me.â
âI wish you had a real tyrant.â
âA tyrant would not hold me for a day, not for an hour. I would rebelâ âbreak from himâ âdefy him.â
âAre you not enough to bewilder oneâs brain with your self-contradiction?â
âIt is evident I bewilder your brain.â
âYou talk of Sir Philip being young. He is two-and-twenty.â
âMy husband must be thirty, with the sense of forty.â
âYou had better pick out some old manâ âsome white-headed or bald-headed swain.â
âNo, thank you.â
âYou could lead some doting fool; you might pin him to your apron.â
âI might do that with a boy; but it is not my vocation. Did I not say I prefer a masterâ âone in whose presence I shall feel obliged and disposed to be good; one whose control my impatient temper must acknowledge; a man whose approbation can reward, whose displeasure punish me; a man I shall feel it impossible not to love, and very possible to fear?â
âWhat is there to hinder you from doing all this with Sir Philip? He is a baronetâ âa man of rank, property, connections far above yours. If you talk of intellect, he is a poetâ âhe writes verses; which you, I take it, cannot do, with all your cleverness.â
âNeither his title, wealth, pedigree, nor poetry avail to invest him with the power I describe. These are featherweights; they want ballast. A measure of sound, solid, practical sense would have stood him in better stead with me.â
âYou and Henry rave about poetry! You used to catch fire like tinder on the subject when you were a girl.â
âO uncle, there is nothing really valuable in this world, there is nothing glorious in the world to come that is not poetry!â
âMarry a poet, then, in Godâs name!â
âShow him me, and I will.â
âSir Philip.â
âNot at all. You are almost as good a poet as he.â
âMadam, you are wandering from the point.â
âIndeed, uncle, I wanted to do so, and I shall be glad to lead you away with me. Do not let us get out of temper with each other; it is not worth while.â
âOut of temper, Miss Keeldar! I should be glad to know who is out of temper.â
âI am not, yet.â
âIf you mean to insinuate that I am, I consider that you are guilty of impertinence.â
âYou will be soon, if you go on at that rate.â
âThere it is! With your pert tongue you would try the patience of a Job.â
âI know I should.â
âNo levity, miss! This is not a laughing matter. It is an affair I am resolved to probe thoroughly, convinced that there is mischief at the bottom. You described just now, with far too much freedom for your years and sex, the sort of individual you would prefer as a husband. Pray, did you paint from the life?â
Shirley opened her lips, but instead of speaking she only glowed rose-red.
âI shall have an answer to that question,â affirmed Mr. Sympson, assuming vast courage and consequence on the strength of this symptom of confusion.
âIt was an historical picture, uncle, from several originals.â
âSeveral originals! Bless my heart!â
âI have been in love several times.â
âThis is cynical.â
âWith heroes of many nations.â
âWhat nextâ ââ
âAnd philosophers.â
âShe is madâ ââ
âDonât ring the bell, uncle; you will alarm my aunt.â
âYour poor dear aunt, what a niece has she!â
âOnce I loved Socrates.â
âPooh! no trifling, maâam.â
âI admired Themistocles, Leonidas, Epaminondas.â
âMiss Keeldarâ ââ
âTo pass over a few centuries, Washington was a plain man, but I liked him; but to speak of the actual presentâ ââ
âAh! the actual present.â
âTo quit crude schoolgirl fancies, and come to realities.â
âRealities! That is the test to which you shall be brought, maâam.â
âTo avow before what altar I now kneelâ âto reveal the present idol of my soulâ ââ
âYou will make haste about it, if you please. It is near luncheon time, and confess you shall.â
âConfess I must. My heart is full of the secret. It must be spoken. I only wish you were Mr. Helstone instead of Mr. Sympson; you would sympathize with me better.â
âMadam, it is a question of common sense and common prudence, not of sympathy and sentiment, and so on. Did you say it was Mr. Helstone?â
âNot precisely, but as near as may be; they are
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