Shirley by Charlotte BrontĂ« (best books to read for teens .TXT) đ
Description
Shirley, published in 1849, was Charlotte BrontĂ«âs second novel after Jane Eyre. Published under her pseudonym of âCurrer Bell,â it differs in several respects from that earlier work. It is written in the third person with an omniscient narrator, rather than the first-person of Jane Eyre, and incorporates the themes of industrial change and the plight of unemployed workers. It also features strong pleas for the recognition of womenâs intellect and right to their independence of thought and action.
Set in the West Riding of Yorkshire during the Napoleonic period of the early 19th Century, the novel describes the confrontations between textile manufacturers and organized groups of workers protesting the introduction of mechanical looms. Three characters stand out: Robert Moore, a mill-owner determined to introduce modern methods despite sometimes violent opposition; his young cousin Caroline Helstone, who falls deeply in love with Robert; and Shirley Keeldar, a rich heiress who comes to live in the estate of Fieldhead, on whose land Robertâs mill stands. Robertâs business is in trouble, not so much because of the protests of the workers but because of a government decree which prevents him selling his finished cloth overseas during the duration of the war with Napoleon. He receives a loan from Miss Keeldar, and her interest in him seems to be becoming a romantic one, much to the distress of Caroline, who pines away for lack of any sign of affection from Robert.
Shirley Keeldar is a remarkable female character for the time: strong, very independent-minded, dismissive of much of the standard rules of society, and determined to decide on her own future. Interestingly, up to this point, the name âShirleyâ was almost entirely a male name; Shirleyâs parents had hoped for a boy. Such was the success of BrontĂ«âs novel, however, that it became increasingly popular as a female name and is now almost exclusively so.
Although never as popular or successful as the more classically romantic Jane Eyre, Shirley is nevertheless now highly regarded by critics.
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- Author: Charlotte Brontë
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âTut!â said the imperturbable Yorke, âyou make too much of it; but still, I say, I am capped. Firstly, that she did not love you; and secondly, that you did not love her. You are both young; you are both handsome; you are both well enough for wit and even for temperâ âtake you on the right side. What ailed you that you could not agree?â
âWe never have been, never could be at home with each other, Yorke. Admire each other as we might at a distance, still we jarred when we came very near. I have sat at one side of a room and observed her at the other, perhaps in an excited, genial moment, when she had some of her favourites round herâ âher old beaux, for instance, yourself and Helstone, with whom she is so playful, pleasant, and eloquent. I have watched her when she was most natural, most lively, and most lovely; my judgment has pronounced her beautiful. Beautiful she is at times, when her mood and her array partake of the splendid. I have drawn a little nearer, feeling that our terms of acquaintance gave me the right of approach. I have joined the circle round her seat, caught her eye, and mastered her attention; then we have conversed; and others, thinking me, perhaps, peculiarly privileged, have withdrawn by degrees, and left us alone. Were we happy thus left? For myself, I must say No. Always a feeling of constraint came over me; always I was disposed to be stern and strange. We talked politics and business. No soft sense of domestic intimacy ever opened our hearts, or thawed our language and made it flow easy and limpid. If we had confidences, they were confidences of the countinghouse, not of the heart. Nothing in her cherished affection in me, made me better, gentler; she only stirred my brain and whetted my acuteness. She never crept into my heart or influenced its pulse; and for this good reason, no doubt, because I had not the secret of making her love me.â
âWell, lad, it is a queer thing. I might laugh at thee, and reckon to despise thy refinements; but as it is dark night and we are by ourselves, I donât mind telling thee that thy talk brings back a glimpse of my own past life. Twenty-five years ago I tried to persuade a beautiful woman to love me, and she would not. I had not the key to her nature; she was a stone wall to me, doorless and windowless.â
âBut you loved her, Yorke; you worshipped Mary Cave. Your conduct, after all, was that of a manâ ânever of a fortune-hunter.â
âAy, I did love her; but then she was beautiful as the moon we do not see tonight. There is naught like her in these days. Miss Helstone, maybe, has a look of her, but nobody else.â
âWho has a look of her?â
âThat black-coated tyrantâs nieceâ âthat quiet, delicate Miss Helstone. Many a time I have put on my spectacles to look at the lassie in church, because she has gentle blue een, wiâ long lashes; and when she sits in shadow, and is very still and very pale, and is, happen, about to fall asleep wiâ the length of the sermon and the heat of the bigginâ, she is as like one of Canovaâs marbles as aught else.â
âWas Mary Cave in that style?â
âFar grander!â âless lass-like and flesh-like. You wondered why she hadnât wings and a crown. She was a stately, peaceful angel was my Mary.â
âAnd you could not persuade her to love you?â
âNot with all I could do, though I prayed Heaven many a time, on my bended knees, to help me.â
âMary Cave was not what you think her, Yorke. I have seen her picture at the rectory. She is no angel, but a fair, regular-featured, taciturn-looking womanâ ârather too white and lifeless for my taste. But, supposing she had been something better than she wasâ ââ
âRobert,â interrupted Yorke, âI could fell you off your horse at this moment. However, Iâll hold my hand. Reason tells me you are right and I am wrong. I know well enough that the passion I still have is only the remnant of an illusion. If Miss Cave had possessed either feeling or sense, she could not have been so perfectly impassible to my regard as she showed herself; she must have preferred me to that copper-faced despot.â
âSupposing, Yorke, she had been educated (no women were educated in those days); supposing she had possessed a thoughtful, original mind, a love of knowledge, a wish for information, which she took an artless delight in receiving from your lips, and having measured out to her by your hand; supposing her conversation, when she sat at your side, was fertile, varied, imbued with a picturesque grace and genial interest, quiet flowing but clear and bounteous; supposing that when you stood near her by chance, or when you sat near her by design, comfort at once became your atmosphere, and content your element; supposing that whenever her face was under your gaze, or her idea filled your thoughts, you gradually ceased to be hard and anxious, and pure affection, love of home, thirst for sweet discourse, unselfish longing to protect and cherish, replaced the sordid, cankering calculations of your trade; supposing, with all this, that many a time, when you had been so happy as to possess your Maryâs little hand, you had felt it tremble as you held it, just as a warm little bird trembles when you take it from its nest; supposing you had noticed her
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